jjnxn-1
It's a battle of the sexes 50's style with the expected outcome but Bette Davis shows her light side ably supported by a stellar cast. Since comedy wasn't Bette's long suit Warners filled out the cast with some of the premier light comic actors in the business. Robert Montgomery is ideally cast in the sort of facile smart alack that was his signature in his MGM days. He and Bette have a sand-papery chemistry that works fine but it seems that she might have had more rapport with Cary Grant or Clark Gable, two other masters of this kind of breezy fare. She had actually requested either Jack Carson or Dennis Morgan to costar but both were tied up with other commitments, Morgan might have been a stretch but the part would have fit the great Carson like a glove. Surrounding them are two unique masters of the wry line reading-Fay Bainter and Mary Wickes. They add enormously to the film as do Tom Tully, as the bride's flummoxed father, James Burke as a photographer very fond of cheesecake snapshots and especially Betty Lynn in a scene stealing performance as mischief making younger sister Boo. She is an impish delight and handily takes scenes away from her more experienced cast mates. You have to keep an eagle eye out but during the pre-wedding scene Debbie Reynolds makes her wordless screen bow sitting on a sofa. Blink and you'll miss her.Spoiled somewhat by a cop out traditional ending that negates a great deal of what has come before but until that point this is a highly entertaining movie from Bette's late Warner Bros. period. Indeed in the dark days of Winter Meeting and Beyond the Forest this gives Miss Davis a breather to show off her new look hairdo and wardrobe in a slight but fun movie.
vincentlynch-moonoi
This movie surprised me. Typically, although I adore Bette Davis in dramas, I don't usually care for her in comedies. And, I don't care for Robert Montgomery at all...but I liked him very much here. But to me, this is not a comedy per se, although there is a lot of humor in it.Robert Montgomery plays a foreign correspondent who reluctantly accepts a job under his former flame -- Bette Davis. He still loves her, she doesn't still love him...at least not at first. They go to Indiana to cover a "typical American wedding," but it turns out not to be quite so typical.Another thing I rarely find funny in films are drunk scenes. Here, however, Robert Montgomery is hilarious as a drunk.Aside from strong performances by Davis and Montgomery, this film has an extremely strong cast. Fay Bainter is wonderful, as always, although I would have wished her part was more substantial. You'll recognize Tom Tully, but perhaps for his roles in John Wayne-type films...much different here as the father of the bride(s). And you'll recognize Mary Wickes and Marjorie Bennett.While this won't find a place on my DVD shelf, I did truly enjoy it. I think you will, also.
MartinHafer
This may not be the most dramatic or consequential film Bette Davis ever made, but it is still worth watching nevertheless. The odd thing about the film is that it had an odd chemistry by pairing with her and Robert Montgomery, but it isn't bad enough to seriously affect the film. Plus, it is possible that I am one of the few who thought they just didn't make a likely couple. The banter between them, though, is fast paced and charming and although you know they ultimately will discover their love for each other, it works. Why? Well, the writing was good and both leads are good enough actors that they manage to keep it fun and engaging. Formulaic? Yes. But worth a look just the same.
jxm4687
Fitfully amusing for the cast, especially the supporting characters, but the dated material is done in by a weak script. The Davis-Montgomery relationship is core of the film. The chemistry shows promise at the outset, but has really evaporated by the film's end. Davis is watchable, although her performance is variable; Montgomery gets more annoying as things progress and is particularly done in by the strained plotline. Here is an actor who has more mannerisms than Bette Davis (and they don't serve the picture as well). The ending probably annoyed audiences even back in 1948--it certainly doesn't play well in 2003! One wonders what went through Bette Davis's mind during the final scene, considering that this movie was made at time when she was having her famous contract feuds with the Warner Brothers. Was Jack Warner getting back at her?