Fluke_Skywalker Plot; After being shipwrecked off the coast of Africa, a young aristocratic couple must survive in their harsh new environment. When the wife dies and the husband is killed, their young infant son is adopted into a community of apes and raised as one of them. But when, as a young man, he is found by the survivor of a doomed British expedition and learns of his true lineage, he is forced to make a choice between the comforts of a home he's never known and the savage jungles where he was raised.Tries to rise above the pulp roots of its progenitor and the B-movie muck of its siblings in a way that often parallels that of its fish out of water title character. It's a well made film backed by strong performances and a sincere attempt to tell an interesting and dramatic (at times melodramatic) story. If the victim is fun, then so be it, but you'll forgive me if I have been conditioned to expect at least a *little* action from the Lord of the jungle.Moving at the speed of cold molasses uphill, it still managed to hold my interest for the bulk of its 2+ hour runtime.

paulijcalderon Probably the most serious and realistic adaptation of Tarzan I've seen. The first act is great. The harshness and grittiness in the tone was a great way to set the mood. The second half is good and has some better moments, but it doesn't hold up as well as the first half and leaves the film a little anticlimactic.The development and exploration of John/Tarzan's character is well thought out and the performance was really believable. Ian Holm is fantastic in the film as his friend and the journey they make together should have been explored more. Going into the film i expected to see a film where Tarzan defends his animal friends from evil humans in the jungle, but I got a very grounded and simple film about a man trying to adapt into a life he naturally wasn't raised for. The duality and having to choose between the two lives is an interesting concept, but it leaves it unresolved in my opinion.There are some very dramatic and sad moments here too. The bond between the apes and the man is felt more than the bond between humans sometimes. The apes have their cheesy moments, but there's also really strong and emotional moments too. The detail in the costumes switches around a bit. The best compliment to the ape costumes I can give is that the eyes where done so well that I actually thought those were real ape ayes.There are even some scenes that deal with the human beings desire to kill and rip apart other animals, like dissecting, hunting and chaining them up. Seeing those things from Tarzan's perspective was a bit haunting and heartbreaking and you feel the conflict.Some great performances, great first half, gritty & grounded moments are all strong points, but it loses steam in the second half and drags on a bit for too long and leaves you feeling unresolved. The film also lacked more tension and intensity towards the end which would have picked the whole thing up and made up for the calmer moments. I like calmer films, but it really builds up to something exciting to happen, and it never does.Still, it's probably the best adaptation of Tarzan I've seen and the one who truly makes you feel the tragedy of this truly sad and haunting tale. It ain't as light as you might expect.

Wuchak Released in 1984, "Greystoke: The Legend of Tarzan, Lord of the Apes" stars Christopher Lambert in the title role with Andie MacDowell as Jane, Ian Holm as his French friend, D'Arnot, and Ralph Richardson as his likable grandfather who's nearing senility. James Fox is on hand as Tarzan's stuffy "high class" nemesis in Scotland.One thing that sets "Greystoke" apart from previous Tarzan flicks is that the filmmakers were determined to depict him the way Burroughs did in the books, as an extremely intelligent, talented man who happened to grow-up with a tribe of apes and not as a dim-witted wild man who had a hard time construing five proper words in a sentence. Lambert was only 26 during filming (but looks & acts more mature) and perfect for the role. This is a more realistic version of the ape man, moving away from the whole "me Tarzan, you Jane" cliché that (presumably) started with the Weissmuller flicks, which explains why the movie's called "Greystoke: The Legend of Tarzan" and not "Tarzan..." The first half is the best part, shot on location in lush West Africa (and, presumably, some parts in the studio, although you can't tell). While the apes are people in ape costumes they look amazingly realistic, particularly considering "Planet of the Apes" came out a mere 16 years earlier. The progress made with F/X in that short time is amazing (fifteen years later and CGI would take over most F/X). There are a number of great scenes, like Tarzan's fight-to-the-death with the ape leader and D'Arnot's introduction to Tarzan with a couple of curious apes behind him, causing D'Arnot to pass out.The second half switches to Scotland and this is where most people have a problem with the film. They say it's too slow, blah, blah, blah, and they're right to a point. I think the last discussion at the mansion before going back to Africa could've been cut almost entirely. After all, by this point we've already seen Clayton (Tarzan) confront Fox' character multiple times with intimidating animal sounds. So it was redundant and unnecessary. Nevertheless, I think the second half reveals a lot of character-defining stuff about Tarzan: His loving kinship with his grandfather, his defense of the lowly, his uncanny intelligence & talents, his compassion for encaged creatures, his passion for Jane and his reviling of the pompous.MacDowell is fine in the role, even stunning, and I didn't even know she was dubbed by Glenn Close until someone pointed it out, which shows they did a quality job with the dubbing. MacDowell is one of the reasons the love scene works so spectacularly, possibly my favorite love scene in the history of cinema. She and Lambert had great chemistry.The ending is a turn-off until you think about it ***MILD SPOILER***: Tarzan's rejection of his ancestral estate in Scotland is akin to him rejecting Western Civilization in general. I'm assuming that Jane would decide to later join him in Africa. Too bad there wasn't a sequel (I should add that 1998's "Tarzan and the Lost City" is SAID to be a sequel of this film, but it lacks Lambert and MacDowell in the key roles, plus it's mediocre by comparison, yet still worth checking out if you're a Tarzan fan).The film runs 143 minutes and was shot in Cameroon, Africa, and England.GRADE: A- (keeping in mind that Tarzan is my all-time favorite fictional hero)

jackasstrange This film is the perfect example of a film that relied a lot in the build up then turned to be a monotonous bore until its very last 15 minutes or so. Nothing really happens in this vacuum of almost one hour, and it clearly prejudiced the film. In the start, we have all the stuff about the accident of 'Tarzan's parents, and then ahead we watch Tarzan's growing up and supposedly conquering the forest?, i guess? This part in the film is carefully treated, but still does not explain, or a least i didn't get, how Tarzan becomes the king of the apes. It suddenly shows him already as the king 30 minutes after his 'growing', but it not shows how he earn that title.And anyways, the acting by the lead actor is not at all that convincing. He is either sad or raging, but it never impacts the viewer in the way it is supposed to do. I missed a bit the Tarzan, in fact.The soundtrack is indeed good, love classical music, but in this film it was misused. I say that because it don't fitted the scenes, therefore it wasn't even necessary to this film. Not saying that a film don't needs music, but if the music is not at all put in a way that it will add something to it, it is just pointless.The cinematography is good i guess, good use of lightning in the interiors scenes of the Greystoke castle. The panoramic vision of the forest was good, but it was way too quickly exposed and also too generic.In a quick resume, Greystoke is a film that loses his breath in half the way, and just recovers it when it's too late. 5.7/10