Henry Fool

1998 "An honest man is always in trouble..."
Henry Fool
7.1| 2h17m| R| en| More Info
Released: 19 June 1998 Released
Producted By: The Shooting Gallery
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

An egocentric bum transforms the lives of a shy New Jersey garbageman and his sister.

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Tim Kidner Now, I'm not really a literary person, but I love film and this gem sparkles. For me, an unknown director and two lead actors was given credence by solidly good reviews and when it was shown on Sky Arts, I recorded it. I had heard of - and seen Parker Posey in films before, though.Henry Fool covers vast areas of literary philosophy and it is itself literary in its sheer story-telling. Ever intriguing, the characters jump off the screen, larger-than-life, yes, but, oh, so honestly displayed, we feel we know these individuals, like they were friends and neighbours.James Urbaniak, as the gangly, bespectacled refuse collector, Simon, whose social graces are near nil, who we see right at the start stumbling across a fornicating couple, is superb. Via several narrative routes, Simon gets to meet up with roguish, ex-con (sex offender) Faustian, Henry Fool, who is a confident, scruffy novelist (Thomas Jay Ryan). Henry gets Simon to write, in an attempt to get his thoughts and feelings out and to communicate better with the world.Over the film's two-and-a-quarter hours, we witness Henry messing up his life more and more - getting Simon's sister (Posey) pregnant and drinking into addiction and getting further into debt. Meanwhile, Simon's poetry is cautiously received, initially cited as 'pornographic' but daring and brilliant, culminating in a Nobel Prize. Henry, meanwhile, always on the cusp (but never getting there) of finishing his own great memoirs, being actually rather untalented, falls further apart.What ensues from Hartley's Cannes-winning screenplay is a detailed, original and very realistic tale of two oddballs and their surrounding loved ones and associates, which never rushes either them, nor us.The sparse, atmospheric score (also attributed to Hal Hartley - source IMDb) superbly adds to the feel and tone of the film.This indie flick is probably too oddball and has no star names to draw it from near obscurity into the mainstream. Not only is it immensely enjoyable but involving and engaging, too. I usually delete films from my provider's box, once seen, but this one I want to see again. Fine film.
Lee Eisenberg Indie director Hal Hartley accomplished the quirky but definitely worth seeing "Henry Fool", in which a trashy writer helps a socially awkward garbage man discover his real talent. Since the title character describes three kinds of "there", I will use them to describe the movie.There is much in this movie that will give you a new view of your own life.Their talents come across very clearly in this movie.They're the people showing us that movies work best when not showing things exploding for no reason except to show off some star.Anyway, this is certainly a movie that I recommend. If it stars Parker Posey, you know that it's got to be interesting (see also "The House of Yes").
Ben Parker Its not that its groundbreaking in the way it tells its story, or that its story is that unusual - its tricky to put your finger on which element makes Henry Fool so unique, but as a whole the work is very unique indeed. If i had to give you a reason why this felt so new to me, was that i'd never seen a movie entirely devoted to literature before, the power of poetry in particular. I found it quite refreshing.Hartley has gone for an atmosphere of strangeness, a kind of artificiality which still rings true, and it works completely. Henry Fool (the character whose nature this movie is an investigation into, which takes the narrative form of his walking into the lives of a low-class suburban family, especially disaffected garbage-man and potential poet Simon) talks and behaves like what he imagines himself, which is the roguish hero of some tragic, romantic Shakespeare play, and a kind of difficult genius. But is he a genius for real? Is this "confession" he's writing, his life's work, a masterwork, or a piece of sh*t? Henry affects the lives of a small group of great characters in Simon's local neighbourhood, all drawn with marvellously light brushstrokes, and all seeming like imagined, literary beings, yet still very human. But is he a good influence or a bad influence on this neighbourhood?I can't predict whether you'll like Henry Fool or not - all i can tell you is that i found it captivating and original to the last.
kbayram First of all, the dominant structure of the film is about expressionist of some feelings behind the negative personality of the garbage man that he is not also aware of his potential. our main character henry fool is the main actor of garbage man's success,but the genius person must react the situations more quickly. the diaolg between henry and the nobel prize winner is breaking the walls between them as before they were teacher and student and after ýt turned the opposite way after that part of the movie. maybe ý have alotof feelings but my words are not enough. someone must watch it and after he must say something about it.