MartinHafer Hmmm...this is a hard film to review and perhaps the other reviewer who says this stands repeated viewings is correct, as with only one viewing I wasn't all that impressed. The biggest reason is that I had a certain expectation that was too great for even a very good film to match. Toshirô Mifune plays the "Yojimbo" (or, the Body Guard)--the same name given to his character in Akira Kurosawa's SANJURO and YOJIMBO--two of the greatest Japanese films I have ever seen. Supposedly he's the same guy in this film, but I just couldn't see that. While it was the same name and actor, it just didn't seem the same. The cleverness and comic style of this film character is gone--no finesse whatsoever. Instead of the smart and manipulative Yojimbo, Mifune instead plays a guy who mostly just stands back and watches thing happen all around him. He's just too passive and uninvolved to seem like the same guy at all.It's a shame, really, as the film also starred Shintaro Katsu (famous for his Zatoichi character) and the combination of the two exceptional actors could have been great. Instead, the film just seems to be on hold until the last half hour--with very little occurring up until then. And, when the action did occur, the number of twists and turns and odd loyalties made the whole thing a bit confusing...and very detached. I especially had a hard time understanding Mifune's actions and attitude towards the evil Katsu. Interestingly, another film that starred both actors and was not directed by Kurosawa (ZATOICHI MEETS YOJIMBO) was also a disappointment (ZATOICHI MEETS YOJIMBO--while not a bad film, it was actually not as good as the average film in this series--and once again, you expect so much with a film supposedly starring the Yojimbo. I guess the key to both of these films is that neither had anything to do with Kurosawa! Without the famed director, you just can't say it's the same.

Matt This film is sure to appeal to fans of its famous principle actors Toshiro Mifune (Yojimbo), Katsu Shintaro (Zatoichi) and Yujiro Ishihara (Baby Cart series). The film was the last film in director Hiroshi Inagaki's long career. It will please the fans of the jidai geki (historical period drama) more than the those looking for chambara (sword fighting flick).The film is considered to be the last of four films featuring the 'yojimbo' (bodyguard) character or nameless samurai created for Mifune by Akira Kurosawa. The first two films, "Yojimbo" and "Sanjuro", are classics of the genre and have much more ambitious goals than the film we are considering here. The third film, the weakest offering amongst the the four, was "Zatoichi Meets Yojimbo" directed by Kihatchi Okamoto in which Toshiro Mifune does not really play the same character we are considering here and is a film which fits more comfortably into the chambara category.This film feels much like an extension of the Japanese television 'period drama' of its day which I confess to being somewhat partial to. It is elevated by the star studded cast and their performances however it is limited by a tendency at times toward melodrama, the use of stock genre character types and what appears to be a hastily tacked on ending to provide resolution to one of the major narrative threads. It is the last element which is the most unsatisfactory and the film would probably have been better served without tying up this thread at all rather than handling it in a manner which makes it appear to be a cursory afterthought.Still the film does have much which will satisfy fans of the genre with good performances, an interesting if complex interplay of events and an examination of human behaviour when looking at individuals placed in a high pressure situation. I have heard the film compared to Archie Mayo's "The Petrified Forest" with Leslie Howard and Humphrey Bogart. This is an apt comparison from the standpoint of the situation which the characters find themselves in.For those solely interesting in the action elements: The film does have two interesting scenes of sword play, the first beautiful and brief, the second longer and exciting if somewhat less beautifully choreographed. It also features a ham handed fist fight near the beginning of the film which would make John Wayne appear a well schooled boxer by comparison.But really for those looking for a blood and guts samurai flick you would be much better served by picking up something like "Sword of Doom" or something from the Zatoichi series. This is a film for fans of genre, looking for a rather standard period drama elevated by good performances by Mifune and Katsu.

