JohnHowardReid Producers: George M. Merrick, Max Alexander. A Merrick-Alexander Production. Not copyrighted. U.S. release through Select Attractions: 12 September 1941. No New York opening. 73 minutes. Alternative title: SOME CALL IT MURDER.SYNOPSIS: A young woman sacrifices her own life to save her brother.COMMENT: Starts off quite promisingly. By the admittedly humble standards of the independent "B", the direction is not bad at all, and the mystery itself is quite intriguing. But alas the pieces of the puzzle fall all too quickly into place and one is then forced to spend the rest of the film drearily watching the on-screen characters while they ploddingly and ratheer laboriously unravel the truth that is staring them in the face. As if this setback were not bad enough, audiences were also obliged to put up with some exceedingly tiresome comic relief. Direction and photography also fall off, while both the tired plot and the same dreary sets are used again and again until we are thoroughly sick of them. Stanley Fields gives a lumberingly obvious portrayal, Rose Hobart looks too old for the heroine, Michael Whalen too young for the hero, while Robert Bond is one of the least personable villains we have ever come across. Joan Woodbury has some moments of effectiveness, although she is inclined to over-act.

Leofwine_draca I'LL SELL MY LIFE is a standard detective story filmed in 1941. There's an opening murder and then a bunch of characters investigating said murder. The one twist in this, and it's not really much of one, is that the murderer is actually a murderess, so it's a gender spin on the normal story.One interesting thing about this film is that it self references the detective story genre quite a bit. The main character is a journalist and one of the main supporting characters is himself a writer of detective fiction. There's a lot of plot packed into the 73 minute running time, but none of it is very interesting and it requires close attention on the part of the viewer to keep track of all the participants, which gets quite testing after a while. Needless to say there are no big names present in the cast.

kapelusznik18 ***SPOILERS*** Bazaar and somewhat ridicules movie about this young lady out of towner Dale Leyden, Rose Hobart, who's willing to sell her life for $20,000.00 so she can get the money to have her blinded piano playing brother Phil,Robert Regent, get an eye operation to give him back his sight. We learn from Dale that she was somewhat responsible or her kid brother's condition but were never told why. Answering a newspaper add about selling one's, preferably a young female, life for cash Dale is told that by the person who put the add in the paper night club owner and band leader Darnell, Richard Bond, despite her losing her life it's the best thing she'll ever do in her life before losing it! If you or she can believe that for a moment! It's the good guy in the movie humanitarian Mordercia Breen, Michael Whalen, who runs the humanitarian publishing house "Friends in Need" who's also is a mystery writer that gets involved in this con-job. Breen soon finds out that there's a murder involved in this transaction that Dale is to take the rap for by getting strapped in Sing Sing's electric chair! And the person whom Darnell is protecting is his girl friend the innocent and sweet as apple pie Valencia Duncan, Joan Woodbury.***SPOILERS*** It's mob boss Bochini, Stanley Fields, who's girlfriend Ruthie was gunned down outside the Club Sirocco, that Darnell owns, who's killer turned out to be his jealous girlfriend non other then Valencia herself! This hair brain scheme by Darnell is to cover up that murder and have the innocent and naive Dale take the blame for it! That even with out the slightest bit of evidence to indite much less convict her but her word alone! Bochina saw through this scheme and got to the bottom of it by getting the killer and person involved in covering up her crime to justice. Thus preventing the totally clueless Dale from willingly paying with her life for committing it! As for the $20,000.00 she was to be paid for going through with this insane deal Dale, outside a $2,000.00 down-payment, wouldn't have gotten it anyway with Darnell stealing and destroying the contract he made with her without her as usual, being totally clueless in the matter, knowing about it!

rsoonsa The IMDb synopsis for this work, contributed by the redoubtable Les Adams, will allow a prospective viewer to have a firm idea of the storyline for this low-budget affair that might well serve as a template for how a flagrantly outrageous melodrama was to be constructed during its cinematic time frame, the years from the mid-1930s through the mid-1940s. The picture is taken from a long story entitled "I'll Buy Your Life" by Walter F. Ripperger (incorrectly listed upon the credits screen as Rippenger), first published in Street & Smith's DETECTIVE STORY MAGAZINE, March, 1941. Ripperger's tales appeared with frequency from 1934 to 1941 in pulp fiction periodicals, these magazines paying authors by the word, accepting nearly any submission that adhered to established popular standards, even if too whimsical to succeed as even a remotely rational narrative, as is the case with this film. Director Elmer Clifton, with aid from dialogue director George Rosener, is accountable for this treatment of the Ripperger original, and the result for the most part butts up against basic canons of common sense, essentially becoming merely artificial tosh that must go without the courage of its lack of conviction. An undernourished plot benefits from several musical numbers. A significant amount of the action occurs in a cabaret, Club Sirocco, where entertainment is provided for the most part by a highly popular Cuban band of the film's era, Eddie Durant And His Rhumba Orchestra, with Durant himself singing a version of Mysterio, by Leo Rojo. Talented second female lead, the striking Joan Woodbury, dances with skill and also sings a novelty number, "Incidentally", composed by her real-life husband, actor Henry Wilcoxon. Robert Regent, cast as lead Rose Hobart's blind brother, offers an abridged version of Stephen Foster's Beautiful Dreamer in his fine baritone. Clifton's established propensity for artistically composed closeups, maintained since his palmy days at the helm of top-tier silent motion pictures, has increased the merit of some episodes, but a strong barrier remains to viewer pleasure: a hackneyed scenario that as a consequence lowers the film to its station as merely a tiresome exercise in anti-climax. Despite flat direction that thereby pardons hamminess displayed by some veteran players, these are depreciated when always effectual Hobart is on screen, persuasively creating her role of a woman ready to sacrifice her life for a noble purpose. Reissued by Alpha Home Entertainment, the first name among those companies supplying little loved older films to a DVD buying public, has not, in accord with its policy, remastered this film; however, the print is visually satisfactory throughout, and its sound quality is fine, skips and elisions being infrequent. There are, as must be expected from Alpha, no extras provided upon the disk.