Red-Barracuda
As I watched this one I felt something was odd about it. While the cast seemed to all be English, the terrain and deep blue sky seemed somewhat foreign, so I was interested to learn afterwards that this is a South African production. It's a pretty rare thing to find a horror movie from that country, and this was probably the most interesting thing about this one. It's another costume horror, of which there were many back at the time this was released. Set in the 19th century, it centres on a young woman who travels to the plantation home of her fiancé, whose family has a grim history. The mother tries to encourage her to leave, while the other brother is an unseen lunatic in the attic. As is so often the way, a series of murders start happening. But are they a result of voodoo? Is it mad science at work? Or is this the work of
a horse!? All, is eventually revealed.The combination of a hokey mad scientist plot-line with traditional voodoo is slightly unusual. As is the way that animals are sometimes presented, with a major character being what can only be described as a so-called devil horse which the locals actually believe could be roaming around in the dead of night committing all the killings. The science bit is covered by the not entirely interesting idea of human soul transferal. So the story has quite a few disparate ideas kicking about and there is undoubtedly some potential in the set-up but the presentation is often quite meandering and uneventful. But it's overall actually not bad really, as there is some atmosphere generated in some of the night scenes depicting strange goings on and there is a quite well executed chase scene involving a hooded villain too. The South African setting adds something new as well which definitely elevates the material by itself. As I say, it doesn't always maximise its ideas and it is a bit messy but it does also have a lively ending to round things off. All things considered, despite a few faults, this one is definitely better than its reputation would suggest.
talisencrw
Right off the bat, I previously had no idea that South Africa made any horror films, so, simply in that, I learned something.Over a long career (1968-99), this was one of only three cinematic works that director Austin made (all in the early 70's)--usually he did TV work--and in fact, production value-wise, it seemed like made-for-TV fare. Basically a vineyard/plantation with black, witchcraft-practicing slaves, and the owner harbouring a dark secret: A genius twin brother, who was discredited in the medical community to begin with, and then, since an almost-fatal brain injury suffered in an accident a year ago, basically insane and confined to the mansion's attic.It was decently made and, as late-night fare, perfectly acceptable. It could have been made a lot better in more capable hands. The underlying ideas were very interesting, though only decently carried out, and the climax was completely predictable, though no less enjoyable. I got my copy very cheaply, in Mill Creek's 50-pack 'Nightmare Worlds', and it's watchable, no better, no less.
wes-connors
"An insane scientist has been experimenting with the transfer of souls between human beings. The crazed doctor has conducted his nefarious deeds upon even his own family members, including the exchange of his own soul into his brother's body. With his soul now inhabiting a new body, the madman believes he can continue his experiments uninterrupted," according to the DVD sleeve's synopsis.The title "House of the Living Dead" may be more an attempt to cash in on prior successful motion pictures than a reflection of what goes on in this movie. The story might have been above average, with the cast and crew involved; but, the execution is severely flawed. The lugubriously languid production picks up (slightly) in the last quarter. Leading man Mark Burns (as Michael and Breck) tries awfully hard; he maintains an long screaming scene remarkably well. Shirley Anne Field is a welcome attraction. But, the movie doesn't work.
Hitchcoc
You know, this had some potential. The plot is out of that Baskerville, Pyncheon mode, where a family has had a history of horrible personages who have died unnatural deaths. There seems to be an almost satanic element at work. In the old days they would have felt that there was a curse because of some ancestor's evil actions. A man who is "cursed" and has an evil brother, brings his young fiancée to his home. His mother tries to drive her away because she wants to see the lineage end. The brother is apparently deformed and mad and stares from the window upstairs. This sound like a lot of fun. The down side is a rambling, endless story that goes on and on. There are a number of chases that contribute little to the events. The young woman is continuously roaming the mansion and it takes two or three minutes to get to a destination. The upside is that there is lots of suspense and some excellent surprises (not that it hasn't been done before). See this. It's OK.