weezeralfalfa Amazing how long it took for me to see this spirited 'B' Technicolor Fox musical on broadcast TV, having seen most of the other 'A' and 'B' Fox musicals of the '40s and early '50s. Essentially, a combo remake of the B&W 'Tin Pan Alley' and the Technicolor 'The Dolly Sisters', the latter being a semi-remake of the former, with 2 of the original 4 stars. Whereas 'Tin Pan Alley'is set just before and during the US involvement in WWI, the present film has a similar relationship with WWII. Both films turn into flag-wavers toward the end, as the male stars are drafted into the army, and the female stars conveniently go overseas to entertain the troops. In the present film, 'B' singer-dancers June Haver and Gloria DeHaven get a chance to shine without the dominance of 'A' stars, such as Betty Grable, Alice Faye, and Carmen Miranda. I thought they made a great pair of performers, whether performing singly, together, or with Dennis Day. In contrast to the legally blond Dolly sisters, the present sisters sported contrasting blond and brunette hair, foreshadowing the Marylin Monroe-Jane Russell team in 'Gentlemen Prefer Blonds', a few years later. The up and coming June Haver costarred with Betty Grable in 'The Dolly Sisters': a replacement for the retiring Alice Faye, who costarred with Grable in 'Tin Pan Alley'. In the present film, the sisters are much more of a sister act than in 'Tin Pan Alley', where Faye and Grable mostly did their own numbers. In this respect, it more resembles 'The Dolly Sisters', which was also filmed in Technicolor. However, the latter film mostly featured gaudy turn of the century costumes, whereas wardrobes in the present film were mostly kept relatively simple.Bland William Lundigan, along with Dennis Day, replaced John Payne and Jack Oakie, respectively, as composer-lyricists. Like Oakie, Day contributes several songs, alone or with one or two of 'the girls'. Some like his distinctive Irish tenor voice, others do not. Very different from Oakie's vaudevillian style. Unlike the previous films, this one featured a variety of additional stars in minor roles or cameo, perhaps most notably Harry James(Betty Grable's husband), motherly Thelma Ritter, a young Steve Allen as a disc jockey, and vaudevillian-styled, tall and lanky, Dan Dailey in a surprise song and dance with 'the girls', near the ending. The latter was a toned-down counterpart to the memorable 'Sheik of Araby' song and dance number in 'Tin Pan Alley', which had rotund Billy Gilbert(as the sheik) performing with 'the girls'.Dailey reportedly was perhaps Grable's favorite male costar, althoughnot having quite the looks of a matinée idol. Both this film and 'The Dolly Sisters' sorely missed the comedic and all around vaudevillian talents of Jack Oakie, as in 'Tin Pan Alley', as a counterweight to the melodramatic scenes. Even Clark Gable reportedly was hesitant to do a film with the scene-stealing Oakie. If Dailey had taken Lundigan's place in the present film and been allowed to participate in more song and dance routines, this would have largely compensated for the absence of Oakie. Thankfully, the present film was lighter on heavy romantic melodrama than the previous two, where this got tedious at times.Haver, was kept under contract with Fox as a possible replacement for the older Betty Grable, while sometimes starring in her own 'B' films. She seemed to lack something exciting in Grable's personality and looks that appealed to audiences, and never became a big star, although quite beautiful and talented. She should not be confused with June Havoc, sister of Gypsy Rose Lee, who was a supporting actress in the very popular Fox musical 'Hello, Frisco, Hello', among other Fox films of the same era. Gloria DeHaven basically followed a similar path,although I found her quite appealing in this and other films.The list of songs sung or danced to includes: "There Will Never Be Another You", "It's Been a Long,Long, Time","I'll Get By", "Deep in the Heart of Texas","I've Got the World on a String", "Taking a Chance on Love", "You Make Me Feel So Young", "MacNamara's Band", and "America, I Love You": the latter being the only tune sung in both 'Tin Pan Alley' and the present film, symbolizing the flag-waving orientation of the films.

hjmsia49 I had never heard of this film or seen it when it was released in 1950. I saw it on a movie channel and found it so refreshing with a most memorable and familiar score. Too many musicals of that era have all the songs written by one composer and lyricist and most of them are forgettable. It was great to see the talented cast performing so many familiar songs from that time. What an array of classic standards that recall many memories and provoke the cliché, "They don't write songs like that anymore." My favorite musical decade was the 1940's. There were so many great songs in the movies of that decade that each year the Academy Awards nominated 10 songs for the annual Oscar. Lawrence Welk once did a show titled, "Songs that didn't win the Oscar" and you would be surprised at the great songs that didn't win. In contrast, the Academy today nominates only five songs and in recent years they couldn't even find that many to nominate. I would recommend that people see this film if only to hear the music of an era. June Haver, Gloria DeHaven and Dennis Day do justice to the songs they are given and confirm that such melodies never die. I also enjoyed the surprise cameo appearances of Jeanne Crain, Victor Mature, Dan Dailey and Reginald Gardiner. If you seek a light musical with many memorable songs, I urge you to see "I'll Get By."

Kalaman "Ill Get By" is another lesser-known Fox musical that is new to me. To my surprise, I loved it and slowly won me over as I was watching it. "I'll Get By", directed by Richard Sale, is a superior and self-effacing remake of the so-so 1940 Alice Faye musical "Tin Pan Alley" about two struggling song writers (William Lundigan and Dennis Day) and their flirtations with two beautiful sisters, played by June Haver and Gloria deHaven until they are interrupted by World War II. The film, shot in an elegantly wistful Technicolor, is graced with a sublime, wonderfully jazzy score and lovely songs, not to mention some fascinating star cameos. The title tune is a beautiful concoction, an achingly poignant and unforgettable ballad that captures the freewheeling poignancy of the film, and it makes me go out and own a recording of it. My only quibble is that in the last twenty minutes, when the war is declared and the songwriters are enlisted, the film in some way becomes tedious and draining and you wish they would go back to what they were doing before. But that's a minor quibble. "Ill Get By" is an endearing and lovable gem that deserves to be seen and known.

aromatic-2 Musicals about songwriters were de rigeur in the 50's, and this one fits in the center of the mold. But, it's fun, light, bouncy, easy to take, and Steve Allen has a lot of fun as a disc jockey, and Dennis Day and Gloria De Haven are marvelous in their scene together. A good film to watch when you need an unpretentious escape.