P42 Like most of us, I learned about Dan Harmon through Community. Which, I learned early on, was based on his own experience at community college. Jeff, in particular, was based on him. Not that Dan's handsome, or a lawyer... but a jerk who only sees people as instruments to get what he wants. And then he tries to change. Jeff actually does change. And Dan?Well, Dan is still profoundly egocentric. In his year being fired from Community he started a podcast, in which ostensibly people have a chance to interact with him and become part of the show. In practice, he often turns the attention back to himself within three sentences.This documentary, produced by Harmon's own production company, is also called Harmontown, and is therefore also very much about Dan Harmon. There are attempts to shift the focus to breakout star Spencer Crittenden, but while Spencer's story certainly is interesting, Dan's exhibitionism steals the spotlight over and over again.As it should. Because the intriguing thing is that the "therapy" that this podcast and tour admittedly is, ultimately works. Dan makes a couple of mistakes along the tour (drinking too much moonshine, cursing at his girlfriend), talks about them on stage, and moves beyond them. And comes to the realization that "being egocentric is OK, if you want to be the person that makes other people happy". It's a small step, but a step towards knowing who he is, and seeing a way to improve that.The most profound scene comes when he decides to work on the network notes for a pilot with Erin. The network was puzzled by a guy in the script saying "The corporate people can never have creativity, but they'll have everything else". What's everything else? They brainstorm over that. Then there's a moment at the end where the guy sings a song, which turns the perspective around for (I think) his daughter. Why? Erin. "She needs to say something to him." Dan "Yeah". Erin "She says "so you can have your integrity, and they can have everything else"". Dan looks at her. Looks at the camera "So he'll change". Looks around "that means he'll change".I'm typing this up from memory, but that's basically what it boils down to. It's an absurdly beautiful moment where you see their relationship moving past their hangups about themselves and each other, and their art flow together, as just has to happen for two people who are so self-reflective in their work. The fact that the main character is a standin for Dan is so obvious it doesn't even need to be stated. He is and will remain at the core of his work. But he still might change.So is it a well made documentary? Yes. Is the subject matter examined well? Yes. Is it worth seeing? If you listen to Harmontown, absolutely. If you're only a fan of Community, try the podcast first. If the podcast doesn't do it for you, the film will only repel you further. If you're into none of it, but like character study documentaries, then I would suggest you watch it as well.

cassidyorme I loved community and Dan Harmon before watching this.. and don't take my rating the wrong way i loved this documentary but Dan Harmon i just a whiny bitch, this documentary shows how he creates all of his own problems and whines about them..and the people that look up to him are people with real problems. I don't see how any network would ever work with him again after seeing this.. what a sad waste of a brilliant mind.. he could do a lot of good for a lot of people that look up to him.. but i think its evident he's too narcissistic and selfish to ever be someone who really makes people happy like he says in this documentary.. it fells more like the tour is for himself not the fans..

