Hercules

1983 "The strongest man on Earth."
Hercules
4.1| 1h38m| PG| en| More Info
Released: 26 August 1983 Released
Producted By: The Cannon Group
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Hercules, a semi-divine being, squares off against King Minos, who is attempting to use science to gain power and take over the world. With the help of a benevolent sorceress, Circe, Hercules tries to save his beloved Cassiopeia from being sacrificed by Minos, and struggles against laser-breathing creatures and an evil sorceress.

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Leofwine_draca In 1983 an event happened which changed the course of history. An impossible event that nobody ever thought could happen. Luigi Cozzi actually managed to make a film EVEN CHEESIER than his previous epic, 1979's STARCRASH! Proving that he had learnt nothing about film-making in the four years since, Cozzi now attempted to cash in on 1983's sword-and-sorcery boom which came in the wake of CONAN THE BARBARIAN. Carefully he gathered together all the right ingredients - a wide distributor in the form of the dreaded Cannon films, headed by the unforgettable Golan-Globus team; possibly the only muscleman ever to rival Schwarzenegger in terms of sheer bulk; a really appalling script; pretty much the same crew and effects men he used in his 1979 film; plus loads of impressive sets. The best thing that can be said about HERCULES is that visually, it stands out from the crowd. The sets are huge and the special effects - utilising the familiar back projection and matte shots - whilst not always convincing, are at least spectacular.Watching this movie, you might be forgiven for thinking you've tuned into a science fiction film instead because this is Hercules unlike ever before. The slow prologue charts the formation of the universe and goes on for an age. Then the mythic heroic character - played by dozens in the peplum films of the 1960s and best-remembered in the persona of Steve Reeves - is transported into a quasi-futuristic universe, where the gods all live on the moon and people can fly through space just like that. Instead of the traditional monsters for Hercules to fight, he finds himself up against some giant robots, stop-motion relics which look like they're left over from STARCRASH. I guess the best reason I can think of is that jerky robotic motion is a lot easier - and quicker - to create than the more traditional monsters of Harryhausen, so Cozzi saved a few bucks by swapping monsters for robots. No matter that the film doesn't make sense, as its just for uncomplaining kids anyway.Often, the film is trying to watch because it just overdoes it with the cheese. Zeus and Hera keep popping up at every minute like in CLASH OF THE TITANS to offer advice, whilst the constantly-moving, globetrotting antics quickly become tiresome. Bad scripting is complemented by bad acting, most apparent in the case of Lou Ferrigno, whose attempts at acting make him even more wooden than an early Schwarzenegger. Still, physically Ferrigno is at his peak, covered in baby oil, with every inch of muscle on his body bulging and glistening for the world to see. Although his acting is a million times worse than that of Reeves, at least his bulk is bigger.The film offers plenty of opportunity for Ferrigno to flex his bodybuilding muscles. Even as a baby he finds opportunity to strangle two slimy serpents sent to dispatch him. From a mangy bear to a flying robot, a centaur robot, and a three-headed hydra robot, Hercules spends most of the film fighting something or other. He also takes part in some cheap gladiator games headed by stern-faced Augias, played by former muscleman Brad Harris in what is only a cameo performance for name value alone - a little sad, as I was hoping Harris would get up to some of his old rock-lifting tricks. The STAR WARS influence is even apparent on this movie, with glowing swords replacing light sabers in a battle scene at the finale.Most of the female cast members spend the film half naked and displaying their ample curves, but when the actresses include the sultry Mirella D'Angelo, the sweet Ingrid Anderson, and the slightly scary Sybil Danning, there's no cause for complaint. Many familiar faces pad out the cast, most former stars now on their way out. As evil bad guy King Minos, William Berger (FIVE DOLLS FOR AN AUGUST MOON) chews the scenery with relish but doesn't beat Joe Spinell in terms of hammy overacting. Fan favourite Bobby Rhodes (DEMONS) appears as an African king (!) but he doesn't even get out of his seat to take part in any action. Watch out for Claudio Cassinelli (ISLAND OF MUTATIONS) in the lamest white wig and beard ever, playing Zeus at far too young an age.Although the film is cheap and cheerful, it still sets out to try and portray some legendary deeds. Thus we have Hercules diverting a river to clean out the stables of Augias, crossing the River Styx with the aid of that spooky boatman, bending swords, tossing rocks, and fighting off dozens of opponents at one time. The most hilarious scene is when he kills a bear and throws the body into space, thus forming a new star constellation. Yet even this ridiculous moment is beaten by a later point in the film where he throws a log into space which smashes into another planet! Frankly hilarious stuff, and the kind of effects-laden cheese they just can't many anymore. Films nowadays have to be deadly serious or stupidly funny, and are unable to take themselves tongue-in-cheek like HERCULES. The most astonishing thing about this movie is that it was successful enough to spawn a sequel, two years later!
utgard14 Cheesy greatness from Cannon and those geniuses Golan-Globus combines post-Star Wars science fantasy with 1960s Italian sword & sandal movies. The pre-credits history of the universe is highly informative. I never realized that's how it all came to be. My teachers were liars. Lou Ferrigno is an impressive sight to behold, for sure. Each of his pecs is bigger than my head. Zeus looks like Jon Stewart with a crown and fake beard. Sexy Sybil Danning isn't in this nearly enough but is enjoyable when she is. Ingrid Anderson is gorgeous and her revealing outfit in the latter half of the movie made me drool.The dubbing, special effects, sets, and costumes are all cheap but fun. The stop-motion mechanical monsters are beyond cute. The highlights of the movie are Hercules' many impressive feats of strength, such as hurling a bear into space and creating the constellation Ursa Major or pushing apart two bodies of land and creating the continents of Europe and Africa. Again, my teachers were liars. Watch baby Hercules kill the snakes -- that poor baby didn't understand what the heck they had him doing! This is an entertaining movie. I really don't see how you cannot find it fun to watch. Granted, most of that fun comes from the unintentional comedy it produces but that's still something, right? If I have to watch a movie that is technically and artistically lacking in any kind of quality, I would rather it be a movie like this that has some comedic value than some boring A-list movie that has me sitting on my hands the whole time.
vladnm1987 What is there to hate about this movie?I have seen it and I really can't figure out what's so bad about it.The acting is good the costumes are good the script is good and to tell you the truth the scene where Hercules fights the bear is breathtaking in my vision.Yes,it's aimed at children but that's really not a reason to call it the worst movie ever made.I really don't understand what's wrong with it.The fact that it isn't too violent?That there aren't any guts pulled out or heads ripped off?What?Tell me because I really want to know.However I am not surprised,people here give 10 stars to stupid movies like LOTR and mock great great movies with 3-4 stars,these people ought to be permanently banned from here.
yashiki Yes, it's awful. Mind-bendingly awful. But it's one of the most hilarious things I've ever seen, and well worth seeing for that reason, even if the hilarity is entirely unintentional (which it is). Lou Ferrigno, overdubbed and letting his pecs do most of the acting, is a riot all by himself, but it's the guys playing Zeus and King Minos that really push this thing over the edge. I defy anyone to keep a straight face when Minos points to a crappy prop robot-monster and says in his booming Shakespearean tones, "He is programmed...to destroy Hercules?" And don't even get me started on the scene where Hercules invents constellations by exploding a ratty-looking fake bear in outer space. This is so much funnier than 99% of what passes for comedy these days. See it if you haven't already. You'll have a great time.