I, Desire

1982 "I hunger. I hunt. I strike. I feast."
I, Desire
5.7| 1h35m| NR| en| More Info
Released: 15 November 1982 Released
Producted By: Green/Epstein Productions
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A coroner's assistant, who is also a law student, gets involved in a strange case involving his girlfriend's place of employment (a hospital), prostitutes, a defrocked priest, and vampires.

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christopher-underwood Rather bloodless vampire movie from TV movie veteran, John Llewellyn Moxey and starring, David Naughton who co-starred in, American Werewolf in London, the year before. The idea is great in that in this updated version, the one in search of blood poses as a hooker to ensnare and in between these bouts supplements the supply with raids on hospital blood banks, as you would. All good, but here played so carefully that those special ingredients (sex and violence!) only get hinted at here. For some the wailing sax (such a sign of 80s films) is effective, for some of us lazy and tiresome, but the films just about engages and is helped enormously halfway through with a fantastic interjection by the priest figure. If only the whole film had been as vital, or indeed, dare I say, Mr Naughton's performance as effective.
theoxrox This little gem has it all! David Naughton was an excellent casting choice for the lead role, but some of my favorites such as Dorian Harewood and Marilyn Jones (remember the cute little Nurse that Radar meets in Japan on TV's MASH?), the alluring Barbara Stock, and a powerful Brad Dourif performance also contribute to this made-for-TV delight which richly deserves to be released on DVD! (Hint, hint!!) The plot was probably patterned after "The Night Stalker", with a vampire in modern-day urban America coming to the attention of law student and part-time night employee David Balsiger. He and his attractive "girl-next-door type" fiancée Cheryl Gillen make a likable young couple, and Harewood is very convincing as ambitious young Police detective Jerry Van Ness. But defrocked priest Paul (Brad Dourif) has a memorable few minutes in the middle of the movie that really sticks in my mind.The ending of the movie comes as somewhat of a surprise, and is well handled by the cast members. There's a bluesy musical theme supporting all this, and a refreshing ABSENCE of modern potty-mouth language that make so many modern flicks unattractive for adults and unsuitable for children.Keep a lookout for it on TV, and if it's ever released on a "legitimate" DVD, stay out of my way at the counter, or you'll get run over by me when selecting it!
rhapsody_roy If I could only use one word to describe the movie "I, Desire" that word would be Surreal !!. The critics should hail it as the triumphant climax of Surrealistic art. It is truly an Existentialist's delight. That Barbara Stock is the most beautiful woman I have ever seen and the way she walks down those steps at the end of the movie is the most memorable scene I have ever seen. It is so sad that it has been pushed aside by the mainstream media. It is hardly known to anyone because every person I have asked about it has never even heard of it. Barbara Stock should have appeared in more productions. They should have worked that sexy woman to death.There are also some important analogies to real life in that movie. For example, when "Paul" was in the coffee shop, which he "hates", he dramatically stresses the importance about staying out of trouble by keeping one's mouth shut! At the end of the movie, David is almost misled by a woman of great tempting qualities but is able to resist and finds he is better off to stick with the " Suzy Homemaker" type.
KDWms This flick pretty well bridges the gap between a centuries-old concept and a modern environment. I regard this to be a difficult task in our contemporary era of pragmatism, so, this gets an above-average rating from me for its attempt. But I guess that SOME elements of the vampire belief just CAN'T be left in the past, and they, unfortunately, remind me that this IS a fantasy, evoking my idiosyncratic prejudice against that genre. The story is about a squeamish law-student/morgue worker and his nurse/girlfriend, who, in their positions, see some deaths which involve blood loss. As the guy's fascination intensifies, so does his alienation of his shack-up and the cops, who tire of his tries to convince them that his theory is worthy. I think, however, that you will agree that there is nothing unprofessional about this movie, and that you will, therefore, also conclude that this is an adequate investment.