I Live My Life

1935 "The dancing lady has a new sweetheart ...!"
I Live My Life
5.9| 1h37m| NR| en| More Info
Released: 04 October 1935 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

A society girl tries to make a go of her marriage to an archaeologist.

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blanche-2 Brian Aherne and Joan Crawford declare "I Live My Life" in this 1935 comedy. No one can butcher a comedy like Joan Crawford. After I saw "Susan and God," I found out that it was supposed to be a comedy. The problem with Crawford is that she was such a hard worker, and when you work hard at comedy, it doesn't come off. She was much more successful in drama. Brian Aherne, an excellent actor who was better than most of his roles, just didn't have a grasp of comedic style.Crawford plays Kay, an heiress in Greece who meets a handsome archaeologist (Aherne). He falls for her, but she hasn't given him her real name and has told him she's a secretary. When he gets to New York, he can't find her. When he does, he finds out she's engaged to someone else.This could have been much better with Gable and Lombard, or Gable and Myrna Loy. It is a spirited comedy with a terrific supporting cast that includes Aline MacMahon, Arthur Treacher, Eric Blore, and Jessie Ralph. Jessie Ralph, as Kay's grandmother, is a scream.This is somewhat fun, but it could have been so much more.
bkoganbing Joan Crawford gets a change from being a taxi dancer or a shop girl and is a full fledged heiress in I Live My Life. She's living it pretty good too, far better than most in her Depression era audience were. She's on a nice holiday in Europe and comes upon an archaeological dig in Greece. A rare statue is unearthed, but the debonair Irish archaeologist doing the digging played by Brian Aherne interests Ms. Crawford far more.Our heiress is quite the flirt, movie heiresses back then always were, but she sure hooks Aherne. The problem is she's already engaged to the wealthy and snooty Fred Keating back in New York. And she may have to marry him. Her dad is Frank Morgan and he's got a few bucks, but the real money is with her tyrannical grandma Jessie Ralph. There's reason personal and financial to marry Keating. And as the popular song of the day went, all Aherne has to give is love. And Keating is such a drip.Although Crawford is one sly little minx in this film, Aherne's charm and sincerity really get to her. In fact they got to me as he gives the film's best performance. Frank Morgan is always good and he's his usual befuddled self. He actually married into the money, Joan's mother is deceased and he lives to a lesser degree on the largess of his mother-in-law.I wish Aline McMahon and Sterling Holloway as Aherne's assistants had more to do in I Live My Life. They always add to any film they're in.I Live My Life is not one of Joan's better films, but entertaining enough. The question is will Aherne live Joan's life or will Joan start living Aherne's? Back then there was only one way to go.
raskimono TCM, the old movies channel tends to give us the best of the old school movie stars but at times I think they show too much of them in dispensation of the movies of lesser known stars who have better movies, idest this Joan Crawford movie which is only being shown because it's a Joan Crawford movie. Trash is trash no matter the star. Crawford is a rich spoiled lass. Brian Aherne has one of those archaelogical jobs with a name nobody can remember or pronounce without sounding either ulta-intelligent or extremely foolish. Their love will not work because of the class differences. Will it? Have you heard of schizrophenic movie?, that movie that cannot decide what it wants to be, a comedy or a drama and as a joan of all movies, it tries many but masters none. It's funny for 10 minutes, then suddenly comedic with people changing attitudes and tone unconvincingly, especially at the matriarch's house. Ending seems rushed and even Joan falls short in this one. Obviously an A-production with the usually sharp craftsman Woody Van Dyke behind the camera, the whole buffoonery is a poor disappointment.
Plymouth-58 MGM's desperation for new Crawford ventures wafts over this overstuffed and un-funny 1935 production. The gowns are beautiful, she looks fantastic ... but look for no chemistry between Crawford and Aherne. "Fun" and "silly" escape Crawford's abilities. Yes, she rides a runaway mule, slips down a hill, and falls on her backside ... but all done with a grimly painted on smile. Her discomfort spans the decades.