Isle of the Snake People

1971
Isle of the Snake People
3.4| 1h30m| en| More Info
Released: 01 March 1971 Released
Producted By: Azteca Films
Country: Mexico
Budget: 0
Revenue: 0
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Synopsis

The inhabitants of a small, remote island have been practicing voodoo rites and worshipping an evil priest named Damballah for years, but the local law officials generally turn a blind eye to this death cult's bizarre activities. Captain Labesch arrives from the mainland, determined to crack down on the island's lawlessness and clean up the ineffectual, hard-drinking police force. He appeals for assistance from wealthy plantation tycoon Carl Van Molder, who owns nearly half of the island and wields a great deal of influence over the population. Van Molder has made the study of parapsychology his life's work and believes in the secret powers of the mind. He warns Labesch not to interfere with this forgotten island's ancient ways. Also visiting is Van Molder's niece, Annabella, a temperance crusader who wants her uncle to help fund the International Anti-Saloon League. She falls in love with handsome police lieutenant Andrew Wilhelm

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soulexpress On the Caribbean island of Korbai, the natives perform animal and human sacrifices under the mysterious voodoo priest, Damballah. When a new law-enforcement official, Captain Labesch (Rafael Bertrand), arrives, he is outraged that the police have turned a blind eye to the cult's murderous ways. Determined to bring about law and order, Labesch seeks the aid of Carl Van Molder (Boris Karloff), a wealthy and powerful landowner who advises the captain against interfering with native customs. When he ignores Van Molder's advice, policemen start turning up dead, killed by female zombies under the command of the sultry priestess Kalia (Tongolele) and a grinning, maniacal dwarf (Santonon) in sunglasses. There's also a romantic sub-plot involving Labesch's assistant, Lt. Wilhelm (Carlos East), and Van Molder's visiting niece, Annabella (Julissa), who is a proud member of the Anti-Saloon League.Karloff looks like death warmed over but is reasonably effective as the oily Van Molder. Tongolele drips with diabolical sensuality as the snake-handling voodoo priestess; the close-ups of her eyes are particularly stunning. The highly attractive Julissa is less than believable as the chaste and tee-totaling Annabella; her most effective scene is a fevered-dream sequence in which Annabella has lesbian sex with her doppelganger. Rafael Bernard chews the scenery as the self-righteous, tunnel-visioned Captain Labesch. Carlos East is barely there as the handsome, if hard-drinking, Lt. Wilhelm.The most striking performance is the dwarf Santonon's. Whether flogging an errant zombie, laughing insanely as he beheads a chicken, helping Kalia perform a ritual to manipulate Annabella's dreams, or bleeding to death after he is repeatedly slashed with a machete, Santonon fully owns each of his scenes. I can't say that his performance is good, but it damned sure stayed with me!SNAKE PEOPLE is by no means a great horror film, but I found it entertaining—even if it didn't take me long to figure out who Damballah was; even if the horrible dialogue sounds even worse when dubbed from Spanish to English; and even if the ending was too damned abrupt. The best scenes are mainly of the snake-dancers and the voodoo rituals.My favorite line of dialogue, courtesy of Annabella: "Modern science has proved that alcohol is responsible for 99.2% of all the world's sins!" (Yeah, the same way it proved that vaccines are responsible for autism.)
The_Void I had a funny feeling that this film was going to be rubbish, and rather unsurprisingly; I was absolutely right. The Snake People is cheap and nasty; and not nasty in the good sense of the word, I mean nasty as in fiendishly boring and devoid of any reason for watching. The plot is highly unoriginal and focuses on something to do with voodoo and snakes. Many a good horror film has been based on a plot like this; but The Snake People makes no attempt to make the proceedings interesting, and consequently we end up with a dull, plodding film that made me wish I hadn't started watching it. Of course, the only reason this film is even remembered at all these days is down to the fact that it stars the late great Boris Karloff. Apparently, Karloff died before this was released and it's probably a good job too, as I'm sure the great horror master would not have been too fussed with how he's used here! Sometimes with crap films like this, you can expect some consolation from things like blood and nudity; but The Snake People doesn't even provide that small pittance. Overall, this is one of a (thankfully) small number of films that I really wish I hadn't bothered with - give this one a miss!
Jonny_Numb Snakes. A midget with a flower painted on his bald head. An aging Boris Karloff in full-on "Colonel Sanders" mode. An inane plot (that's neither funny nor so-bad-it's-funny) intercut with backlot, Roger Corman-style voodoo ceremony scenes. Bad dubbing trying to pull all the disparate elements together.This South-of-the-Border horror quickie (scripted by Jack Hill, of "Spider Baby" fame) is one of two films that spliced in separately-shot footage of Karloff near the end of his life to make the lousy thing marketable. "The Snake People" is just a dull, charmlessly inept piece of junk--director Juan Ibanez makes Ed Wood look like Scorsese.
Kenneth Eagle Spirit This thing deserves a better reputation. True, it has its down side. The photographic technique isn't the best. Quickly panning in and out, jerking the camera around, these are things I think directors do when they don't know what else to do. Lack of imagination excused by low budget. Aside from that it has lots of pluses. Karloff is good, as always. The rest of the cast play their parts very well. Two in particular come across perfectly and so help make this a good flick. Carlos (Charles) East does well as Wilhem, making the character very natural and hence believable. But, my opinion, the best player of them all? Yolanda Montes, billed as Tongolele, as Kalea. With her sex appeal and that budding "Bride of Frankenstien" hairdo shes dead on as the Voodoo priestess. And with sex appeal in mind, I noticed a pronounced current of underlying sexuality that flows nowhere. But things like that help pull 'em in when you show the promos. This isn't a bad movie. For a B flick its OK.