mark.waltz Don't expect 100% comedy in this western about the trials of an acting troop making their way through the old west. It's not all feather boas and sequins in this sometimes light- hearted but often dangerous lifestyle where troop leader Anthony Quinn, leading lady Sophia Loren and the remainder of their ensemble face bill collectors, irate or amorous hotel proprietors and Indians as they go from gig to gig. Often, there's a lit more lustful eyes made at the voluptuous Loren with Quinn struggling to keep it altogether. Among the supporting cast are Margaret O'Brien as a supposed 16 year old girl with a mother (Eileen Heckart) who seems to want to sell her off to matrimony, Edmund Lowe as the company villain and Steve Forrest who makes a gamble for Loren's heart. Moderately entertaining, it often switches gears as it goes through various mood swings. I wanted to like it more than I did, although this is a subject matter that doesn't crop up as part of major western plots. The look on the audience's eyes as they watch the goings on stage is thrilling however while the confrontation with the natives is rather frightening.O'Brien seems to be trying to remind everybody that she was "Meet Me in St. Louis's" Tootie, obviously not 16 as Heckart insists and certainly not 20 as she claims to be. Heckart gets some good lines, but I wouldn't call this one of her better parts. Loren, as a platinum blonde, is still enticing, while Quinn just seems to get sexier as he ages. It's colorful but unremarkable, high one moment then disappointing the next.

wes-connors This film is introduced with the words: "When the great American frontier was resounding with the names of such gunman and outlaws as Wyatt Earp, Jesse James, Bat Masterson and Doc Holliday - a beautiful and flirtatious actress swept through the west with her theatrical troupe. A 'hellion in pink tights,' she was the toast of every settlement from Cheyenne to Virginia City - and became a legend of the old west. This is her story." And, after a creative title sequence, we meet beautiful actress Sophia Loren (as Angela "Angie" Rossini) in a blonde wig, running lines with co-star Anthony Quinn (Thomas "Tom" Healy)...As the theatrical troupe arrives to perform in Cheyenne, Ms. Loren and ruggedly handsome Steve Forrest (as Clint Mabry) exchange mutually sexy glances. However, Loren decides to remain faithful (at least temporarily) to Mr. Quinn. Their relationship is threatened when Loren loses herself to Mr. Forrest in a poker game. When Loren, Quinn and company are suddenly run out of town, Forrest joins them, protecting his "property." They are threatened by bloodthirsty Native American Indians and respectable gangster Ramon Novarro (as De Leon). Forrest helps with the Indians, but has trouble with Mr. Novarro...Loren and Quinn are okay, but surprisingly lack chemistry as a couple. Despite his lower billing, Forrest comes across as more like the story's leading man. The supporting cast is very strong: Novarro, a former "silent screen" idol, is exceptional as the main villain; former child star Margaret O'Brien and Eileen Heckart are a delightfully naughty mother/daughter duo; and Edmund Lowe (as Manfred "Doc" Montague) is a bonus, in his last acting appearance. Director George Cukor and his team make it very stylized, with an emphasis on garish color. The film's jarring attitude was later common on television.******* Heller in Pink Tights (1/1/60) George Cukor ~ Sophia Loren, Steve Forrest, Anthony Quinn, Ramon Novarro

bkoganbing For the only western in the film credits of George Cukor he sure couldn't be faulted for the source of his material. This film is taken from one of the books by the great western novelist Louis L'Amour. It concerns the escapades of a traveling theatrical troupe in the west headed by Anthony Quinn with the leading lady being Sophia Loren. This was her only trip to the American west on film also.Theatrical people did not exactly have the same kind of prestige back in those days as they do now. We first meet our players fleeing across the state/territorial boundaries of Nebraska and Wyoming evading a sheriff with a writ. They arrive in Cheyenne and get themselves involved with the villainous doings of Ramon Novarro and his hired gunman Steve Forrest. After Forrest does a couple of jobs for him, Novarro tries a doublecross maneuver similar to the one Laird Cregar tried on Alan Ladd in This Gun For Hire with the same sorry results. Forrest of necessity joins the theatrical troupe and both get an opportunity to use their respective skills to help each other out of some tight spots.This film had potential to be better. Maybe in the hands of someone like George Marshall or John Ford it might even have become a classic. George Cukor was not the director for it. The film marked the last feature film appearance of both Ramon Novarro and Edmund Lowe. Novarro did do some television work until his tragic murder in 1968. Here he's a smooth and polished villain. Edmund Lowe does quite well as an old ham actor which at that point in his life was I'm sure one easy role for him.Heller in Pink Tights is enjoyable enough, but no classic.

alexandre michel liberman (tmwest) This is a western made by George Cukor, who would not dream about making a western unless it would really be about something else. This one is about show business and I can understand how anybody working in entertainment would identify strongly with it. Anthony Quinn leads a theatrical troupe formed by Sophia Loren, Margaret O'Brien, Eileen Heckart and the legendary Ramon Novarro through the west. They are pursued by creditors and are really living on the edge. Loren, using her charms, is a big help, but this is hard for Quinn who is in love with her to accept. They come to a town and are going to perform Offenbach's 'La Belle Helene', but the owner of the theater thinks the townspeople will never accept a young woman leaving her old husband for the young Paris. Instead they do the opera 'Mazeppa'. Loren gets involved unwillingly with a gunfighter, Steve Forrest, who seems so tough compared to Anthony Quinn, but as the film goes along we start learning how much courage the whole troupe must have to remain in show business. An unusual film, with a lot of meaning.