Hollywood Chainsaw Hookers

1988 "They charge an arm and a leg!"
Hollywood Chainsaw Hookers
5.3| 1h15m| R| en| More Info
Released: 01 March 1988 Released
Producted By: American Independent Productions
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Los Angeles private eye Jack Chandler is hired by a worried mother to find her missing runaway daughter, Samantha. As Chandler searches for her whereabouts, he uncovers an evil cult that worships an Egyptian god, whose followers commit human sacrifices with chainsaws to appease their deity. He soon learns that Samantha has revenge in store for the cult leader and his bevy of blood-thirsty, chainsaw-wielding hookers.

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Scarecrow-88 "I stumbled into the middle of an insidious cult of chainsaw worshiping maniacs. "A LA Private eye is hired by a worried mother to find her missing runaway daughter, Samantha (Linnea Quigley, smokin' hot as always). As Private Dick Jack Chandler (Jay Richardson, with 12:00 shadow and grizzled PI look, including trench coat, fedora hat and loose tie, narrating the story) searches for her whereabouts he will have the misfortune of encountering an evil cult that worships an Egyptian god, the methods of human sacrifice using chainsaws their choice of appeasing their deity. What Chandler learns is that Samantha has revenge in store for "The Master" (Gunnar Hansen) and his bevy of blood-thirsty, chainsaw-wielding hookers. Playful Fred Olen Ray horror comedy is a joyously goofy satire on The Texas Chainsaw Massacre, with little really in common with Tobe Hooper's film, other than the use of the chainsaws and Leatherface himself without the mask (Hansen plays his orchestrator of bloodshed very straight, never cracking a smile or winking at the audience which I thought added a humorous spin to his wacko). While I admit that I watched this initially for the fun title and Linnea's presence in the movie, it was Michelle Bauer, as hooker Mercedes, who really captured my attention, because she knows how to deliver slutty lines with just the right touch of sexy and seductive—it also doesn't hurt that she is uninhibited and gets completely nude when she's hacking one pour soul to bits and pieces, a relish on her face offering a demented glee in butchering unsuspecting johns not prepared to be sliced and diced. As expected, there are plenty of flying body parts, spurting blood, sexual innuendo (less than subtle innuendo), and stripteases so, yeah, I had a good time. Not to mention, Jay Richardson has lines like "The Kid talked like a Frosted Flake but she had the nicest set of knockers I had seen in a long time." His narration is often tasteless and crude, but is spoken in such a serious tone as to poke loving fun at noir films where the detective communicates to us about his case as it progresses. You even get, during the cult ceremony at the end, Linnea (her practically naked body covered in body paint) performing the "Virgin Dance of the Double Chainsaws" leading to her saving the day as Chandler appears to be on the verge of becoming a sacrifice to some false god. Instead she gives a couple villains, as Chandler calls it, an "unscheduled appendectomy" with a chainsaw. Seeing Quigley and Bauer in a fight of "dueling chainsaws" was enough to make me happy, but their liberated willingness to remain scantily clad only added to my overall experience. What I love about Quigley are these cute expressions she makes with her eyes and face during periods of excitement or in an exuberant state—whether a sex kitten or profane, wisecracking chick with an attitude, I find Quigley irresistible. Richardson always had a knack for playing these macho male characters against absurd situations in Fred Olen Ray joints, unlike Hansen, he nudge, nudge, winks, winks at the audience that these movies are meant to be tongue-in-cheek entertainment. Oh, and by the way, if you chuckle at "dismemberment jokes", this film will not disappoint.
psychogore This is the Fred Olen Ray of his golden era, before start making soft core skinnemax flicks. An homage to The Chainsaw Texas Massacre, with the original Leatherface (Gunnar Hansen) and a chainsaw duel between two eighties b-movie goddess. What more do you want? Some gore? you got it. Cheese? this is beyond cheese. Fred Olen Ray is a b-movie fan and here he delivers entertainment from a fan to all the fans. Hope he come back to make this kind of stuff. Im a big fan of his old stuff like this one, like Evil Toons and all that kind of stuff. OK, the eighties are gone i understand it but the spirit of it can live. I heard that he will make a sequel to this movie. Hope so.
lazarillo I wholeheartedly agree with earlier reviewers that said this movie is one of the best of its genre--unfortunately that genre is worthless crap. This is an early example of horror/comedy "scream queen" movies, featuring two of the more ubiquitous screams queens Michelle Bauer and Linnaea Quigley, and directed by one of the pioneers of these kind of films (along with Dave DeCoutea and Jim Wynorski)--Fred Olen Ray. This movie, however, is surprisingly creative and long on plot, and it actually has more than one set and a budget that approaches whole numbers. It is also genuinely funny in places.These kind of films were largely inspired by the 70's Roger Corman-produced films like "Hollywood Boulevard" or "Caged Heat" (Jim Wynorski actually got his start with Corman--thank's a lot, Roger), but there's a good reason many of the directors of those films went onto bigger and (usually) better things while the three amigos here have kept doing this same thing year after year. There's a big difference between seriously making schlocky films that nevertheless demonstrate real talent, and just mugging your way through self-consciously campy "cult films" in attempt to disguise a total lack of it. Olen Ray, at least, has a genuine love of film which shows in some of his best work (Wynorski, as he himself brags in every interview, is more interested in improving his own dating life than in making good movies, while the openly gay DeCouteau is just a hack by any standard).As for the "scream queens", Quigley and Bauer, they certainly camp it up as usual, but make enough of effort that they seem more like genuine actresses than strippers here. This is the kind of the movie that really floats to the top of the HUGE pool of worthless crap movies that have been churned out since the early 80's, but it also, mind you, doesn't quite float ABOVE that pool. If you like these kinds of movies, of course, you won't want to miss it. And for everyone else?--well, you could do worse, I guess.
Son_of_Mansfield Number 4 on Maxim's list of the 50 coolest B-movie's of all time, this is not deserving of such an honor. Yes, Michelle Bauer does hold a chainsaw at her waist while killing a John in ecstatic glory as she gyrates to a rockabilly song. Linnea Quigley does the "Virgin dance of the double chainsaws," which isn't as much fun as it sounds. How much can you dance with two chainsaws? Gunner Hansen only seems to be a real boy when introducing Linnea's dance. Jerry Fox, Fox Harris?, has one of the hookers pose topless for his little league calender. Then you have Jay Richardson delivering bad one liners while doing a Humphrey Bogart impression. All in all, it's only good for a couple of laughs.P.S. Fred, if I save up enough of those cards, can I get Katie?