Peter Pluymers "There's nothing to do or say. Um... we live, we drive, we crash, we die. Had to happen sometime."Coincidentally, I have just seen "Marrowbone". A film about someone who has difficulties in processing the loss of a loved one. And when I was about halfway with "Jack goes home", I realized that I was watching a similar story. And it might be that the ultimate outcome is identical. I wasn't far wrong. And to be honest, I thought this intriguing film slightly better than the previous one. And this only because of the brilliant acting of Rory Culkin. A portrait about how madness takes over someones personality.I hadn't seen the name of the actor who's playing the leading role. So I was wondering for a long time where I had seen that face before. And when I finally found out his name was Culkin, it hit me. Damn, he looks a lot like his brother who made a couple of burglars their lifes a hell in "Home Alone". But I must confess that his acting performance surpassed everything that his famous brother Macaulay ever did. As Jack, Rory displays a whole range of feelings and moods. From pride to indifferent. From sadness to calmth. One moment he tries to unravel an old family secret. The next moment he flees into a daze of alcohol and drugs. He even experienced homosexual delusions. And all this after he was forced to return to his parental home because his father died in a car accident.It's clear from the start that something isn't right. That indifference with which Jack tells his pregnant wife that his father died. Even though his father apparently was pretty important to him. The way in which he tells in detail about his beheaded father, is strange and frightening. On the other hand though it's strangely enough also funny in a certain way. The behavior of his mother Teresa (Lin Shaye) is also strange. Perhaps the traumatic effect after the accident? After her outburst during dinner about whether she should or should not mourn about the loss of her husband, you start to think she's relieved about that loss. Are those dark family secrets real? It results in a complex mother-son relationship which escalates as the film progresses."Jack goes home" is such a movie that makes you feel uncomfortable. Despite the total lack of bloody or frightening images (even with a creepy attic in the house), there's this constant feeling of tension. The psychological chaos is a constant in this film. "Jack goes home" balances between a ghost story and a psychological family drama. Jack is involved in a battle with his personal demons and seems to be gradually losing his grip on reality. And even though the characters are of such a nature that there is always the danger of relapsing in overacting, the main actors ensure that they do not fall into that trap. It feels like I'm repeating myself, but the acting of Rory Culkin is fascinating. For me this movie is worthy a watch. In other words, a must see. And if you get the chance to see it, let me know if I'm totally wrong!

astaknut The film centers around Jacob, who is weird and defensive and maybe a jerk or maybe a misunderstood, damaged soul. Jacob's girlfriend is pregnant and then he gets a call that his father has died in an accident. So Jacob goes home. Rory Culkin as Jacob is in almost every scene and that's a good thing. Even though this film was disturbing and ultimately disappointing, I watched all of it. It kept me on the edge of my seat, wanting to know what the hell was going on. Which is part of this movie's problem: too much was going on. Had the story been stripped to its bones and had the film been cut back in length, it would've been better. As it is, it's atmospheric but frustrating and messy. It's beautifully shot and Rory Culkin was pretty amazing. I read another review saying he was basically a block of ice but I completely disagree. The leads (especially Culkin) made what otherwise would've been crappy dialogue sound natural and all round I thought the cast was decent to very good. What I don't get is why anyone would hire Natasha Lyonne or Nikki Reed to then only give them one short scene. Makes me suspect scenes were cut and somebody hadn't figured out beforehand what do storywise.

ramonaridgewell Thomas Dekker's new delightfully creepy psychological thriller, Jack Goes Home, is an intriguing dive into a young man's overwhelming grief. It was a favorite at the 2016 SXSW and was released October 14, 2016, to theaters, and on Video On Demand and iTunes. Don't miss this one.Dekker has learned his craft well and mastered the art of storytelling. Watching this film is like crossing a stream and trying to keep your feet dry by stepping on the rocks. When you get to the rapids, it's impossible to keep from getting swallowed whole and being completely immersed in the horror in Jack's mind. You lose track of which way is up, and what is real and what is not.As the film begins, Jack Thurlowe (Rory Culkin) is at work. He seems normal, if a bit eccentric and acerbic, and we find he and his fiancée are expecting a child. After his parents are involved in a horrific car accident, Jack is forced to return to his childhood home. Being there stirs up memories, real or imaged, in Jack's mind.Jack's mother, Teresa—played impeccably by Lin Shaye, queen of the horror genre— vacillates between nurturing and terrorizing. I found myself wondering how much of his mother was real and how much a projection of Jack. And what really happened up in that creepy attic.The one thing that seems real throughout the story is Jack's best friend, Shanda (Daveigh Chase), a large rock for Jack to cling to when the turbulence in his mind threatens to overcome him.Dekker shows a keen ability to get his actors to create believable characters in an horrifying story. Culkin was mesmerizing as Jack, sometimes vulnerable, sometimes stoic, sometimes chaotic. His life-long career as an actor—he's been acting since he was three—shows in the maturity he brought to this role. When the director needed her to oscillate between a loving, caring mother and a vicious, vindictive villain, Shaye was able to do this with ease. Chase captured well the concern of a friend trying to hold Jack in the real world throughout his rejections and violent attacks. Louis Hunter gave a sinister quality to the horny boy next door, Duncan, making me question his motivations.Jack's demons were reminiscent of the ones in The Babadook (Jennifer Kent, 2014), Tale of Two Sisters (Kim Jee-woon, 2004), and Mysterious Skin (Gregg Araki, 2004). The element of a traumatized mind trying to make sense of nightmarish events is there in all of these.The lovely and peaceful setting in Kingston, New York, provided a stark contrast to the turmoil in Jack's mind. The outdoor cinematography, by Austin F. Schmidt, was very impactful—making Jack look small and insignificant as he enters the enormous family home, and later, at the funeral. The score, by Ceiri Torjessun, added ample creepiness and tension—even the soft, lyrical numbers had edgy undertones. It's available on iTunes.Dekker invested a lot of himself in this story. He, too, was a victim of child abuse, and has had to deal with the grief of losing his own father as a young man. Life experiences like these help a writer find real emotions to portray. I recognized my own reactions to people around me trying to make sure I was all right after the death of my husband—their awkwardness, my reassurances, were all there in Jack's interactions with the people he encounters.I'm very impressed with Thomas Dekker. Like Culkin, he's been acting since he was a young child. He's worked with the likes of John Carpenter (Village of the Damned, 1995), Gregg Araki (Kaboom, 2010) and Robert Hall (Fear Clinic, 2015), all of whose influences are seen in Jack Goes Home. Dekker wrote and directed his first film, Whore (2008), at the tender age of nineteen and has also released two music albums.Jack Goes Home was produced by Yale Productions and SSS Entertainment in association with Isle Empire Pictures, and distributed in the US by Momentum Pictures.Dekker and Culkin worked together again this year on Welcome to Willits (Trevor and Tim Ryan), which will be out in 2017. It's nice to see these young men continuing to create creepy horror films.

chicagovesuvi I give kudos to Thomas Dekker for writing and directing a layered psychological drama (with horror elements) that I found utterly compelling. I'm so grateful that I took a chance on it... because I hadn't read or heard anything about it. I just recognized some of the names on the cast/crew list... and now, in the afterglow, I feel like I won a cinematic jackpot.Rory Culkin, Lin Shaye and Britt Robertson all had Oscar-worthy moments in the clarity of their emotional expressions. I must also give mention to Daveigh Chase and Louis Hunter who did fine jobs as well.This movie won't be for everyone, unfortunately. But I think people who appreciate good, methodical, dramatic storytelling (and those who understand how torment can warp the psyche) should find this flick an immensely satisfying piece of art.