itsmikeandike Apart from The Exorcist, Requiem For a Dream, and Marmaduke, there are very few films that genuinely disturb us. We first saw Head Case back in February of last year. We revisited it the other day and it still messes with our heads.For one thing, as we said in our original review, this does not feel like a proper film. It feels like a home movie. From the dialogue to the acting to the camera-work, everything about Head Case feels about a million times more real than The Hills.And while the gore can be plentiful and icky, the most horrific scene shows absolutely nothing but if you are "enjoying" the film up to this point, the sequence will absolutely chill you. Make no mistake, though. You will either love this film or hate it. There is no middle ground, and that is a good thing.We've become big fans of Mr. Spadaccini, and not just because he put a quote from our original review on the DVD cover. Every film of his that we have seen is unique, beautiful in it's own twisted way, and even if you don't like them, you will never forget them.And that is a good thing.

Mark Winterbottom I have had the great honor to experience many films in my lifetime. To my great fortune, I have lived in large cities that have theatres devoted to independent and small production films. So, to my pleasant surprise, I can across an independent film by a filmmaker in my own hometown. Admittedly, I didn't expect much—small town director, local interest, and a modest, grassroots release. Reading beyond the teaser, one realizes that this is more than a simple local film—this is deeper than one may expect. This film spoke to a teleological focal point that may beyond grasp for so many of us, yet much like an accident on the highway, we can't resist watching."Head Case," by filmmaker Anthony Spadaccini, takes place in Claymont, DE; a quaint hamlet born out of the burgeoning steel industry of the nineteenth and twentieth centuries, located just outside the Wilmington metropolitan limits. Situated in this once prosperous, suburban context, the film details the sojourn of Wayne and Andrea Montgomery from a couple in a stagnant, archetypal marriage to a malevolent duet feeding their rapacious thirst for unsuspecting victims. Wayne, the more experienced of the pair, imposed upon himself a hiatus from his vicious activities during the birth and childhood of the couple's two children. Now as their progeny reaches adolescence, Wayne and Andrea team up to recommence Wayne's interest. Taking a more scientific approach to homicide, these serial executioners test methods, techniques, poisons concentrations, and demographics all the while documenting their episodes on film—the source for this filmmaker's canvas. However, this is more than just a gruesome documentary on the countless murders of the Montgomery's victims; it is a glimpse inside the darkness within all of humanity.Guided by the filmmaker's careful hand, the observer is immersed in the intoxicating vantage point of a voyeur during these crimes. Indeed, the enthralled film audience moves with the gritty, oft times jittery camera movement, shifting their bodies so as to coax the camera to move in closer, get a better look, experience the milieu of another's fleeting life. Returning to the aforementioned vehicular accident scene, we slow down and move about in any way possible, in the hope to see more that what is being made visible for our consumption. In ways beyond my naïve understanding, the filmmaker invites his audience to slow down and look deeper—he wants us to feel more than simple voyeurs, we are commissioners along with Wayne and Andrea.I encourage you to investigate beyond my feeble review and experience this movie for yourself. What are your reactions to each murder? How do you react to the heightened paranoia on the part of Wayne and Andrea? How do you think the story will really end? Check out Anthony Spadaccini's, "Head Case."

blackrockchick I had the honor of viewing Head Case at the Newark Film Festival this past summer and it scared the hell out of me. The film is not your conventional horror movie, but that is what makes it so scary. The film details the seemingly mundane suburban existence of Wayne and Andrea Montgomery and their two children. The appear to be the typical middle class family, but what lurks beneath the surface is a barely masked evil. Wayne and Andrea kill for fun.They are serial killers who target transients and hitch hikers. They film their daily lives and the killings the way that other families would a graduation or holiday. The most disturbing thing about Wayne and Andrea is that no one knows about their secret life. They go to church, work and raise their children for years without being detected.I found that to be the scariest thing about the film, that these depraved people could indeed live next door to me or share a cube at work. They could be part of the PTA or serve on the church board.As far as the production goes, I think that Anthony Spadaccini has grown leaps and bounds from his other films. The lighting, camera work and acting all support the home movie style that is the centerpiece of the movie. Think Blair Witch, without the witch.The standout feature in my opinion is the gore effects. Head Case has a particular special effect that seemed to be very realistic and unsettling. The use of gory is minimal, but it is effective. It is what you don't see that will make you cringe.The dialog in the film is very realistic and shows that people's lives are not always exciting. There are parts in this film that some would consider boring, but I find that it adds to the realism of the piece and really provides the home movie feel that I think the director was trying to convey.As far as standout characters go, I was supremely annoyed and amused by Andrea Montgomery. Her nagging and the tone of her voice reminded me of the typical over the top mom and added an eeriness to each death that she was a part of. Each time she called out "Waaayyynnne", it made me want to duck and run.Overall, I think that Head Case is another solid effort from the Fleet Street Films team and I hope to see these characters again.

fabfilmguy I have been following Anthony Spadaccini's work over the past few years and watched him grow as both a filmmaker and a storyteller. His previous work has covered such hard topics like hate crimes, depression, suicide, guilt, etc. I've also seen some of his funnier stuff like his two silent films and it's clear that this is a filmmaker who likes to work in many different genres and be one of a kind. So when I read on his Myspace page that he was making a horror film, I couldn't wait to go see it. I had an opportunity on Sat night at the Newark FF world premiere to check out his newest film Headcase. It's very different from his other movies. It is a collection of home videos shot by a married couple who have two kids, but also like to kill people on the side and film their crimes. I've never seen a horror movie quite like this before. It's longer than the typical one, it moves slower than your average one, but in this case that's a very good thing. It allows us the viewers to learn about who these people are and connect with them, which is really pretty sick considering how truly sick they are. There are many surprising plot twists, including a really disgusting and stunning one about midway through the movie that changes everything for the characters. I thought the acting was very very good (Paul Mccloskey and Barbra Lessin were very very realistic), the movie has plenty of blood and gore, lots of disturbing moments, and a surprising ending that is also atypical of a horror movie. I also liked how not everything was explained, it allowed us the viewers to draw our own conclusions (like whether or not the son Todd knew about what his parents were doing and what happened to him after the conclusion of the film, or what the meaning of the scene at the abandoned house really meant). I highly recommend Headcase to anyone who is tired of the horror genre and looking for something unique and different and really really disturbing.