I Trust You to Kill Me

2006
I Trust You to Kill Me
7.2| 1h45m| en| More Info
Released: 01 July 2006 Released
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Synopsis

Taking off after the end of filming on the last season of 24, Kiefer Sutherland heads to Europe with his band Rocco DeLuca & The Burden. As their road manager, Sutherland faces the trials and joys of life on the road, whether it is locked venues, storming gigs, quiet audiences or giving out free tickets at the last minute to avoid an empty venue. The tour takes across Europe, including England, Germany and Iceland.

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Ascola We're not sure what moved Kiefer Sutherland to act as a kind of tour organizer for Rocco DeLuca and his Burden, even helping to carry their stage equipment while they give one show per country in this strange tour documentary. Kiefer wasn't sure about that himself it seems, because he cannot answer director Manu Boyers question why he let him film his evenings and parties with the band, and tries to give an answer towards the end of the film which hasn't got a lot to do with his tour manager assignment.Maybe it was his loneliness and the tour was a welcome opportunity to flee from empty Christmas and new years eve-holidays? We watch Kiefer more or less getting drunk every evening, or at least we can infer that if not directly by seeing him jump into an Icelandic Christmas tree by watching him in the morning crawling out of his hotel room, always struggling to get a hold of his stuff (during a few days he loses his phone, his wallet and seemingly every other kind of things, for example by way of carrying ten things at a time into the hotel lobby obviously for want of enough bags). A "24"-crew member says about him in advance: "If you know Kiefer well - organization is not his middle name." Which very obviously is true and makes him somewhat a miscast for the job - but not less likable.The surprising thing is that Kiefer always stays calm, polite and friendly while Boyer films him during these more or less embarrassing scenes. All in all it seems he takes his manager assignment very seriously - and also his film assignment, derived from that - and he definitely is able to promote the group, even in a quasi-non-organized way.Sutherland looks for a kind of deeper meaning in what he's doing - and even gets himself an Icelandic tattoo, while the bands purpose is pretty clear to every one - but in the end of the day I can't help also to see a drinker masquerading consequences of his addiction - which are gossip stories in next days papers, an injured arm, the lost belongings among other things - and reproaching himself.Still it is interesting to watch him, definitely so when you're a fan. There are similarities between him and his musical front man with respect to childhood memories as they are told, only that one treats them with anger (Rocco), the other with a smile out of the anguish. As for the band: their depressive blues style seems to fit Kiefers inner state perfectly, and also Roccos. The music is a mixture of Jeff Buckley and traditional Americana, rock and blues roots music, together with a Placebo-like "passive aggressiveness" that makes it hard to listen to it at times if you're not exactly in the blue mood. Rocco is very skilled, no doubt, but it seems the audiences in the clubs they play don't quite fit the music: they're too adult. A younger crowd, maybe around the bands own age and not their tour managers, might immerse better into this kind of music. But something maybe went a little wrong with the booking of places. Of course we never hear discussions about these matters, we only see locations, equipment, hotels, airports, driving, partying after the gig, and vague statements on nothing in particular by Kiefer while the band doesn't add much to the film apart from their music - which is the main thing of course they can and should add.
Draper Bulger Quite honestly, I'd never heard of Rocco DeLuca and the Burden before I saw this documentary. I had originally watched this by recommendation of a co-worker back in 2007 who stated that one of my favourite actors (Kiefer of course) was the tour manager for a group of unknowns (Rocco DeLuca and the Burden) and that he made a complete fool of himself on a European tour all for the sake of getting these guys known. Well, my co-worker wasn't wrong in stating that Kiefer was not exactly suited to be a band manager but he did neglect to mention two things... Kiefer's devotion the band (he genuinely seemed to love the band and went out of his way to plug them in Ireland when he had realized that only two tickets to their show had been sold) and how much RDB ROCKS! Seriously, these guys are phenomenal and I recommend this film highly to anyone who wants to see a band trying to make it big with Kiefer Sutherland at the helm. I also recommend this for people who just want to discover a new and awesome band... Rocco DeLuca and the Burden!
rugb I think the best part of this rockumentary is that I generally didn't like Kiefer or his past work, and I was not aware of this band. Yet, I found this to be the most honest and altruistic documentary I've seen. The music turned out to be very passionate and high quality for live performances. It's also in a genre that fits my tastes and doesn't bend to the will of trends and conformity. And with that said, there was a groove or theme of that nature throughout the film that gave it almost a plot; Kiefer coming to terms with his life through the role he plays with this band, and their will to succeed their own way. For a seemingly pointless rockumentary, it was straightforward and even gripping to me. Extremely well-edited.
KieferAddict i absolutely loved this documentary (rockumentary, really), but, as the poster above me mentioned, it's not that great if you're not a fan of kiefer or rocco & friends (honestly, i'm not really sure why you'd get a documentary about someone if you're not interested in them *shrugs*). i happen to be a huge fan of kiefer's (if the name didn't give you a clue) and recently a large fan of rocco deluca and the burden. forgive me for not going into detail about it, but the previous poster covered a lot, and i don't have the time. short and simple: for fans- obviously a must have. for *ah-hem* "non-fans"- you probably don't wanna waste your time watching a documentary about someone you're not interested in.