Kirpianuscus its realism. the poetry of story. the delicacy to give a delicate subject in inspired, wise manner. a slice of life. the desire of woman. the gesture of man. the love. the sacrifices. and the last scene as the piece of circle. something special defines this film. an emotion, a feeling, an obscure-well known theme developed in the perfect way. result - a poem. in which the expectation to return to the start point, like suggestion in two scenes, missing. because the love is more than a beautiful emotions puzzle. it has a price. and, in essence, this is the key for discover the blood traces, the sheets, the barefoot print and the gesture who could change everything. short, an admirable work.

rodrig58 All men should get their skin out of them for the women they love, don't they? As a form of supreme sacrifice or the proof of supreme love, or both, however, they, the women, kill us slowly, through everything they do, right after the honeymoon ends... The film lacks what it should happened after the last scene: will she remove her skin for him too? I doubt that, I think she will prefer the divorce, in case they were married... Joke or no joke, reading the opinions of everyone on You-tube and IMDb, 99% did not understood anything. And somehow, rightly, because at least one aspect does not come out clearly from the film: the motivation for which him removes the skin. I'll try again to give an explanation. The reason is simple, those men who have not experienced True Total Love for a woman, have no way to know. The answer is that Love causes you to do such stupid things, such as even getting your skin out of you. I have to add that the movie has a very attractive and commercial title, which makes many to watch it. Last but not least, I can tell you that I've done something worse than taking my skin off for a woman, I married the woman, and not only one woman but two women...

Horst in Translation ([email protected]) "He Took His Skin Off for Me" is a 10-minute (without credits) British short film from last year. The director and writer is Ben Aston, but he isn't really experienced (yet). Same can be said about his co-writer. The most experience here probably comes from lead actor Sebastian Armesto who is the one this (pretty bad) title refers to. Apparently a guy decided to get rid off all his skin for his girlfriend. Why? There is no convincing explanation unfortunately. However, the whole premise also makes this a science-fiction/fantasy movie apart from drama, horror and romance, because this is simply not possible in real life. And he even says, he has no pain, which is completely unrealistic. I must say, all in all, the plot was simply not through through in a convincing manner in my opinion. It reminded me a bit of an old Robbie Williams music video. All in all, not recommended.

bob the moo There is a great piece of special effect work at the heart of this film. As the title suggests (states), the male character of the central couple, fully removes his skin for his partner – spending all but the opening seconds of the film as a glistening, bloody biological model of sorts. It is to the credits film that you get beyond this very quickly, and that I found that after a few shots where I focused on the technical aspect of it, really I was more drawn into the situation rather than the effects. The story is narrated by the woman of the couple; she is happy that he has done this for her, even though it has some downsides, however he changes through the film – clearly not happy with the change his sacrifice has brought compared to the interrelationship benefits which haven't really stepped up.I will not say it is a perfect modern parable in this way, however there is a lot of interest to see this relationship where one of the partners has significantly changed himself for the benefit of the other. The sense of excitement early on is one thing, but with friends, with work, and just fundamentally within himself, he starts to be unhappy with the change – or rather the fact that he has given up so much and not seem to have had a lot back. The film doesn't push this onto us, but the woman of the couple does seem to have the easiest role, and although we hear her voice and not his, we do not see anything in her life where she sacrifices, apart from dealing with the impact of his new look on their furnishings.It is patient as it does this, and I enjoyed the slow pace, and the fact that the film itself sits back with the woman as the narrator – letting us see things ourselves while also being within her perspective to a point. I would have liked that it maybe go deeper with this aspect, but it still works as a relationship study, albeit an extreme one. Technically the film is well made, and as good as the central effect is, I also enjoyed the attention to detail around the set, with bloody smears and marks. The two leads are very good, but ironically the film belongs to Maguire with her narration and ability to silently deliver feeling and thought. Armesto is solid but broader and more obvious with his emotions and, while the special effect is good, he doesn't totally act/move like he is wearing less, rather than more. Still, as a pair, they work very well together.Initially arresting for its title and effects, it is a film worth getting into because there is an engaging and interesting relationship piece here – even if it is not a wholly successful one.