kneiss1
It's impressive what this guys managed to create 1968. Only Disney movies have been on a similar level back then. The drawings have been beautiful, it was full of amazing action, great characters (especially Hilda impressed me) and a captivating story. Also worth mentioning is the music. The music was totally unusual and impressive.Sadly the story doesn't make fully sense. Some characters aren't designed as well as they could have been. Especially the evil demon didn't look impressive at all - not even slightly scary. Also the drawings lacked detail all together. But that is all understandable, since "Anime" has been in it's children's shoes.I don't know why, but Isao Takahata movies are the emotionally most touching movies for me. Hotaru no haka (Grave of the Fireflies) has been the most extreme cinematic experience for me. I am almost crying remembering this movie. And it's almost 10 years ago since I watched it the last time. Horus is different. It's not a sad movie, like Grave of the Fireflies is. I'ts quite cheerful and optimistic. It's one of the movies that is so warmhearted, that it makes you feel like a child again.
Julia Arsenault (ja_kitty_71)
I have watched this anime film on YouTube and I find it an excellent anime film from 1968. I have also found out that this film was one of the first movies that anime legends Hayao Miyazaki and Isao Takahata worked on. And being that the film is set in the Norse lands, I am a fanatic on Norse folklore and myths; though I didn't see any trace in the film.While watching the movie, I found the little children (Philip and Mauni) and Koro the bear cub to be very, very cute. I also love Hilda too even though she can be a bit evil (under The Frost King's control); but she does have a great singing voice. So overall, this is a great film for anime fans and fans of Toei Animation.
benjamin_lappin
Was this the start of anime as we know it? I'm not versed enough in the history of Japanese animation to make such a bold statement, however what I can tell you is that with the creation of this film we have derived many classic, awe inspiring and moving stories from Studio Ghibli. As some may say with no Akira there would have been no Matrix, without The Little Norse Prince, there would have been no Nausicaa, Laputa, Princess Mononoke, Grave Of The Fireflies, Spirited Away and many more. While The Little Norse Prince may not be as grand as the fore-mentioned it is an emotionally captivating fairytale whose importance transcends the 81 minutes it runs for.Set within the medieval ages of Nordic Europe, The Little Norse Prince tells the tale of a young boy named Hols embarking on a journey to find his kinsmen and restore peace to a land taken by a devious sorcerer named Grunwald. Isao Takahata's film is an innocent telling, yet harbours some severely darker moments (for the younger viewer), as our hero ventures through a blend of myth, legend, swords and magic, showing the courage and bravery that have become the hallmark for the protagonists at Studio Ghibli. While Disney were creating gimmicky films like The Sword In The Stone, Takahada filled his film with the truest essence of humanity, as Hols must not only fight The Frost King, but must also deal with peoples misconceptions, stubborn attitudes and discriminatory views. The Little Norse Prince is deeper than fighting shape changing witches and squirrel romances, and in its purity is so awe inspiring. It has the ability to turn you into a child again, and view it with the eyes of an innocent as he manages to remind us what is noble about humanity and what we sometimes lack in ourselves. The Little Norse Prince is by no means a classic in the grand sense of cinema, but has an undeniable ability to transport us to a time and space when the world seemed a better place and life was worth fighting for.Takahada laid the foundations with The Little Norse Prince for some remarkable and simply brilliant films, and it is quite easy to see how he and Miyazaki (who was an animator on this production) found the inspiration to be able to take the essence of Norse Prince, elaborate and expand on the settings and morals. One of the notable aspects is how exceptionally refined the imagination of Takahada is, as this film just exudes originality and feels completely different and fresh next to its contemporaries, and indeed the same can be said of the more recent Ghibli films compared to talking fish and super hero families. The Little Norse Prince may not be the greatest anime ever created, but it certainly is true to itself and the messages it wishes to deliver us as an audience and can only be praised as an effective means of emotive story telling which can and does not only appeal to all ages, but speak to all ages.
emasterslake
Before My Neighbors the Yamadas, before Pom Poko, before Only Yesterday, and before Grave of the Fireflies. There was Little Prince Horus(USA Title). This was the first Movie Isao Takahata directed.He and legendary Anime maker Hayao Miyazaki and some other animators who were still in their early years in animation industries made this film possible.It's nothing like Isao Takahata's other works. This one is about an Alternate Viking/Scandinavian Time Period about a boy named Horus who receives a sword from some Earth God, and is sent on a quest to defeat an Ice Demon(who's pretty cool looking) meets a group of village locals and a mysterious Girl who has the key to restoring peace to the land.It took 3 years for this film to be made. Animation is well done even if this was made 38 years ago. Back when Anime was still primitive. It's interesting to watch. Too bad it didn't do well when it was in Japanese Theatures. But what's cool about it is it became known as the earliest forms of modern anime.In other words it's anime that doesn't have to be made for kids to watch.I'm not sure when it'll get licensed to get it's own English Debut. But worth seeing for those who are interested in Animes that broke the rules. I'd recommend this film for Ages 12 and up contains cartoon violence and a split second of nudity.