BA_Harrison
As the first person to ever contract Onset Rigors Disease (ORD), a condition that ultimately turns the sufferer into a violent zombie, Harold Gimble's deterioration is much slower than others; to help him cope with the gradual stiffening of his limbs, Harold (Stan Rowe) is appointed a nurse, Penny (Sarah Spencer), who relieves his pain and brings some joy back into his life. When Harold is talked into taking part in tests for an experimental drug for ORD, he initially shows improvement, but then takes a rapid turn for the worse, a fact that delights the local community volunteers, whose job it is to bash in the heads of sufferers who 'turn', but which proves hard for poor Penny to handle.In a world over-run by low-budget zombie movies, many of which are sorely lacking in originality, I admire any attempt to do something fresh with the genre; Harold's Going Stiff is not only incredibly innovative, tackling its zombie theme from a whole new perspective, but it's also a wonderfully made film, a real gem that benefits from touching performances from stars Rowe and Spencer, a brilliant and often very funny script, and sharp direction from Keith Wright, whose handling of the faux documentary style is nothing short of brilliant. A tragic tale with bags of heart, that touches upon sensitive issues such as old age, crippling illness, and euthanasia, this is worlds away from the movies of Romero or Fulci, and even Shaun of the Dead (which will no doubt get mentioned in many reviews), but it is certainly no less worthy for serious zombie fans.
Jay Meredith
This low-key film is a poignant and endearing comedy drama, with ample helpings of silliness and black humour. It's a quirky twist on the zombie myth - in fact I'd say the zombie aspect takes a backseat as more of an analogy for dementia, or a similar degenerative disease. At times I was reminded of the recent series In The Flesh, also set in a rural Northern English town, utilising the zombie theme to deal with wider social issues. The relationship between Penny and Harold is so natural and believable it's heartbreaking. It's what Gervais wishes he'd managed in his series Derek. The way it was handled was artful. And the performances were, on the whole, brilliant. Sarah Spencer (Penny) and Stan Rowe (Harold) in particular were wonderful. They managed the naturalistic style of acting exceptionally well. I'd guess a lot of the low scores are a result of people expecting some Sam Raimi spectacle with blood and guts everywhere. Providing you don't go into this expecting another Shaun Of The Dead, and instead expect a very small-scale, character-driven comedy drama on a shoe- string budget, I think you'll find something to enjoy. This is meant for the small screen!
Paul Magne Haakonsen
...and so might some of us out here watching it too!"Harold's Going Stiff" is not your average zombie movie, but as it blatantly brandishes on the DVD cover "joins the ranks of Shaun of the Dead and 28 Days Later", well that hardly is the case.That being said, then don't get me wrong, because "Harold's Going Stiff" is not a bad or boring movie, far from it. It was actually a rather enjoyable movie and a nice change of pace for a change to see this approach to the zombie genre.The story in "Harold's Going Stiff" is about the elderly Harold who is stricken with a strange new neurological disease that causes stiffness in the limbs and the deterioration of the mind and body, eventually turning the afflicted into 'zombies', so to speak. Nurse Penny Rudge is sent to help Harold with his ailment and it ends up becoming the start of a beautiful friendship. But in the seemingly quiet rural countryside, vigilantes are hunting down the 'zombies'.This story is actually quite nice and is told from a pseudo-documentary style, which just adds to its enjoyment. But most importantly is the acting performances put on here, they really helped the movie along nicely and made the movie stand out all the more. Especially the performances of Stan Rowe (playing Harold) and Sarah Spencer (playing Penny Rudge) should be noticed here.If you enjoy zombie movies and want to see something that differs from most other zombie movies, as in the gore, mayhem and apocalyptic setting, then "Harold's Going Stiff" is definitely a good choice. It is a good story and good entertainment.
Corpus_Vile
Harold (Stan Rowe) is an old age pensioner, suffering from O.R.D. or the onset of rigor disease. He can't get out and about as much and gets forgetful. Then there's the stiffness. He can't even touch his nose. What is the ultimate effects of O.R.D.? Well, it turns you... into a zombie. And it's affecting more and more UK males. Enter Penny, (Sarah Spencer) a cheerful, dedicated but lonely nurse, as his care helper. She'll engage in therapy with him, to delay the disease's effects. However, during the onset of the disease's later stages, loss of mental faculties and violent behaviour is inevitable. Already there have been reports of attacks, which prompts a trio of baseball bat wielding vigilantes to patrol the area, taking down any errant zombie they happen to find. Meanwhile, Harold is still getting by, and starting a tentative friendship with Penny. Will a cure be found? Or will Harold have to be taken out like so many before him?I just caught this at the Edinburgh Dead By Dawn festival, and all I can say is... wow. Harold's Going Stiff is the most original zombie film I've personally seen, and I've seen quite a few. Shot in a realistic mockumentary style and not precisely a horror per se, it's a character driven cross section of genres, from horror, to (very funny) comedy, to sad bittersweet drama. It also highlights the very real horror of growing old, lonely and with a loss of dignity, with some poignant scenes.I have always thought that having a very very low budget is no excuse to make a bad film. Harold's Going Stiff simply confirms this opinion for me.A highly, highly recommended film, with some great performances, laugh- out-loud scenes, as well as some astutely observed poignancy, it should be sought out by anyone.I really hope this film gets a DVD release as it thoroughly deserves one and director Keith Wright should hold his head up proud, as this is one of the best British "horrors" in the past three years, and a very welcome return to form for the UK.9/10, brilliant film.