edwagreen ..."When I think about the Moonlight on the Wabash, I'll think about my Indiana home." Remember Jane Froman singing that beautiful song? Well, you can just forget about the tune in this 1944 film. That being said, the musical score playing this song is about the best thing this dud of a film has to offer.Lon McAllister plays the troubled youth who comes to live with his Uncle and Aunt Bolt, played by Walter Brennan and Charlotte Greenwood. Greenwood has one very effective scene in the film when she describes to her nephew why Uncle Bolt is the way he is. It's all about the usual gripe and grudge he has against his former partner, played by Charles Dingle. Remember him 3 years before as Bette Davis's suspicious brother in "The Little Foxes?" Dingle is reduced to having little to do here. The plot in the film is weak and the script is even weaker. Jeanne Crain, in her supposed first mature film, comes off as if she is ready to join Mickey and Judy to create a show in the barn.The film deals with horse racing, something which was close to Walter Brennan's heart when he starred in his supporting Oscar winning performance 6 years before in "Kentucky."The disappointing end with the horse matches the film-one big disappointment. See June Haver, Mrs. Fred MacMurray, as the girl with designs on McCallister as well.

charliet1951 The trivia section states that the racing scenes for this movie were shot in Fremont, Ohio. That may be true for the early scenes, but the final race in which Maudine IV races after going blind were shot in Marion, Ohio at the Marion County Fairgrounds. Although it has changed a lot in recent years, I spent many of my early years playing in the stands at the fairground and even rang the "call to the post" bell that is rung in the movie. My mother told us stories of seeing the stars of the movie at the fairgrounds when they were filming. One of the older guys I used to work with claimed he dated June Haver when they were in town. Even if I didn't believe him, I have no doubt that my mother was telling me the truth.The list of filming locations does credit Marion, as well as several other locations where harness racing was one of the main local pastimesI do enjoy the movie and try to catch it whenever it is on (generally on the FOX movie channel).

harry-76 For those who like horses and horse racing, "Home in Indiana" offers a pleasant diversion.Focusing on three in the cast, this was Jeanne Crain's first notable role, and what a "natural" she is. Completely at home before the camera, she shows early on her quintessential "girl-next-door" charm.Paired with the equally "boy-next-door" Lon Mcallister, the two are perfect together. Lon came with a full list of juvenile film roles, and looked like the personification of a callow Indiana farm boy.As for the amazing Walter Brennan, this was just another of his inexhaustible number of roles, always appearing much older than he actually was.A further look at Brennen's folio, he made a whopping 63 films in three years (1933-35)! Can you imagine that? I can't.The three together, along with Charlotte Greenwood as the proverbial "farm marm," offer a most convincing group of typical ranchers, struggling between corn crop mores and big city conventions--the latter represented by June Haver.And those mares--absolutely beautiful!

tjonasgreen Your reaction to HOME IN INDIANA will depend entirely on whether you are a horse racing fan or at least a fan of films about horse racing. Since I am neither, I found this movie pretty dull going except for the acting and human interaction.Walter Brennan and Charlotte Greenwood are very good in the early part of the film and are convincing as the tough, unsentimental guardians of Sparke, played by Lon McAllister. Jeanne Crain is fresh and likable and was clearly a face, body and personality to watch, though she looked much prettier and sexier a year later in STATE FAIR. June Haver presents us with her doll-like perfection and seems as bright, chilly and inhuman as ever (she later became Mrs. Fred MacMurray after a stay in a convent).The real find here was Lon McAllister. Poised and completely charming, he had an easy way with dialogue, an expressive face and an ingratiating smile. This should have been the beginning of big things for him, but it wasn't. Too bad the perky, Mickey Rooney boy-next-door types were going out of fashion (Rooney himself never regained the stardom he enjoyed before he went into the military during WWII.) McAllister ought to have succeeded in television, but perhaps he tired of show business. Wonder what happened to him after this?