Bead After watching "Found", I had such high hopes for this movie. Unfortunately, this movie will fade into the forgotten realms that poorly executed horror films fall into. First of all, this movie 'looks' amazing. It looks like the 70's and captures that vibe so well. Even the villains look almost classic from a horror perspective. But once a director goes to the cheap gore, you know they have nothing left in their toolkit, and that's too bad. This movie could have been a cult favorite or even a classic horror. But just shock for the sake of shock, you know the director has no clue on how to create suspense or tension. And don't get me wrong, gore doesn't bother me at all. I just recognize when directors go there and offer nothing else, you realize they are in over their head. I'm sure this movie will appeal to 15 year old Rob Zombie fans, but surely it's a missed opportunity for building a cult following for those who want more out of their horror movies.But I'm holding out hope Arthur Cullipher's next movie will be much more sophisticated, as he is able to make a great looking movie. He just needs to focus more on the story and what matters most to horror fans who want more than easy, cheap gore.

ervijaykumar I am writing this review just to warn you that this movie doesn't deserve a second of your life. Don't go by the 5+ rating for this movie. This movie is one of those most pathetic movies out there where you really won't want to waste a second of your life watching. This movie gives you nothing in terms of entertainment or story or cinematography unless you are yourself sick enough to enjoy such movies. There are still much better movies out there like Chainsaw Massacre series, Wolf Creek, Devil's Rejects etc. Go and watch them if you haven't. Just don't waste your time on this pathetic film. Even the nudity is not filmed such that one can enjoy. It is a soft porn torture movie which you'll regret after a minute into the film. The trailer of Wolf Baby at the starting really made me want to puke. I watched this movie by fast forwarding. I would recommend you to skip it and really Don't waste your time on this movie at all!!!

BA_Harrison Headless began life as a fictional film within a film: an obscure late-70s slasher featured in 2012 indie horror Found. Now, as the result of a successful crowd funding campaign, it has been turned into a movie in its own right—a gloriously demented, retro-styled gore-fest that holds nothing back in its depiction of a mentally deranged and extremely vicious, mask-wearing, machete-wielding killer at work.Director Arthur Cullipher starts as he means to go on: before the opening credits are over, he's already shown us a disgustingly gruesome decapitation, his antagonist (Shane Beasley) proceeding to scoop out and eat an eyeball, before boning the severed head in the neck—the killer's preferred modus-operandi. And so it continues, with numerous nubile young women meeting the same grisly fate, the wholesale slaughter interspersed by freaky hallucinatory scenes and disturbing memories from the killer's childhood, when he was caged like an animal by his mother (Emily Solt McGee) and tormented by his sister (Olivia Arnold/Jessica Schroeder).It is through one of these flashbacks that we see how the sadistic sister made the mistake of unlocking the door to her sibling's prison; unsurprisingly, the lad seizes this opportunity to rid himself of both his tormentors, and, accompanied by his imaginary friend, a small boy with a skull-head, sets out on a long and bloody path of murder, one that ultimately leads to a roller rink where he targets the employees, including pretty waitress Jess Hardy (Kelsey Carlisle). Will Jess's decapitated and defiled head be added to The Killer's collection, or can she turn the tables on the sicko?From the outset, Headless does well to capture the atmosphere of a genuine 70s slasher, with a gritty lo-fi look, great attention to period detail, and authentic sounding music. The film also delivers plenty of impressive old-school practical effects, although the level of depravity on display is far greater than anything I have ever seen in a genuine slasher from the purported era—even the most extreme examples. Not that I'm complaining: it's the mean-spirited violence and general deviancy that makes this such a blast…How could any self-respecting gore-hound/sleaze-fan not have a good time with the following: horror hottie Haley Jay Madison getting a machete up the holiest of holies, before having her breast sliced off, and losing both of her legs to the madman; The Killer using a pretty hitch-hiker's head to get his rocks off on a pile of dismembered corpses; the twisted sister quenching her caged brother's thirst by urinating on him; the mother feeding her son a freshly severed rabbit's head; Jess's waster of a boyfriend having his junk cut off; The Killer doing his special routine on his own mother (including boffing her bonce!); and roller skate-wearing waitress Betsy (Ellie Church) doing the dirty with her sleazy boss before being chased topless across the roller rink by the killer. Trust me when I say that it's ALL done in the worst possible taste.My only complaint with the film—and it's a small one—is that the whole ritual of decapitation, eye removal, and head-humping eventually becomes a little too repetitive. I know it's The Killer's signature (and an unmistakable one at that), but I'd liked to have seen him switch things up a bit. After all, variety is the spice of life—even for a criminally insane mass murderer with a creepy skull-headed boy for a best friend.

