leplatypus An American road movie about two women in a red car. It's « Thelma & Louise » from Ridley Scott for sure but you are wrong : it's this « just like a woman » from french director Bouchareb. As he is a famous director in my country for « Indigenes », i really don't understand why this movie was still unknown, above all it has such famous cast : Zem + Golshifteh + Sienna. In all cases, all my fellows french ignorant don't know what they miss as it's really a strong, moving movie. Maybe the stories of those women can be a little too much in despair and bad relationships (which husband can cheat on Sienna or be distant to Golshifteh ?) but their trip is just a great breath of liberty, freedom and dreams ! I don't know about you but i resent my actual life the same way they did : i'm a bachelor so maybe I don't know about quarrels but i'm for sure restless and if i'm not without job, the one i do is just alienation. So, like those 2 women, i would like to run away « where the streets have no name » like U2 sing accurately ! Actually, the movie offers this opportunity for a too short 90 minutes and in addition, it's also back to nature and escaping civilization because this team goes camping in the West. And can you imagine that for this fundamental trip, you go along brunette Goldsifeth and blonde Sienna. It's a dream-team for me as i appreciate the two of them but if Sienna can find now at least one good movie, for personal reason, the black sad eyes of Goldsigeth just take me away !

alinaderzad Not sure why Rachid Bouchareb would make such a movie. The guy's been involved in some heavy-duty historical projects that have been very well-received in the past. Why, Rachid, why?For some reason, all his movie magic goes right out the door in this uninspiring and impotent road movie featuring a Golshifteh Farahani, in her usual affected demeanor (deep, slow and tragic voice, and the big dark eyes that never seem to blink) entirely devoid of any charisma, a Siena Miller who's trying to save the scenes on her own, and some of the worse performances (lines are spoken artificially and thoughtlessly) from just about everyone. The fact that Bouchareb would hire a French actor like Roshdy Zem (who's otherwise a great actor) is evidence that somebody either lost a bet or had to repay a past favor. Zem is awkward speaking in English and his performance is none the better for it.Farahani was magical and arresting in The Patience Stone. She had a lot of presence when she shared the screen with Di Caprio. Her performance is a fail in Just like a Woman, as is Bouchareb's directing. Nothing to see here, keep moving, folks.

gradyharp Some critics are calling this engaging film a modern day 'Thelma and Louise, but with a happy ending'. Yes, is it is a story about tow disconsolate women who decide to take their lives in their own hands and set out on a road trip to prove they can indeed survive. As written by Joelle Touma and Marion Doussot and directed by Rachid Bouchareb (highly regarded for his touching films 'Days of Glory' and 'London River') JUST LIKE A WOMAN takes on a pair of women who have issues with men and allows us to see the building of a friendship of meaning and one that overcomes sour consequences with gentle grace.Mona (Iranian actress Golshifteh Farahani), 26, is an immigrant from Egypt who was brought to America by her now mother in law (Chafia Boudraa) to run her in-laws' mini market in Chicago and to marry her arranged husband is Mourad (Roschdy Zem), a kind and gentle man who can't stand up to his authoritarian mother. Mona is harassed by her mother-in-law because after five years of marriage, she hasn't be able to get pregnant, something that's considered a shame and a taboo in her culture. Marilyn (Sienna Miller), 29, is a receptionist at a computer repair company. Her marriage with Harvey (Jesse Bob Harper) is on the ropes. The only thing in her life that makes her happy is her belly dancing class as taught by her close friend Peter (Michael Ehlers) who sees Marilyn's gifts and encourages her to try out for a belly dancing group in Santa Fe, NM. Marilyn shops at Mona's mini-market and they have become friends who both incidentally love belly dancing. Two tragedies occur: Mona accidentally gives her mother-in-law a lethal dose of digoxin and fearing she will be arrested she flees; Marilyn loses her job because of the recession and when she arrives home she discovers Harvey cheating on her. With nothing left to lose, Marilyn decides to go to Santa Fe after all. Mona and Marilyn run into each other on a rest area on the side of a highway. They decide to continue the trip together. They cross the USA, pitching their tent in trailer parks and in the middle of the desert. They earn some cash belly dancing together in restaurants and bars. Back in Chicago, Mona is considered a fugitive; she's wanted for the murder of her mother- in-law. Harvey asks the police to look for Marilyn who disappeared without leaving a trace. How the plans of the two women who have become fast friends are resolved provides the somewhat surprise ending.Miller and Farahani create a magnetic chemistry on screen and from the get-go they have us routing for their flight to freedom. The various characters they meet on this road trip are well acted and the general feeling at the end of the film is one of warm applause. Grady Harp

gilknut I think your chances of enjoying this movie increases if you're not burdened by having a penis and/or a brain.The central theme seems to be that most males (except for a gay dance instructor) are complete and utter misogynistic assholes and perverts, not to mention racists. The two girls technically look good dancing, of course, but this movie is so full of self-righteousness and feministic self-pity that it somehow manages to make even a pair as gorgeous as these two come across as almost completely devoid of any sexiness. Of course, that's probably the last thing they're aiming to be -- I'm just warning any fellow male viewers out there who somehow think this movie is a good source for eye-candy. It's really not. Most characters are stereotypical caricatures and you're left with little else than the clear impression that the writers want to inform you that it's not easy to a be a woman, and especially not a non-caucasian immigrant woman. Which I'm sure is correct, to some extent, but it makes for a god-awful, hysterically untertaining(TM) movie.