temps_perdu ...that it shows how the mind of a deluded, dumb narcissist works. Every second of this ludicrous "movie" screamed "Donatella was here and controlled everything from the script to the acting and most of all made sure that everything was about HER". The result of this obvious intervention is a complete and utter failure. A script that would've been written better by a mentally impaired child, horrendous acting, homely "models" who couldn't walk or pose, badly, badly recreated clothes and, worst of all, the amateurish direction of Sara Sugarman."House of Versace" is a two-hour masturbation of a stupid and narcissistic woman who has hired (and controlled - badly) a team to make a film about HER (nothing to do with Versace or reality at all). It is a sordid fantasy of a self-absorbed débile, in which she is this perfect creature even in her faults and where everyone exists as an extension of herself, performing the function of adoring her, admiring her and forgiving her when she needs it. Sounds ridiculous? That's because it was. My words fail me to express how ridiculously bad it all was. Cliché after cliché. I give it the lowest rating I can.

kosmasp This TV movie based on the Versaces and their "relationship(s)" is nicely told. Of course there is an inciting incident with the husband (you might know what will happen, but it's about the reactions from others, especially his wife that drives this movie along). But we get a lot of other people who are somehow involved in all this.Gina Gershon goes all in with this. And she's not afraid to show darker sides and vulnerability. Actually at times it is hard to feel any sympathy for her Versace (portrayal). But then again, do not forget, she's a human being fighting against adversary. That's not an easy thing to do. It's almost as difficult as a leopard trying to change his spots. A TV movie/drama of the week, based on and around a tragic event

Shopaholic35 So incredibly impressed with this movie. I had absolutely no idea that Versace came so close to ruin. I question what would have happened to the label if Gianni Versace had of never been killed. Truthfully Donatella and Gianni were a brilliant team despite their volatile sibling relationship. They both made Versace an excellent design house that had so much promise. Gianni was the flamboyant creative visionary and Donatella had the smart editing eye and a stylish outlook. Without each other they crumble.My main problem with the movie was that they glazed over a few key plot lines and didn't take it far enough. The leading theme was Donatella's decline into drug and alcohol addiction but there were so many other aspects they could have explored. Also I think they were pretty kind with brushing over Donatella's plastic surgery history and Allegra's battle with anorexia.Aside from that House of Versace is very insightful and entertaining. I cannot recommend it enough.

cinemaniac2002 I have a confession to make. I think that fashion is basically banal. I mean, how much of fashion just isn't recycled over and over again. Not that anyone cares, but I also watch Fashion Police on E! – but only to hear Joan Rivers rip all those celebrities to shreds – that only she can do. h Is there ever really any originality in fashion? I suppose fashionistas would argue otherwise. But all of that is really beside the point. So the main reason I even watched this film was to see how Gina Gershon handled the role of the woman who basically took over the "creative vision" of one of the most edgy designers of our time – perhaps any time.Given the lack of complexity of fashion itself and what it stands for – the shear shallowness of it all – I thought the writers and actors did a very good job of rendering an interesting film. Gershon captured that cartoonish quality that women like Donatella have – that ridiculous way of taking herself way too seriously. I mean, it's only clothes. I suppose all these high priced designers hinge upon the latest celebrities wearing their stuff - but given that they already had the connections – seems like a bit of a slam dunk. So why on earth they act like they are performing heart surgery is beyond me. Oh, wait! That's what a large portion of anyone who works in entertainment does. Been a long time since I lived in LaLaland – so it's easy to forget. Especially when that is what you are trying to do.Many designers and creatives have a jerky side, and neither the Gianni nor the Donatella characters disappoint in that regard. The sniping between them is believable --- especially given how big their egos must have been at the time.However, the one thing that surprised me was how callous Gianni turned out to be – leaving everything to Donatella's daughter, Allegra – rather than to his sister. All in all – campy, vapid good fun and a great source of guilty pleasure. Thanks, Lifetime!