gorechef You ever see one of those horror flicks where the killer does all manner of inhumane and despicable things to their victims? Of course you have. You ever wonder just how they could have become so depraved and what could possibly motivate them to continue their sadistic and cruel behavior? Maybe you have, or maybe you didn't put any further thought into it. Have you ever been disgusted and repulsed to the point where you couldn't continue watching?I'm asking all these questions, because the answers are simple: You will. Whether or not you have, you'll find out. And... you just might be.If you haven't watched FOUND by Scott Schirmer, you should. Its based on the novel of the same name, by Todd Rigney. That story contains a film within itself, and that film is HEADLESS. Easily one of the most brutal and integral parts to FOUND, it was a throwback to 70s underground indie horror exploitation that drove the killer in FOUND to commit his own atrocities. FOUND was so well received by the underground horror heads, that it spawned a successful crowd- funding campaign for a full length HEADLESS feature.I now understand how such a cruel and demented killer could be created. I could feel his pain. His nightmarish hallucinations could drive any one to such lengths.While this film contains incredibly horrific acts of intense brutality, they seem natural for the monster committing them. By the time it was over I realized had thoroughly enjoyed all which I had witnessed. Then again, I'm a fairly twisted individual that knows it's all just entertainment. Yet, to be entertained by such heartless acts, to cheer along at the ghastly images, it makes me wonder... What the hell is wrong with me? Also, what the hell is wrong with Arthur Cullipher and Nathan Erdel?Cullipher has masterfully crafted a film that is as equally beautiful, surreal, atmospheric, and lucid as it is sickening, perverse, gut-wrenching , and unapologetic. He and several colleagues from FOUND (Scott Schirmer, Nathan and Kara Erdel, Leya Taylor, and Shane Beasley reprising his role as the killer) have given us a peek into the mind of a demon not spawned from Hell, but birthed of the torment that was all he had ever known.Plot and story are definitely present, and certainly not pleasant. Headless could have easily just been a load of graphic, sexualized violence to satisfy the sickos - and we get plenty of that - but a tale is to be told, and you will understand just where its "headed" right from the start.This film feels like it's from 1978. It looks gorgeous, and sounds equally appropriate. They made sure to use the right clothes and vehicles to get the proper atmosphere going. Don't even get me started on the roller rink. The killer's house is dingy and disgusting, he's living in a filthy old run down building on a farm. Shane Beasley provides an incredible performance as the Headless killer. In the original short from FOUND, he didn't have to do much but kill women, eat their eyes, and hump their heads. He gives so much more in this role for the feature film. We know and experience not only the horrors and pain he inflicts, but those he has suffered as well.Kelsey Carlisle, Haley Madison, and Ellie Church give great performances in their roles, proving they have what it takes to be scream queen material. There is an abundance of opportunity for wailing and agony from the victims in this film, and by its very nature, these women must scream!There is comedic relief in all this gruesome slaughter. Brian Williams' Slick Vic is a sleazy 70s roller rink tycoon scumbag asshole, paired perfectly with Ellie Church's Betsy. Their on- screen chemistry is undeniable. It's like they are married or something. I also thought the hitchhiker scene was pretty hilarious, without even trying. The FX are all practical and top notch. There are gallons of blood, killer gore, gruesome mutilations, and those special things that only the Headless killer does to his victims. Everything looks great. The music and score are so perfect. At times the score is haunting, and it even gets chilling what music will be heard during some of the most gruesome scenes.The bar just got set higher for indie horror. This film is absolutely everything I imagined it might and be much, much more. This will surely go down as one of the sickest, most well-executed indie films ever. It has instantly rocketed into my top 3 ever. I loved every second of this sick, twisted movie!