Michael_Elliott
Humorous Phases of Funny Faces (1906)*** (out of 4)When viewing this animated short people must remember that it was made even before D.W. Griffith started making pictures! This three minute film basically has chalk drawings coming to life in front of our eyes. The animation technology certainly grew as time went along but I can't see how anyone could watch this and not be impressed with what they were doing. The trick photography is really impressive and I also thought the drawings were extremely good. I really liked the first man and woman and how the man's smoke was used to cover up the woman. This is certainly a very early use of animation and it looks extremely well.
booyah-1991
I, of course, like this animated short that J. Stuart Blackton created and it is spectacular, but I have one question about this short. The one question is when J. Stuart Blackton, the artist in the film, is drawing the characters' sequences with a chalk bit-by-bit, I do not know how the drawings move, like when the guy with a mustache is drawn beside a woman, he smokes. Now, I do not get that particular part of the animated short.Of course, I love this film because there were silly cartoon drawings and it was one of the early special effects in film history, but The Enchanted Drawing, made in November 1900, was, I believe, the first animated film with special effects.8/10
Robert Reynolds
From the vantage point of 96 years later, this is, comparatively speaking, rather simplistic and quite limited in contrast to work done today. But, also comparatively speaking, so would a certain single engine airplane seen at Kitty Hawk 99 years ago in contrast to a Lear Jet. There's more wit and imagination in any 90 seconds of this short than can be found in 60-90 minutes of some of the animated features I've seen in the last few years. Viewed in context and realizing its age and the circumstances of its creation, you begin to realize just how remarkable and notable this piece of work truly is and that it truly is magic. A very early step, if not the first step, on the path that gave us Felix the Cat, Koko the Clown, Betty Boop, Mickey Mouse, Bugs Bunny, Woody Woodpecker, Tom and Jerry and countless others. Each generation builds on what comes before. But, of necessity, there must be that first layer and the strength of that foundation is key to the growth of the medium. Work like this must be remembered and appreciated. In a world where the past is increasingly no earlier than breakfast today for all too many people (not that past generations have been all that much better), works like this need to be spotlighted and preserved for the future to benefit from. Well worth watching. Recommended, particularly to animators or fans of animation.
lunatim
If you're a lover of really old movies, this is a real charmer. This is an animated version of a 'chalk talk' or 'lightning drawing' vaudeville act. It has an animated title, and each segment of the film begins with J. Stuart Blackton drawing each character. Sure, the animation is crude and occasionally Mr. Blackton's hand pops up during the animated parts, but is forgivable since this is recognized as the first animated cartoon ever. The white-on-black drawing and caracatures from an era gone by give it a sublimely surreal quality.