chaos-rampant
Brad Dourif and James Earl Jones get together for this horror western omnibus to snarl at each other over a campfire, pausing now and then to mouth off subtext about storytelling (Jones plays the brutish bounty hunter who knows a scary story or three, Dourif is the learned schoolteacher who asks him if stories can be vehicles for more than just thrills). Every time the movie strays from the campfire into a story it becomes tedious because the only kind of deadly these short stories are is deadly dull. Thankfully they're all pretty short so it's never dull for long. Watching two actors who like to chew scenery and spit it back out have at it makes me feel a little warm. I don't want to be too harsh onthis because, truth be told, horror anthology type films are never really meant to be cutting edge horrifying. Their primary means of expression is quiet spooks about something everyone understands is made up around the fire or comes from hearsay, and there's something nostalgic involved, the rosy glow of it, like one hankers down close to a fire and listens to others exchange stories not only for the stories told but also the pleasure of listening to them next to a fire. Horror westerns are few and far between and like most of them, this is mainly a horror film, until the last segment where sixshooters are drawn out and we get shootouts in dusty empty streets.
FightingWesterner
Blustery bounty hunter James Earl Jones and jittery eastern tenderfoot Brad Douriff share a campfire on the prairie and swap horror stories, some of the supernatural variety while others are all too natural.This is a low budget but ambitious and atmospheric horror western, worth a look for fans of either genre, though some fans of traditional westerns might not be amused.The vignettes are great but the wraparound with Jones and Douriff is so entertaining that the stories they tell pale in comparison.Other than Jones and Douriff, the best performance in the film is by William Atherton as a frontier dad with a dark secret.
eddy-28
Grim Prairie Tales is an acclaimed film of bizarre anthology and spellbinding horror featuring an all star cast. Academy Award nominees James Earl Jones and Brad Dourif lead a cast including Scott Paulin (Turner & Hooch), Will Hare (Back to the Future), Marc McClure (Superman), Lisa Eichhorn (The Talent Mr. Ripley), William Atherton (Die Hard) and Michelle Joyner (Cliffhanger) to star in a tale of two pioneers who cross paths in a Western desert land and tell tales of both ghastly hauntings and supernatural tragedies. It's a low-buget film, but has some good quality of directing and acting. I especially liked the first and last stories the most.
GazHack
The pleasure of the horror anthology is that of brevity. No story can really out-stay its welcome or be forced into unnecessary padding. And if one episode fails to work, never mind, there will be another one along in a minute.James Earl Jones and Brad Dourif are both excellent as the contrasting storytellers and make the linking storyline into a highlight itself. Their tales are a mixed bunch. The opener about an Indian curse is rather slight. However the second tale about a helpful young man and a mysterious pregnant girl finishes on such a disturbing, horrific note that the viewer might not recover for the rest of the film! Especially if they're male. Definitely it is the moment that will be talked about afterwards. Deliberately, the third story concerns a more cerebal horror. A girl discovers a shocking truth about the father she idolises. Yet it emerges as probably the most satisfying tale of the night with a haunting punchline. Finally the concluding tale of vengeance beyond the grave is fair, its highlight being an animated nightmare sequence.The Western trappings bring a welcome original atmosphere to these Tales from the Crypt refugees, making this a worthwhile diversion for the jaded horror fan.