massaster760 Treachery, betrayal, romance, and double crossings abound at a small inn at a remote pass in Inagaki Hiroshi's Incident at Blood Pass, a wonderfully constructed and suspenseful chambara classic.Toshiro Mifune reprises his role as a wandering ronin named Yojimbo, sent on a mission to a remote mountain pass named Sanshuu Pass. His instructions are simple he is, "to go to Sanshuu pass where (he) will wait until something happens." Once there, Mifune takes up a short residence at a local inn run by Oyuki and her grandfather. One of the residents at the inn is a doctor named Gentatsu (Katsu Shintaro, in a role that's a considerable departure from his Zatoichi character) who helps the innkeepers with their daily chores. Shortly after Yojimbo arrives, an officer barges in with a prisoner named Tatsu, this event throws into action a series of events which results in more plot twists and turns than a hot bowl of Soba noodles. Mifune and Katsu are excellent as always. Katsu's performance of Gentatsu is deliciously corrupt and ambiguously evil. Mifune is a little more reserved and serious than in Zatoichi Meets Yojimbo(Blood Pass and ZMY, are the only two films that feature both Katsu and Mifune) but is great and plays the role of a ronin like only he can. The ensemble cast is good as well from the grandfather down to Okuni (a woman Mifune saves from an abusive husband earlier on in the film). I particularly liked Kinnosuke Nakamura's power tripping dispatch officer Hiyomi who was as great as he was irritating.Blood Pass also features some beautiful cinematography and a rousing score. There are some beautifully filmed shots of snow capped mountains and foggy forests with a buoyant orchestral score. The film also features percussion music ala a young group of villagers who are in a drum band who frequent the inn. Although Incident at Blood Pass is a samurai film, it's not stuffed with chambara action. Most of the fun of Blood Pass comes from a hostage situation which occurs at the inn about an hour into the film. These segments are suspenseful and well directed, and are just as enjoyable as the free for all swordplay that fills the last ten minutes of the film. Incident is a great film but not without it's faults. The first 40 minutes are paced so slow that it borders on tedium. Katsu's Gentetsu disappears from the film for about a half an hour and is sorely missed. Lastly, the final scene of the film (Don't worry I won't give it away) seems as if it was thrown in at the last second.Bottom Line- Incident at Blood Pass has it's faults but it's strengths clearly outweigh its negatives. Highly recommended for fans of the genre but still a great film by any standards.

Brian Camp INCIDENT AT BLOOD PASS (aka MACHIBUSE, 1970) is a period suspense drama set at a remote inn located at a crucial mountain pass in Tokugawa-era Japan. It takes the time-honored premise of gathering a motley cast of characters and forcing them into close quarters together as trouble brews before a major confrontation. Toshiro Mifune stars as a wandering `yojimbo' (bodyguard) who has been hired to go to this pass and wait for something to happen. Quite a number of intriguing characters show up before Mifune gets a chance to figure out what his mission is.Shintaro Katsu (known for playing the title role of the blind swordsman in the Zatoichi series) plays an exiled doctor to whom there is more than meets the eye. A young wife whom Mifune rescued from an abusive husband gets a job at the inn and falls for Mifune. A young gambler arouses the passions of the innkeeper's pretty granddaughter. A zealous constable arrives holding a con man prisoner and proceeds to repulse everyone with his overbearing arrogance. When two of the con man's confederates come to try to free him, Mifune sides with the constable and fights and kills one while the other gets away to alert his gang. When the gang arrives that night, they hold everyone in the inn hostage and, not long afterwards, Mifune learns his true mission.A lot of tension is generated as the characters gather, romances develop, alliances form, and the audience is kept guessing as to who's really who and what's really what. Eventually we learn that the criminal gang is waiting to rob a caravan of the Shogun's gold scheduled to come through the pass the next day and the stage is set for a major action setpiece.The film is structured like a play, with most of the action taking place within the sprawling mountain inn where the characters all congregate. It recalls any number of Hollywood crime dramas and westerns where gangsters or outlaws hold a group of people hostage for an extended period while the hero waits for his chance to turn the tables on them. The characters here are all fascinating and well-etched and the conflicts that emerge develop naturally and believably from the volatile mix. In addition, they're all extremely well acted in a piece that's beautifully photographed and staged.Unfortunately, the payoff for all the waiting and suspense is surprisingly weak. Fans of Mifune and samurai films routinely expect a major sword duel between the hero and his antagonist to close the film, but it never happens here. A good reason is given for averting the confrontation with Mifune's opponent (who will go unidentified so as to avoid a spoiler), but it leaves the audience hanging. The final action, when it does occur, is run through rather quickly, relegated to the simple matter of rounding up and apprehending the criminals rather than releasing any tensions or providing cathartic bursts of violence. The first 5/6 of the movie is so good that it remains worth seeing, but don't expect an action-packed finale. The film is available on tape in the U.S. in a beautiful letter-boxed transfer with English subtitles.