Hide in Plain Sight

1980 "If the Justice Dept of the United States abducted your children, what would you do?"
6.4| 1h32m| PG| en| More Info
Released: 21 March 1980 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

True story of a man in search of his children after his ex-wife enters the Witness Protection Program.

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asc85 This film came and left the movie theaters, so I think I had seen it on HBO when it finally got there. But the fact that so few have written a review about this movie further underlines how few people have probably seen it. Which is a shame, because it's a very well-done, sensitive film, and a Best 10 film for 1980, at the very least. James Caan's performance is definitely against type, and he does a great job as the down-on-his-luck, blue-collar father who seemingly can't catch a break. Anyone who's expecting the macho character that he played in The Godfather or Rollerball will be very much surprised by this role. And the ending is so sweet and sensitive, if you're not choked up by it, then maybe you have ice water in your veins.My only criticism is the casting of Danny Aiello as the great lawyer who's going to help him out and waive his fee. As the owner of Sal's Pizzeria in "Do the Right Thing," he's believable. As a wealthy, high-end lawyer, he's not.
Scott LeBrun Actor James Caan made his directorial debut (and, to date, only directorial effort) with this compelling, believable adaptation of a true story. Caan stars as Thomas Hacklin, Jr., a regular-Joe working man (at a tire factory). His ex-wife Ruthie (Barbra Rae) is now involved with Jack Scolese (Robert Viharo), a Mafia goon who squeals on his associates after an arrest. As a result, Jack ends up going into the Witness Relocation Program - and he takes Ruthie and Thomas's two kids with him. An understandably angry and distraught Thomas tries to track down his family, while doing battle with a rather uncaring government.There's something inherently appealing about seeing this blue collar guy struggle to overcome the immense amount of red tape facing him. Caan is excellent in the lead; he's low key and convincing, and on those few occasions when the character gives in to anger, you can hardly blame him. The film also strongly benefits from its location shooting (it takes place in Buffalo, NY in 1967) and local atmosphere. Caans' storytelling is efficient and to the point. There's no filler here, with "Hide in Plain Sight" clocking in at a refreshingly succinct 92 minute run time. The widescreen photography is first rate.The cast is stacked with familiar faces. Jill Eikenberry is immensely appealing as Alisa, the new lady in Thomas's life. The under-rated Joe Grifasi is likewise engaging as his good buddy Matty Stanek. And get a load of this assortment of supporting and character actors: Kenneth McMillan, Josef Sommer, Danny Aiello, David Clennon, Peter Maloney, David Margulies, Leonardo Cimino, Tom Signorelli, Charles Hallahan, Alice Drummond, and Beatrice Winde.While watching this, one may rightly wish Caan had tried directing more often during his career. He clearly had a knack for it.Eight out of 10.
scribe1964 This film DID get a theatrical release, but it quickly disappeared. It's unfortunate, because it's very thoughtful film. As a director, Caan made some interesting choices.As a side note, I saw Caan discussing it in an interview a long time ago. He said the studio had no faith in the film, so they dumped it without much advertisement. And then they were shocked when it received great reviews. But by then, it was already dead. He also mentioned that the pan & scan version that was on TV changed a lot of wide-screen two shots into separate shots! I'm not sure if the same thing happened with the VHS, but I'll bet it did. Hopefully, a proper version will come out on DVD one of these days.
ajosephi Now, I'm a big fan of car chases and big action, and I do love style for style's sake. But it's getting so it's hard to find anything but these things, even in a 'small' dramatic movie. This movie is quite genuine, it's got that 70's slower pace - a very natural build-up of the drama. James Caan's direction is clean and clever, and he plays that working class good man so well. The story is well handled, especially considering that it's based on true events, and without the overbearing score or dramatic character or situational embellishments that this film would have if it was made today. So refreshing.