MartinHafer Whether you like or hate "I've Lived Before" will depend entirely on what you think of the notion of reincarnation. I myself think it's a lot of crap....but I cannot simply dismiss a movie because I disagree with the premise. But if the film is trying to convince the audience, it's got a lot more to do.John Bolan (Jock Mahoney) is an airline pilot. During what would seem to be a routine flight, he loses his mind and tries to smash the plane into the ground!! If it wasn't for the co-pilot slugging him, everyone aboard would have died.John is sent to a sanitarium and a psychiatrist (John McIntire) works with him to determine if he's mentally ill, psychotic or normal Well, he obviously isn't normal...so he, along with John's fiancee, work to determine what happened...and the ultimate answer is that in a previous life he must have been a WWI pilot! The problem with this film isn't so much the subject matter but that there is some poor acting (the fiancee was a weak character and often seemed poorly written) and a tendency for characters to go off on long and annoying monologues. Not a terrible film but one that really lacks the polish and believability to get its subject across effectively.

clanciai It's not a good film, but it's an interesting subject. How they treat it could be discussed indeed, and it's not very well. The story is this. A passenger airplane pilot sees an elderly lady as a passenger he has never seen before but recognizes her and gets confused for not being able to place her. In the confusion in charge of the plane he suddenly becomes another person and almost crashes the plane. When he wakes up at the hospital he still believes he is a crashed war pilot of world war one. Of course, this creates a problem, especially since he doesn't even recognize the girl he is going to marry. The whole rest of the film is only discussions, so it gets monotonous, but Ann Harding as the elderly lady makes a fascinating performance - she commands every scene she appears in, and it's actually her case the whole story is about. It becomes something like a metaphysical detective story. The doctor's explanation of the phenomenon is that it's all about telepathy. All doubters are of course, like always, eventually proved stupid and wrong.Phenomena like these occur, there are always doubters and deniers trying to explain them away, the insistent maniac who is too aware of the truth to be able to compromise with it is always proved right, sometimes not without martyrdom, but here the most important issue is left unanswered. Will the pilot ever again be admitted to fly? Many questions are discussed at length and answered, but this only important one is carelessly and irrationally neglected.

django-1 This film was released during the short-lived "Bridey Murphy" reincarnation craze of the mid-1950s. As such, I expected it to be somewhat exploitative, but it actually turned out to be a serious, well-intentioned study of reincarnation that presented alternate viewpoints, explored psychological explanations, and told the story of someone whose reincarnation story appears to be true. Jock Mahoney, usually associated with western and jungle films, does a fine job as a pilot who has strange, unexpected flashes of memories and unexplained knowledge from the life of a World War I pilot who died in 1918. My teenaged daughter, who was working on the computer in the same room where I was watching this film, stopped her work a few minutes into the film, and soon after came over to the couch and watched the rest of the film, riveted. I should state that this is a low-budget B-movie and contains a lot of talky sequences and serious-minded soliloquies--the kind of things that are not too popular with today's jaded, ironic screenwriters-- but those who would enjoy a serious (although in some ways naive) examination of reincarnation on a b-movie level should find this film worth seeking out.

bux An interesting concept-reincarnation-is poorly addressed in this psychological drama. The bad acting and poor direction are extremely disappointing, considering the brief glimpse of genius Director Bartlett showed in earlier efforts-"The Silent Raiders"(1954) and "Silver Star"(1955). The stiff acting, and lack of direction, combined with preachy dialogue, deliver a picture reminiscent of an Ed Wood production.