In the Name of the King III

2014
3| 1h25m| R| en| More Info
Released: 11 March 2014 Released
Producted By: Event Film Distribution
Country: Germany
Budget: 0
Revenue: 0
Official Website:
Synopsis

Hazen Kaine, an American contract killer living in Sofia, Bulgaria, gets more than he bargains for when he enters into a contract with the mob. One last job before he gets out and starts a new life for himself. The targets: the three children of royal billionaire Andon Dupont. Seems simple enough, or so he thought. Hazen apprehends the children, and before he can blink an eye, a simple necklace worn by one of the children sends his life spiraling back to medieval times. Now completely out of his element, Hazen fights for his life as he tries to escape a medieval army and a fierce fire-breathing dragon.

... View More
Stream Online

Stream with Prime Video

Director

Producted By

Event Film Distribution

Trailers & Images

Reviews

Michael Ledo Dominic Purcell has taken over the role of the tough guy as Hazen Kaine. He is a hitman in Bulgaria and is given one last job before he retires, and that is to kill the two young daughters of Bulgarian royalty. He kidnaps them and locks them in a sealand. He takes from the older girl a medallion, one that matches a forearm tattoo he got in California. The next thing you know he is transported back into time...a time in Bulgarian history when they had a fire breathing dragon and spoke modern English with Eastern European accents.He discovers that because of a tattoo which his now dead wife liked, he is destined to lead an army against the bad guys, fend off a dragon, and oh yea, there are these princesses babes with swords, the older of which doesn't like him. But in order to get back to the future, he will have to do it. I think you can write the rest of the story on your own, toss in a good shaman, and dress the bad guys in black. In fact you could script a better tale.You don't really need to see the other two films of this Uwe Boll masterpiece series of bad theater in order to understand it, although I will admit I was more partial to those films. This is very similar to the second feature of the seriesMy biggest criticism is the name "Hazen Kaine". In the first feature the hero is named "Farmer." In number two it was "Granger." So what was with Kaine? How about "Stockman"? Sure there is a homonym connection Kaine=Cane. A crop is not a farmer.Parental Guide: Plenty of F-bombs from Purcell...especially when he tries to mount a horse. No sex or nudity.
adonis98-743-186503 A modern day assassin, wanting out, is hired for one final job: to kidnap the kids of a local businessman. Things go haywire when it turns out he's chosen to return to the Middle Ages and bring back order to a kingdom in chaos. Uwe Boll once again directs a In the Name of the King film and once again the end result is pure garbage fire and it's a pretty bad waste of time but also talent since Dominic Purcell is actually a pretty good and decent actor but this movie never gives him what he truly wants and that's very disappointing but then again? Boll made it..
Cinefil_Original No need in writing anything, it doesn't deserve the effort. Avoid at all costs. I would rather clean the toilet than watch this garbage again.I found the fake reviews hilarious. 90% of the reviews for this film are fake, made by members that (surprise) joined IMDB the same day they wrote their review, and they only have one review written, the one about this film.
TommyJarvis44 I just don't see, why any other recent fantasy movie deserves more respect than this one. The story is fluent, the characters are well built, everyone has its own motive. Yes film is more of a personal struggle journey of the main character and that is what I like. For the fans of action it is also good. The effects are quality mastership. The most memorable scene is when Dominic Purcell's character sees what he has become. The movie itself has its flaws however and also suffers from pacing problems- just when the narrative is about to steamroll forward, the scenes abruptly change so that any emotional momentum is lost because there just isn't much characterization of the main parts; everything that should have an emotional impact is glossed over by a jump to a new scene with way too much focus on explanations of what the characters are doing so that the audience fails to gain sympathy for the minor characters.