In the Dark

2004 "...Where Some Secrets Should Remain"
In the Dark
3.1| 1h40m| R| en| More Info
Released: 01 November 2004 Released
Producted By: Megalomania Films
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Armed with a camcorder, a circle of friends parties at an abandoned insane asylum where, five years earlier, they caused a young patient's death. But their fun turns to fright when the consequences of their heinous crime catch up with them. Will they get out alive, or are they doomed? And what will the tapes reveal?

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LeAnn Jones I am a fan of horror movies and this includes everything from Hollywood to low budget and grade B horror flicks.In the Dark, while done on a very low budget with actors and actresses that are not widely-known, was excellent in my opinion. Before I bought the movie, I read the back of it (as per usual) and I liked the idea of the abandoned insane asylum. This might be due to the fact that I am an avid ghost hunter with a locally known group. But the film was done with the same concepts as, "The Blair Witch Project", "The Saint Francisville Experiment", and "Paranormal Activity". And I love this kind of film. The jerky, real motion cameras moving about makes you feel like you are in the movie. The acting (although not top notch well-known actors and actresses) was great in my opinion. When I go ghost hunting, we aren't actors. We record some stupid things, but it's all good. Not every movie out there has to be of the highest budget and made for Hollywood. Some of the best films are the lower budget like the ones that I have mentioned above. Who cares if it is a fictitious documentary, what do you think most of Hollywood movies are? Kudo's to those who made this film! LeAnn Jones
FrightMeter Count me as one who loves the whole documentary sub-genre of horror created by "Cannibal Holocaust" and made popular more recently by both "The Blair Witch Project" and "The Last Broadcast." Though not a huge explosion of these types of films have popped up, there is a handful out there, such as "Strawberry Estates," "The St. Francisville Experiment," and "The Collingswood Story." These films attempt to frighten the audience by giving them a unique perspective of witnessing the events of the plot unfold through the eyes of a character's own camera lense or, in some cases (such as here), a security camera. Additionally, these films often advertise themselves as being "real, authentic footage!" when in fact, any viewer with any brains knows differently. Often times, these films are able to create adequate suspense and uneasiness. Unfortunately, this is not one of those instances and is really a smear and insult to its much better predecessors."In the Dark" presents itself as "real" footage of the events that take place when a group of teenagers break into an abandoned, burned asylum, where years before, a few of them did *something* (raped?) to a female inmate that left her scarred after they started a fire to cover their crime. The footage is presented dually through the camera lense of one of the teens and through security cameras present in and outside the building. Why does a abandoned asylum that is barely standing because of fire damage need security cameras you ask? Well, you're guess is as good as mine and that is just one of many things wrong with this film. You see, viewers are to believe that the girl inmate who was picked on knows that these teens are in this abandoned asylum on Halloween night, is able to escape her current institution and come to seek her revenge. She is presented here are sorta of a cross between a possessed Linda Blair in "The Exorcist" and a zombie from the "Dawn of the Dead" remake, which is puzzling considering she is supposedly just a burn victim. Better (or worse) yet, she is able to smuggle of few other inmates out of her facility to help scare the crap out of the teens. You'd think, since money was invested to have working security cameras in the decrepit asylum, that the security would have been a hell of a lot better at the new one! Apparently not....apparently no security cameras at the new asylum captured a few of the inmates walking out to go wreak havoc next door.The film's main flaw is the fact that is is extremely boring and filled with extremely bad actors who are portraying annoying characters we could give a crap less about. We are subjected to long scenes of one of the more annoying characters filming himself make rude comments and mock his equally annoying mother, and act like a total retard detailing his plan to sneak out while his mother is fast asleep behind him in the couch. This scene has to be seen to be believed and my jaw was dropped at the ridiculousness I was witnessing. Long scenes of virtually nothing happening are presented as apparently the director's idea of suspense; characters whine and fight with each other and sort of act scared, but for some reason never all just decide to group together and leave the place. After all, there was about 9 of them and only one "killer." Again, nothing about these characters is even remotely interesting and I really just wanted them all to die. The film also feels about 20 minutes too long and the pacing is just horrid. I really really had to stop my self from hitting the fast forward button on my DVD remote, or worse yet, just ejecting the damn thing altogether."The Blair Witch Project" worked because it felt real. The acting was superb and there was no ridiculous plot elements that felt fake. Everything the viewer saw and heard looked and felt authentic and it was scary as hell. This film feels fake. There is no suspense because some of the things that unfold (particularly the ending) are so implausible that it is an insult to viewers. I only hope that the filmmakers really did not expect people to believe this was "real" footage because they failed miserable. Avoid this borefest at all costs.FrightMeter Grade: F
Vantec Shameless asrtoturfing in the comments section, obvious in the first quarter of the film, warranted an IMDb registration. Don't fall for it, 'In The Dark' is one of the most sloppily conceived, hackneyed and unintentionally incoherent films in a long while. A group of wild teens break into an abandoned asylum on Halloween night to drink and get high and, their story told by the portable cameras left behind, come face to face with a 'presence' seeking revenge. In a vain attempt to relieve that mind numbing string of clichés the screenwriters employ an admittedly novel device, augmenting the shaky cams with scenes from the facility's security cameras. It's unconvincing and forced. All but one camera are so painfully and clearly positioned for the film instead of surveillance the main effect is annoyance. The characters never behave like people, befalling fates through a staggering display of stupidity and complete lack of sense for self preservation. Aware of a threat watching them from an asylum window as they party outside, the reaction is to run into the asylum. When one of them becomes too overwhelmed to cope, in this film's logic the thing to do is put her to bed in an isolated, unlocked and unguarded room away from the rest where she'll 'be safe'. Not that the viewer is given much reason to care. An all-purpose stream of overlapped yells too often substitutes for dialog - in this scene for fright, that one excess, the next one anger. Horror nor gore approaches that of Robocop 2 and the effects are... missing. The protagonists run around all film in freshly laundered pajamas grimacing.It's not hard to find zero-budget independent horror films that deliver. This isn't one of them.
Dave Therefore, I can honestly say, this was TERRIBLE. Firstly, every other positive comment HAS to be made by the people involved with the production. 8.5 rating? Really? Secondly, I love "fake-umentaries", but this was just bad. The acting was terrible... below B-grade. The "great camera work" was... well, up there with the acting. I know they weren't going for "slick", but it was just bad. The production value was actually quite good, which just adds to the disappointing end result. I can never tire of the "faux-cumentary" genre, but it's only been done right a few times. I'll give the filmmakers the credit of coming up with a cool concept, actually getting it off the ground and distributed, but they failed at making anything remotely watchable. Better luck next time.