DVDExotica This is a weird one... I haven't written many IMDb reviews but felt compelled to have a go for this one, which I suppose says something good about this movie (I wouldn't feel compelled by a generic YA sci-fi flick or cliché-driven rom-com).The short version is that there are brief hints of something really interesting here, but for the most part, it's pretty flat.The main problem, I think, is that the tour and podcast (the plot is Harmon going on tour cross-country to record episodes of his podcast, Harmontown) aren't what's interesting about Harmon. This guy 1) made the most expensive pilot in TV history which didn't get picked up but has a cult following 2) got fired from the Sarah Silverman Show for saying horrible things to her and 3) created a network sitcom, got fired from it and then re-hired back to it a year later. All of these things are really intriguing and would make pretty fascinating documentary material. Unfortunately, they're only touched on here for about 2-3 minutes each.Instead this doc is all about his podcast. To the point where this film feels like more of a promotional advertisement for that rather than a straight-forward documentary. And considering Harmon and his production company produced and released this doc, there's probably a high degree of truth to that. The words "creative" and "genius" get thrown around a lot, and they really play up the gushing fans.In fact, that's the other off-putting thing about this doc. The running theme here is that Harmon created a sitcom about "misfits" and now these "social outcasts" and "nerds" (the film's terms, used repeatedly throughout) are all brought together by Harmon. They just keep returning to this same point. Harmon often says it himself, directly to the camera. The film presents it all like this amazing, touching cultural phenomena where Harmon unites a generation and brings these people hope. They keep cutting to still shots of the fans' faces (who he even calls "Har-minions") as if this is really profound. It's really forced, and some heavy-handed piano cues laid over otherwise utterly unaffecting moments certainly don't help. Plus, if I were one of those fans, I think I'd find the portrayal insulting. Maybe they don't all see themselves as desperate weirdos in need of an idol, but functional adults who just thought his show would be funny?The one other thing this film tries to force is the idea that the "real hero" of this documentary is the Dungeons and Dragons fan they have on tour with them. He's a 20-something guy who showed up ("out of his mom's basement") to one of their shows. He loved D&D so much, they brought him along on the tour so they could play; and his story is clearly meant to mirror the fans'; he's a social misfit outcast who comes to the show and is given hope and meaning. He's presented as the lovable darling of the film (he's the only person in this doc where we also see his home life, etc), but really you just want to cut away from this kid and get back to the star, Harmon, who's funny (when he's not incoherently drunk), tragic, and has the good stories.And when they do get back to Harmon, there are interesting moments. Besides the missed opportunities mentioned above, there are scenes where he fights with his girlfriend (who would've made a much better "heart" of the film than that D&D guy), an inside glimpse of editing the podcast to remove the "shame-based" moments, or phone calls with network executives about script rewrites, all of which will make you sit up and pay attention again. More of that! But there's actually very little.It's like Wild Man Blues. Remember that documentary about Woody Allen made in the 90s - but he would only consent to the documentary if it was exclusively about his music? So they never talk about his films or his fascinating career. They don't dare bring up his controversial relationships with Mia Farrow, her adopted daughter or the abuse charges against him. They just follow him around on his tour, filming him play clarinet with his buddies. The whole movie is this bizarre "elephant in the room" scenario where no one is allowed to discuss any of what everyone really cares about. ...Eventually, years later, a "real" documentary of Woody Allen and his works was released, and now Wild Man Blues is just an obscure little footnote (it's never even been released on DVD), strangled at birth by the subjects' controlling ego.I think this film is a similar footnote. It's 90 minutes of "subscribe to my podcast; I'm king of the nerds!" and frustrating cutaways from the few real moments. Maybe ten years later, a production company that isn't owned by Harmon will come along and make a second film of the interesting stuff. Or not. I mean, I've seen a couple episodes of Community and his shelved pilot (the novelty of the premise is amusing at first but wears off long before it's over - can't imagine how he thought it could last for a whole series). This guy isn't on the level of Woody Allen. He is a watchable person, and I'd return for a film about his bouncing around LA, hired and fired from various TV shows, and how that effects his personal life. But I can't really recommend Harmontown unless you have the patience to sift through a lot of marketing propaganda for a few tiny morsels. I mean, I don't know - how did you feel about Wild Man Blues?P.s. - All the big name stars you see on the poster, like Jack Black and Ben Stiller? They're all in this for about 30 seconds apiece. So if you're watching this for them, you're going to be disappointed.

David Massey I adore director Neil Berkeley's previous documentary, 'Beauty is Embarrassing', as much for its subject (artist Wayne White) as for its casual style. It's uncanny that his subject in 'Harmontown', Dan Harmon (creator of TV's 'Community' and writer of Oscar-nominated 'Monster House') is almost, physically and intellectually, Wayne White's Doppelgänger. I'm sorry to say that I largely 'missed the boat' with Harmon's body of work: 'The Sarah Silverman Show' definitely struck me as irreverent and funny but 'Community' always seemed a bit mediocre which, in Harmon's defense, when graded on the network-sitcom curve, I do consider completely watchable and good for a giggle.It wasn't until Harmon's erratic work ethic got him fired from both of those creations that he found his own form of therapy in podcasting an unconventional stand-up show containing no jokes, no preparation, and the occasional Dungeon & Dragon session. The documentary follows the show's tour across the US with his cohorts, Spencer Crittenden (the awkward 'Dungeon Master' plucked from the original Los Angeles audience), Jeff Bryan Davis (comedian and TV personality), and, his girlfriend, Erin McGathy (well-known podcaster). Despite his narcissism (which is balanced by a heaping side of self-loathing) and notorious tendencies to sociopathically manipulate those around him, there is a sense from his audience that he is the Jesus of well-intentioned nerdom. I won't say that I'm a complete convert but I will absolutely subscribe to his podcast (also called 'Harmontown'); like the film, it's honest, raw, and pretty darn hilarious.