sirjasonwright Hoodlum empire is a considerably better film than the other reviews here would have you believe. I have just watched it courtesy of an olive films blu ray and I must say I enjoyed it. It's quite a low budget film but it has some great moments. John Russell is the main character and I must admit it's the first film I've seen that he has such a big part, he's a little wooden for sure but he's not too bad in this film. The plot tells he story of a gangster who during ww2 changes into a decent person and wants to start afresh but legit. But the mob try everything to pull him back. Underrated film I think that deserves Wider appraisal.

krocheav If you enjoy or grew up with 50s - 60s TV, then you could like this film. The story is not bad, it just doesn't get the treatment it deserves. Director/Producer Joseph Kane: of Republic serials, Gene Autry and Roy Rogers fame is in Television mode with this feature. The best performances are given by the prolific (and once Oscar nominated) actor: Gene Lockhart ("The Sea Wolf" etc). Luther Adler: (ex Broadway Director) an always believable professional, excels as the sophisticated crime boss who'll stop at nothing to protect his empire. You may remember him from: "The Desert Fox"'51 ~ "The Last Angry Man" 59, ~ "The Brotherhood" '68) he adds a good degree of class to this mild Republic picture. A fair main lead is given by John Russell in a pre TV's "Lawman" role. Brian Donlevy is reliable, if a little wasted, as the Kefauver type character. Although the script is inspired by the Kefauver criminal activities investigations, its believability sadly stops there. Good lines (with strong statements of fact) are given a superficial TV treatment. Art Direction, Set Decoration, Music, Photography, are also along the style of TV. Although the Cinematographer Reggie Lanning worked with the great Buster Keaton ("The Cameraman" '28) and is also known for "The Wake of the Red Witch" (along with this Director) at this time, both men were crossing over to TV. The richly textured detail of well made 40s films is missing here. Writer: Robert Considine (A.K.F. his collaboration on 'Thirty Seconds Over Tokyo') was an ex Hearst journalist (noted for using two typewriters at once) he also had close writing associations with several American Presidents. The two leading ladies: 1. Clair Trevor, gets to wear many sets of 50s clothing 'styles' (some OK, others slightly ridiculous) and chews the scenery in accord with the script. She's done far better. 2. Vera Ralston, ex Czechoslovakian ice skater ~ brought to Hollywood by Republic Pictures boss Herbert J.Yates, as his 'Protege' (and later wife) is mildly pretty and tries earnestly enough.If not overly discerning, watch this for a couple of good performances, a well intended basic story (smashing the corrupt slot machine racket) or as a 'time' piece. This film has been called 'Noir' by some, but it's basically Television. The Olive DVD transfer release is of recommendable high quality.

Martin Teller Hoodlum Empire - 5/10Senate committee hearings investigating the gambling rackets threaten the reputation of a former gangster gone good. Capitalizing on the Kefauver hearings, this is a pretty dull story with pretty dull characters and a messy, tedious flashback structure. None of the performances light up the screen, even Brian Donlevy and Claire Trevor are rather disappointing. The script is corny and clichéd, the execution of it is uninspired. Nothing about the film is outright horrible, but there's no reason to recommend it.Hoodlum Empire - 5/10

ccthemovieman-1 This film noir story is told mostly in the form of flashbacks. It begins to drag a bit in the second half and one gets a little antsy waiting to find out how the good guy gets off in the end, which we assume he does.Oddly, the main actor in this film, John Russell - the hero of the movie - is not listed on the back on the video box, in critics reviews or even in the film! The most interesting character in "Nick Mansani," played by Luther Adler. Meanwhile, Claire Trevor plays her normal film noir role of the unhappy woman, in this case the "scorned woman." Forrest Tucker was pretty good as the hot- headed hit man, too.However, overall this was just fair as film noirs go; nothing special to make it stand out. In truth, too many flashbacks ruined this film.