bkoganbing Craig's Wife is a play that is revived and often in stock companies because its themes are timeless. It could probably be revived today with yet a fourth film being made.It was good enough to win a Pulitzer Prize for its author George Kelly when it first ran on Broadway in the Twenties. Rosalind Russell made the most of the part of Harriet Craig back in 1936 in her first starring role.14 years later Joan Crawford does as good as Russell did in her film version. I'd hate to compare the two, I've never seen a silent screen version that was also done.Appearances are deceiving, at first glance Joan looks like she's achieved the American dream, specifically that dream house in the suburbs. But she's a cold, manipulative woman, whose only real love is the house and things inside. It's not a home she's made for herself and husband Wendell Corey, it's some kind of suburban Taj Mahal.But Lord knows she does not want to be alone. She berates her servants including her cousin K.T. Stevens who lives with her and whom she treats like a servant. She does her best to break up Stevens and William Bishop because she doesn't want to lose Stevens from the entourage. She also makes Corey's good time buddy Allyn Joslyn feel as welcome as crabgrass.Crawford was hurt real bad and the only kind of husband that she wants is a completely submissive one. Takes a while for Wendell Corey to catch on.Harriet Craig is a great female part and two great actresses did it for the talkies. I'd love to see Meryl Streep or Julia Roberts take a crack at this role in a remake.

PudgyPandaMan " Wives may be a little extra trouble now and then, but they're mighty handy gadgets to have around the house." This movie is like a time capsule of the late 1940's and 50's. There are definite stereotypes about the roles of men and women from that period - like a woman's place is in the home, etc. Some will find this very dated and annoying - but I often enjoy seeing glimpses into past periods in American history, even if I don't necessarily agree with it.There is not a lot of depth to this movie in the classic soap tradition. But there is good character development in the sense that you know everyone's personalities. Joan is the controlling, manipulative wife trying to climb the social ladder. Correy plays the wimpy husband who lets his wife control him and everything in his life... Until she finally goes to far. Its good to see Mrs. Craig get what's coming to her in the end.Joan's costumes are beautiful and extravagant. But I hated the hairdo she has in most of the picture - very much like "helmet-hair". Its all stuck very close to her head and gives her profile shots an unflattering shape. Perhaps they're trying to give her an overly masculine look to match her domineering personality. I'm not a huge fan Of Crawford. I find most of her work overly theatric and stiff. This carries over here as well. There is one exception: when she relives the day her father left the family. She shows natural and genuine human emotion and pain in that scene, without all the campiness for which she is known.If you don't like melodrama or soap opera style films, stay away from this one. If you want a glimpse into 1950's stereotypes, watch this. Also, for those familiar with Crawford personal life and "Mommie Dearest", this role perhaps best captures that side of Joan - controlling, manipulative, unforgiving, and without an ounce of warmth in her whole body.

blanche-2 Joan Crawford is "Harriet Craig," a manipulative, insecure woman who has to control everything around her in this 1950 film also starring Wendell Corey, K.T. Stevens, Lucile Watson, Allyn Joslyn and Viola Roche.The director, Vincent Sherman, knew how to get a good performance out of Crawford and did so several times, in "Goodbye, My Fancy" and "The Damned Don't Cry." He described her as a very bright, knowledgeable woman when it came to every aspect of filming. Here, Crawford is a cold, manipulative bitch married to hapless Walter (Corey), and as is implied, the sex is great. Pretty soon, he forgets that he's uncomfortable in his own house and that Harriet has isolated him from his friends and things he used to enjoy, and also that she can't have children - so she says. Harriet is unfortunately stuck with the old Craig family housekeeper, Mrs. Howard, who continues to be a burr in her saddle. Mrs. Howard sees through Harriet, as does the boss' wife (Watson). She recommends a promotion which will require Walter to spend some time away from dear Harriet in China. When Harriet finds out, she has a fit and makes sure the boss decides against sending him. Wouldn't want Walter gambling away the company money while drunk, now, would we? Harriet's niece Clare (Stevens) is made to feel extremely grateful by Harriet, so she works for Harriet for free. When Harriet finds out a worker at Walter's lab is interested in Clare, she tells Clare he's a womanizer who brags about it. Harriet is a piece of work.The saddest part of all of this is that I know someone like Harriet and believe me, this portrait is only slightly exaggerated! They are sad cases. They make the lives of everyone around them miserable. And they aren't happy people.Crawford is great in the role and has been said, she plays this type of part very well. She has the regal looks, the voice, and the requisite chilly delivery. For those who say this was the real Crawford, no one knows for sure. I don't think anyone deals with the woman herself at this point, only a plastic persona. She had to have been a lot more charming than Harriet and also, unlike Harriet, capable of letting down her hair once in a while and having a good time. Crawford the actress had many more sides to her than the "Queen Bee" and "Harriet Craig" persona. I think she was at her best in "A Woman's Face" and "Possessed" (the second one) which show what she could really do. I never felt she was great in comedy, but she was a hard worker who could do drama well.Wendell Corey does a good job as a man who loves his wife, his work and his friends and has to walk a thin line. The rest of the cast is uniformly very good, and the Craig house is gorgeous, if you like living in a museum. I'm really talking about the layout.As a spoiler, I think it would have been a riot if, after what we see in the film, Walter ended up with the widow next door. Who knows? Maybe he did.

Neil Doyle From what we all know of Crawford's life story, HARRIET CRAIG seems to be a character who has a lot in common with JOAN CRAWFORD, so it's no surprise when Crawford plays her in a manner that should certainly please her fanbase, if not film critics. And this remake of "Craig's Wife" gives her plenty of meaty material to work with while she steps over everyone else in the cast in her best domineering mode.She rules over her household with meticulous attention to detail, no matter how much she makes everyone else tremble under her withering gaze and her harsh rebukes, even alienating the loyal house servants and a young female cousin (K.T. STEVENS) whose romance she breaks up by telling lies.Hubby WENDELL COREY remains completely unaware of her machinations until two-thirds of the story when he starts to realize that Harriet has not been telling him the truth. Her biggest mistake is giving his employer the false notion that he's careless with money and heavy responsibilities. Corey gets wind of her little talk and then bit by bit he begins to strip away all the deceit and deception she's been practicing on him and his friends.It's a well crafted study of a woman driven to possess someone but unable to trust any man because of her discovery (as a child) that her father was a two-timer cheating at the office with another woman. The character is very much like the one that Ben Ames Williams created in "Leave Her to Heaven"--Ellen--consumed by the need to possess someone and willing to lie at all costs to keep him at her side.Crawford is effective in the role, only occasionally rising to moments of theatrical hysteria--cold-faced with eyes glaring in dramatic close-ups--but director Vincent Sherman keeps the performance well controlled throughout most of the film.WENDELL COREY is excellent as the bamboozled husband, effectively underplaying in his usual style, but with such a direct gaze that his sincerity counteracts Crawford's well played deceptions. Their final confrontation, after a series of lies have been uncovered, gives the film a strong ending. LUCILE WATSON is effective as the sophisticated, aristocratic wife of his employer.Summing up: Better than average Crawford vehicle with a well-written script.