alexanderdavies-99382 I have no idea why "Universal" commissioned this trash - it has nothing worth while about it at all.Dick Foran - a capable leading man - should have been given a worthier film than this!He is THE only reason to bother with a yawn fest like "Horror Island" - I don't recognise anyone else which is just as well.

Rainey Dawn The film starts out a little slow but once they get to the island (about 30 minutes into the film) the movie gets good - funny. There are some suspenseful moments, a neat mystery to solve and plenty of comedy to kept it interesting.Panama Pete (The Phantom)is played by Foy Van Dolsen but I could easily see John Carradine in this role for some reason. But The Phantom is not the only reason to watch this one - the rest of the cast/characters are likable in a neat plot - so this movie is worth watching if you like a pretty good comedy-mystery story.I would not say this is Universal's best film of the time era but it certainly is a joyful watch.6.5/10

mark.waltz This actually seems more like an episode of "Scooby Doo" than a movie made long before that animated series took Saturday children's programming to a new level. The opening shot (a peg-legged man walking along the docks) gives the impression that this is going to be a throw-back to the Gothic horror films of the early 30's but for the first half, all you get is the set-up with some comic relief long before the group of actors here get to the actual island home, abandoned they say for centuries and now filled with pigeons whom the guests initially assume are bats.Walter Catlett and Leo Carrillo provide the bulk of comedy relief, with Dick Foran and Peggy Moran the typical romantic interests, the young lady of course involved in some antics straight out of the original "Cat and the Canary". Universal always managed to hide the low budgets of these programmers with some fast-moving photography and sets that, even if recycled, make the movie appear better than it actually is.

MARIO GAUCI I had first known about this through a still in the Halliwell Film Guide, though the noted late critic usually dismissed similar programmers: it turned out to be a fun horror comedy (from a story by Curt Siodmak) whose 60-minute length zips by – providing plenty of characters (even if the gangster-on-the-lam and his moll don't really work here), action, old-fashioned thrills (a caped maniac after hidden loot is loose in a remote castle), chuckles – and a surprise villain; the film is a shade overbalanced by the comedy, but the typical Universal atmosphere (and a few of its more notable sets!) are certainly present throughout. It also features a good second-tier cast: likable Dick Foran and cute Peggy Moran – re-united after the superior THE MUMMY'S HAND (1940) – are the leads and they're ably supported by the likes of Leo Carrillo, Fuzzy Knight, Hobart Cavanaugh and Walter Catlett; however, it's Lewis Howard who steals the film as Moran's chronically tired companion – even though he's absent through most of the second half! Michael Elliott had rated this a *** and I almost did myself – but, in the long run, I don't think the film has quite the same draw as even some of the lesser titles in the Universal monster cycle; still, for an 'old dark house' type of film – of which the studio did their fair share – it's well up to par. Incidentally, I had acquired another copy of this on DVD-R last year, but the disc froze several times during playback and I had to give up after a while; I'm glad I caught up with it eventually, as the film deserves to have a legitimate DVD release along with some of the other rare/lesser-known Universal horrors, like MAN-MADE MONSTER (1941) – which I've never watched! – and NIGHT MONSTER (1942).