Frozen Heart Here to start....why the op mission, and how he came back from new york and why he is alive still. Okay the doc was compel to eat the heart because it was pure evil, but why he must to from body to body, and then came out like a creature and why he reborn from a dead woman in full clothes and mask. Ohh and the lights, it was magical....... Just a totally mess, really dont bother to see this, its just horrible and a offence to the other movies, even the bad ones.

adonis98-743-186503 The secret of Jason's evil is revealed. It is up to the last remaining descendant of the Voorhees family to stop Jason before he becomes immortal and unstoppable. This is the final battle to end Jason's reign of terror forever. If part 8 made no sense to you? Part 9 is going to definitely give you a headache i mean 'Jason Goes to Hell' must actually be the dumbest of the series so far since it makes little sense and the storyline is freaking confusing to begin with. This hurt the series so much that it took the next millennium to actually return with Jason X. (0/10)

TheLittleSongbird 'Friday the 13th' may have been panned by critics when first released but since then it is one of the most famous and influential horror films, the franchise containing one of horror's most iconic villains. The film is popular enough to become a franchise and spawn several sequels of varying quality and generally inferior to the one that started it all off. 'Jason Goes to Hell' for me is one of the worst of the 'Friday the 13th' films, a strong contender even for the worst. Is it irredeemably awful? No, not quite, don't think any of the 'Friday the 13th' films are. Then again this is coming from somebody who tries to see the good in bad films etc. and even tries to say where good to great films etc. could be improved on, not somebody who hates on everything or declare every film seen a classic. Sadly though, despite not caring hugely for the previous two instalments, 'Jason Goes to Hell' is indicative of the series has gone to hell. Are there good things here in 'Jason Goes to Hell'? Yes there are. The highlights are the tense opening scene and the slicing in half death (very strange but both disturbing and not easy to forget). Kane Hodder does a lot with little and is suitably creepily intimidating. There are instances too where the film is also inventively shot. On the other hand, while a good deal of 'Friday the 13th' films are silly, the silliness here is overkill that it becomes insultingly ridiculous. It is certainly the most bizarre film in the series, and not in a good way, and it completely gets in the way of scares or suspense. 'Jason Goes to Hell' overdoes just as much on the weirdness as it does with silliness. A lot fails to make sense, with too many parts confusing the story, and things that beg for an explanation are left unexplained, anything explanations are like the previous films didn't happen because so much doesn't fit.Hodder aside, the acting is really poor, even for the 'Friday the 13th' films where acting rarely was a strength. Likewise with the dialogue, which is 'Friday the 13th' at its most taking-simplicity-to-extremes, stilted, cheesiest and lacking in taste. Nothing is truly scary here, apart from the opening and one memorable death and suspense is nil. The kills are generally neither creative or shocking (going for more quantity, with a very large body count, than quality where gore feels too much and gratuitous. The pacing is far too hectic, the film never stops moving and everything here feels incredibly rushed, and this hurts the atmosphere and the storytelling. 'Jason Goes to Hell' is also the first film in the series where the music score is a drawback and not a redeeming feature, not only does the music sound cheap here it also is so discordant with what's going on and like it was written for a different film.Concluding, not a good film and indicative of a severe decline of a variable series of films. 3/10 Bethany Cox

Sean Lamberger During the 1980s, only two years passed without an entry in the Friday the 13th series. That's eight films in ten years, and while the quality usually betrayed those short production times, they always felt like kin. Spiritual relatives. It took four years for a ninth chapter to see the light of day, plus a switch from Paramount to New Line Cinema, and somewhere along the way there was a great disconnect. A true B-grade picture in every sense, Jason Goes to Hell is the worst Friday yet, and one of the most desperate, flailing, pointless films I've ever seen. Though veteran blade-swinger Kane Hodder has returned to the role, this Jason bears little resemblance to the cool, creepy psycho killer of the earlier films. Inflated and deformed, at this point he's basically a roid-raging leper in a twisted, vaguely-familiar hockey mask, but he's changed in more than just a physical sense. The story revolves around his black heart, literally migrating from host to host to inspire fresh killings after Jason himself is blown to bits in the opening scene. We've swallowed some absurdly stupid plot devices over the course of this franchise, including a similarly lame-brained "fake Jason" angle in 1985's A New Beginning, but this one sets an awful new standard. It plays like cruddy straight-to-video '90s gimmick horror, not the quaintly under-produced slasher material that had typified the series to this point. Needless to say, the acting hasn't improved (somehow, impossibly, it's actually grown much worse) and the production values, which enjoyed a well-deserved bump in Jason Takes Manhattan, are once again cut-rate and pitiful. Not a good look for New Line, proving right out of the gates that they don't understand what they're making and don't honestly care, one way or the other.