edwagreen Outstanding 1962 film. There seemed to be a "Diary of Anne Frank" connection here with Richard Beymer and Diane Baker appearing in that magnificent 1959 film and Susan Strasberg, who appeared in the Broadway play as well.Common themes are displayed in the film as in much of Hemingway's writings-World War 1, tragic ending romance, a wandering man in search for identity and moral behavior. The latter was well executed by Beymer, who is absolutely terrific here.An all-star cast adds to this wonderful film. Jessica Tandy is memorable as the embittered, religious mother and Arthur Kennedy, her husband again shows what an underrated actor he was, as the conflicted doctor.Paul Newman is well used in the bit part as a punchy ex-prize fighter, and along the way, Fred Clark, Dan Daily, Eli Wallach and Ricardo Montalban give memorable turns in this great film.A story of coming of age is so very well done. Facing adversity when you grow older is a theme here, as well as that it makes you a stronger, more vibrant person.

Bruce Frier To be quite honest, not everyone will be taken with this movie, particularly if they are not already familiar with the Hemingway stories. These stories were written sporadically, but most readers of the collected Nick Adams tales have not found it difficult to see in them an arc of a young man's life, from his hell-raising days in the thick woods of Michigan, through to his growing maturity in World War I. The problem, of course, is that the story format makes the whole thing highly episodic: like a photo album of significant moments.To some extent, the movie manages to blend this away, although at cost to the integrity of the original stories. Still, it is such a help to see these stories made visual that any objections are overcome. Further, the performances of the many distinguished actors involved -- above all, Paul Newman as the punch-drunk Battler -- are truly distinguished.I liked this movie thoroughly, although it needs to be said that "The Killers" (1946), from another of the Nick Adams stories, is undoubtedly better as an adaptation. Still, it's hard not to admire the audacity of those who put together "Adventures." It's probably about as good as it could be.It is really very irritating, at any rate to those who know the originals, that the Region 1 version is still censored, and for absolutely no discernible reason.

Edgar Soberon Torchia "Ernest Hemingway's Adventures of a Young Man" is one of the many motion pictures I saw during my adolescence in one of the cinemas in the neighborhood where I grew up, the colonial part of the city of Panamá. Somehow I completely forgot what it was about. Last night I sat to check the opening credits for nostalgia reasons. The film began and although I am not a Franz Waxman specialist, I instantly said to myself "Waxman...", and it was him!, his music, so instead I ended watching the complete film again. I was surprised to find out it is an entertaining road movie, and have no explanation why I could not remember a single scene from it. Maybe I was too young to care about the ideas being voiced, even if they were neither too profound nor developed enough. Maybe Richard Beymer (as Nick Adams), Susan Strasberg and Diane Baker (as his love interests) were neither strong nor charismatic young performers to watch a whole film with them as leads... This of course is not true considering, for examples, their contributions to "West Side Story", "Taste of Fear" and "Strait-Jacket", respectively, but I realized that it was mostly the fine performances by the rest of the cast what smoothly carry the narration along. In the first act, Arthur Kennedy as Nick's father is very good; then Paul Newman, Juano Hernández, James Dunn, Dan Dailey and Fred Clark give strong support during Nick's trip from Michigan to New York; Ricardo Montalbán and Eli Wallach follow during the third section, and Jessica Tandy does her fine act as a bitter mother (repeated a year later in "The Birds") in the resolution. Thanks to good art direction evoking the first years of the 20th century and beautiful location shooting in Italy and Wisconsin, one can overlook the carelessness of Academy Award- winning cinematographer Lee Garmes here and there, with shadows of the camera and light equipments all over the place in different scenes. But most of all it is a film dominated by good acting. Martin Ritt was an excellent director of actors and it is quite evident in this film, which also covers some of the social and political issues he would later treat at length in his filmography, mostly in "Hud", "The Spy Who Came in from the Cold", "The Front", "Norma Rae", "Sounder", "Conrack", and "Stanley and Iris".

Nazi_Fighter_David The motion picture, based on Hemingway's autobiographical "Nick Adams" stories, depicts the picaresque experiences of an aspiring writer (Richard Beymer) who leaves his home in 1917 to learn about life… Near the beginning, the young man, thrown off a freight train, encounters the punch drunk fighter and his black manager and friend, Bugs (Juano Hernandez). The Battler, in his fifties, was once a top fighter, but he declined into second-rate matches, prison and panhandling (Rocky Graziano in reverse!).As he and Nick sit in the woods by a fire, the pitiful, half-alive Battler speaks roughly, sometimes mumbling incoherently, about his life… He searches pathetically for his thoughts and memories, makes useless swinging gestures in the air, and reflexively punches his fist into his palm—a man barely in control of his mind or muscles… This is the kind of self-effacing, grotesque-makeup part critics often like, and many thought he brought compassion as well, as physical reality to it… Others believed that he overplayed it almost to the point of caricature; Bosley Crowther of The New York Times said, "It is Paul Newman's very good fortune that he isn't recognizable… for he is simply terrible."