blanche-2 I've been watching Armand Assante since he was one of the Mike Powers on The Doctors some 37 years ago, and in all that time, I've never once thought of him as Mike Hammer. I still don't.In I, the Jury, Hammer goes to work on a different kind of case as he tries to find the killer of Jack Williams, a man who served with him in Vietnam and, while retrieving Mike's helmet, lost his arm. Jack was investigating something when he was killed, but what? After consulting Jack's widow, Mike finds out they went to sex therapy at a clinic, so he starts there. The head of the clinic, the beautiful Dr. Bennett (Barbara Carrera) freezes him out of her office. Mike ultimately realizes that Jack was there working undercover and found out something that resulted in him being murdered. This winds up involving Mike with the CIA, a mental patient, bad cops, and a rogue Army officer.Lots of violence and nudity and in the end for me anyway, not worth it. Assante does as good a job as he can, but he's no Mike Hammer. For one thing, he is too exotic-looking, for another, he's not hard-boiled. He's too smooth and his Mike is juxtaposed against the backdrop of some of the seedier parts of New York City in 1982, before Disney moved into Times Square. I did absolutely love seeing the New York where I lived - the Times Square smut, Colony Records, the Broadway/7th Aveue area, great fun.Not really my type of thing. It may be if you like violence and nude women, this is for you.

lost-in-limbo Oh the 70s was a great time for crime features… although "I, the Jury" was made in the early eighties it had me thinking it was from the 70s like some sort leftovers that found itself in the wrong decade. And hey that's not a bad thing at all. Originally it looked like it was cult-filmmaker Larry Cohen's project, as he penned the screenplay and was to direct to only be replaced by Richard T. Heffron (Futureworld). This is another adaptation of novelist's Mickey Spillane's Mike Hammer character. Private detective Mike Hammer looks into the case to seek revenge when he learns of the killing of his one-armed ex-army buddy. What he digs up about his mate's death, is something quite big."I, the Jury" is a tough as nails, lean and steamy pulp crime / film noir feature that's sexually charged (an opened orgy sequence) and brutally violent (a ghastly slit throat) amongst a rather seedy backdrop. Filling in the role as the iconic Mike Hammer is a fittingly hardboiled, but wry Armand Assante. Surrounding him is a bunch of attractive, but formidable ladies in the shape of Barbara Carrera and Laurene Landon. Also you got the likes of Paul Sorvino, Alan King, Geoffrey Lewis and Barry Snider pitching in with good performances. Cohen's story remains exhaustively captivating; by always being on the move in what is a complicated web of conspiracies and leads. The dialogues are bold. Sometimes contrived in its actions, but it does open up a can of worms. Heffron's steadfast direction is economically staged with moments of thrilling engagements and brooding passages that he's not afraid to bare flesh, but at times it felt like I was watching a long-winded TV episode. Bill Conti composes a titillatingly smoking blues score, which installs a whirlwind of emotion.

cosmicly The scene where Armand Assante shoves the bad guy's face onto the hot griddle ranks right up with the dentist "Is it safe?" scene in Marathon Man. It is unique, and it makes you cringe any time you think of this movie.The mark of a true "tough" guy is that he will stop at nothing to achieve his goal. Armand Assante's Mike Hammer is one of the best portrayals in that regard.

BSchin2188 Everywhere I look, people say that this is the best Mike Hammer film to date, and I can't help but ask "why?" It just isn't very Mike Hammer. If perhaps it was just a ripoff of the pulp classic "I, the Jury" with Armand Assante, I would have enjoyed it. As a movie, it's pretty good considering it was pure 1980's action. But as Mike Hammer, it's weak.The biggest differences between true Mike Hammer and this movie is Armand Assante's portrayal. He does a fine acting job, but Hammer is MEAN and always angry. In this, Assante is either manic depressive or smirking at the bad guys that he just beat. Mike Hammer gets into fist fights. Armand just pushes some people down stairs, doesn't throw punches. At least they got the ending right, although Armand Assante was still way too melancholy.I can say several positive things about this movie. The scene when Assante does a full assault on the criminal's compound with an M-16 is well directed, a good solid action scene (no way connected with the book). Velda and Assante's love interests were both more interesting to watch than the rest of the movie.In closing, I would like to say that Hollywood still has the chance to make a good, solid film based on Mike Hammer. Two tips: FOLLOW THE BOOK. Regardless of which book you use, follow it. Spillane wrote better than 90% of Hollywood anyways. And second, get someone who can be a mean and downright angry Mike Hammer, not depressed. I think Michael Madsen would fit the job well, he has the right look and the right voice.