bigverybadtom The movie starts with the government (I assume) offering land for $3 per acre to people who must improve said land-and then a railroad moves in and takes over the land. The settlers turn to the courts, but the railroad wins the court battle, with the lawyer promising to appeal.Jesse James comes to town-or is he a lookalike gambler, wearing the same clothes? Two female reporters have also come in from St. Louis, hoping to get the scoop on Jesse James, the hero for the underdog (or so this film claims). A railroad official hires the gambler to commit crimes to discredit Jesse James, and the story turns to a mix of confusion. In a shootout, who gets killed, James, or the gambler? Unfortunately the movie fails as history (Jesse James was no hero), or as entertainment-we cannot tell who the good guys or the bad guys are. Even the romance at the end is unconvincing. Despite the all-star cast, the movie is a dud.

bkoganbing In the days before he was permanently playing himself in stories of the modern west, Roy Rogers played a number of real western characters and in Jesse James At Bay he plays the title role. And we learn the 'true' story that being that Jesse was not shot in the back by Bob Ford.When a couple of sharp crooks played by Pierre Watkin and Hal Taliaferro cheat a bunch of honest ranchers and farmers out of their spreads, sheriff Gabby Hayes on the Q.T. sends for Jesse who's been lying quiet in Nebraska and out of the reach of Missouri law enforcement. Of course this does present an ethical problem for Gabby as he is the sheriff and he is sending for a wanted outlaw.But not to be outdone Watkin and Taliaferro use a gambler named Clint Burns also played by Roy Rogers to sully Jesse's image as a Robin Hood. Nevertheless Gabby and Roy as Jesse get on to the scheme and turn it to their advantage quite cleverly.Roy does quite well in the dual role although later on I doubt his public would have tolerated a villainous Roy Rogers. Roy and Gabby have to contend with a pair of reporters played by Sally Payne and Gale Storm who want the 'real' story.As what was said in The Man Who Shot Liberty Valance 'print the legend'.

classicsoncall There's an on screen narrative at the start of the picture that states that this is an alternate legend of Jesse James, citing the historical accuracy of his being gunned down by one of his own gang. The version offered here avows that it's possibility has been 'vouched for by many old-timers'.Roys Rogers (my favorite movie and TV cowboy by the way) not only portrays a historical figure here, but also has a dual role as the infamous Jesse James and a character that resembles the outlaw going by Clint Burns. Interestingly, the character Clint is hired by crooked land dealer Phineas Krager (Pierre Watkin) to impersonate Jesse, while Jesse later impersonates Clint Burns after a fatal shoot-out for Burns. It probably sounds more complicated than it actually is, so you'll just have to check it out for yourself.Gale Storm fans, who remember her from the early Fifties TV series 'My Little Margie", might be surprised to see that she turns up here as a newspaper reporter from the St. Louis Journal doing a story on Jesse James. Actually, she was in a couple more flicks with Roy and Gabby Hayes during this time frame, 1941's "Red River Valley" and "Man From Cheyenne" the following year. She's teamed up with fellow reporter Sally Payne, a regular in Roy's early films from Republic.It wasn't until near the end of the picture that I made a mental note to go back and check something out. Roy Rogers rides his (almost) equally famous horse Trigger BOTH as Jesse James and Clint Burns. This is most evident in an early scene when the outlaws hired by Krager raid Sheriff Gabby Whitaker's ranch led by Clint Burns. Clint arrives and leaves aboard Trigger, and as Jesse arrives on the scene shortly after, he's also riding Trigger! And what are the odds that Clint and Jesse would be wearing the exact same outfits? Probably as good as Roy portraying two different characters in 1942's "Sunset on the Desert" doing the same thing. I wonder what movie audiences of the Forties thought about this coincidence.If you're expecting a handful of tunes from Roy as usual you might be disappointed here. There's only one when Roy serenades Gale Storm while horseback riding through the countryside. It must have done the trick because at the end of the story, Gale's character decides to hand her newspaper story over to partner Polly Morgan (Payne) to ride off into the proverbial sunset with Roy, ...er Jesse, ...er whoever.

Brian Camp In JESSE JAMES AT BAY (1941), Roy Rogers does a good job enacting a dual role as Jesse James and Clint Burns, a Jesse look-alike employed to commit crimes to besmirch Jesse's reputation among the farmers of Missouri. The plotting of this Republic Pictures B-western starts out strong as farmers are given options on parcels of land along the railroad right-of-way in order to encourage development, only to lose the land after they've farmed it when the court throws out their options. The broker who convinced them to make the deal then forces the farmers out so he can sell the land at a profit. The real Jesse comes out of retirement to rob the land broker and give the money to the farmers so they can buy up their own land. The land broker then hires the Jesse look-alike to burn farmhouses and terrorize farmers in Jesse's name in order to thwart their support of Jesse. One's credulity gets severely strained, however, when the Jesse look-alike begins palling around with the land broker in full public view and no one puts two-and-two together. At this point, two goofy lady reporters from St. Louis (played by Gale Storm and Sally Payne) start nosing around and popping up everywhere and the whole plot starts to sink under the weight of its own silliness. Now it was a given in B-westerns that the villains behind the scenes were usually high-level capitalists and land barons, but they usually had plenty of henchmen to do the dirty work. Here, things get utterly ridiculous when the land broker and the shady lawyer get on horses and whip out guns themselves and chase the sheriff and the incorruptible judge into the foothills, culminating in a shootout in the rocks among middle-aged men, three of them in suits.Roy is quite a revelation in his scenes as the criminal look-alike. His sullen look and behavior in the role indicate a darker side that, unfortunately, never got exploited in his long career. Also on hand are Gabby Hayes as the sheriff, Hal Taliaferro as the lawyer, Roy Barcroft as a henchman, and Pierre Watkin as the devilishly smooth land broker. Storm and Payne are actually quite funny as the lady reporters, but the comic relief seems a little misplaced at that point in the film, helping to undermine the already weakened suspense. The film has a lot of good elements and started out on a promising note, but the script ran away from itself making the end result just another minor B-western capitalizing on the Jesse James name.