Alex_Kjellberg A lovely film, you get happy seeing it, and it's easy going an. The two horses that have the lead roles in the movie are adorable beautiful (stallion is white, and the mare bang black). My personal benefit was Beaver Greenway (Charles Coburn) fine acting together with his granddaughter, and exceptionally adorable Carey Greenways (played by Peggy Cummins), which is absolutely phenomenal in the manner she treats his grandfather.This film will apparently be Marilyn Monroe's sixth film, where she will be one of the dancers in a brief scene in the middle of the movie, but I could not see her. For those who like horses, is a must movie to watch ;-)

MartinHafer When I see horses, I see either a form of transportation or wonder if they taste like beef. I do NOT get misty-eyed or attach any emotional importance to them. Now don't assume I am a jerk--a lot of guys just don't get all sentimental about horses. Had the main characters been dogs or perhaps cute little orphans, then I might have been more interested. The bottom line is that I don't love horses and the only reason I saw this film was because it had Charles Coburn in it. Now DON'T give me a negative rating just because I feel this way--many people aren't sentimental about them and so I am warning these types of people to stay away from the film.Now if you think about the wind blowing in your hair every time you see a horse or cry because you remember reading stories such as "Stormy" or "Misty of Chincoteague", then this movie is for you! You'll get a huge dose of beautiful horses and you'll get to see them running majestically in the Wyoming hills as well racing in the most exciting sport known to mankind, trotting!!! Wow. Horses,...lots and lots of beautiful horses!!Okay, now depending on which group you are in, the rest of the plot may or may not be very important. The film begins at the ranch where Charles Coburn and his lovely granddaughter live. Playing somewhat against type, Coburn is a surly drunk. The surliness is pure Coburn, but the drunk part is pretty unusual. And, in this case, he's particularly surly because his prize horse ran off with a wild horse (Thunderhead). Much of the movie, Coburn plots on putting a bullet in Thunderhead, but eventually he and the other renegade horses are caught and none of them are turned into dog food (yay).A more prominent plot that unfolds just a bit later is about a neighbor and their son's seemingly bone-headed decision to buy a new horse while he's away in the city. However, you know based on the type movie it is that this new and very spirited horse will one day prove itself--you just know it.I really don't want to discuss the plot much more--partly because I'd hate to spoil it and partly because I just don't feel like it (after all, I am not a horse movie fan). My only real reason for watching it was for Coburn and in hindsight, it wasn't worth it. This is especially true because towards the end, a very old and fat Coburn is entered in the biggest trotting race in the country (as a jockey, not as a horse) and this just seemed ridiculous! Now I must say that it really looked like Coburn was driving, so they did a good job of faking it, but just who would believe that a 71 year-old man who probably weighed close to 300 pounds would be a jockey?!?Regardless of the silliness of this casting decision, the movie is competently made--just not all that interesting unless you absolutely adore horses. At least the film was professionally made and I could respect its production values--unlike MISTY, which I think was made for a budget just over $49.95.

moonspinner55 Peggy Cummins, adopting an amusing Irish burr, plays one of those dungaree dolls who are crazy about horses and the neighboring teenage boy, wearing her blonde hair in tight pigtails and taking a stern hand with her hard-drinking, rough-hewn grandpa as if she were in-training to be his wife. The script for this family film, based on Mary O'Hara's book--and sort of a second-cousin to her popular sagas "My Friend Flicka" and "Thunderhead, Son of Flicka"--is perfunctory without being exciting, and the movie is so well-scrubbed it's beatific. Narrator Burl Ives also appears, playing a guitar-strumming ranch-hand (he entertains at the teen-dance singing the totally inappropriate novelty, "I Wish I Were Single Again") and Charles Coburn is Cummins' grandfather, who blames a mythic wild horse from running off with his mares. Charles G. Clarke's picture-postcard photography was Oscar-nominated, and deservedly so: his rich Technicolor panoramas display beautiful blue skies and vast mountain terrain, handsome ranch houses nestled in the hills and even horses who seem satisfied. The climax at the sulky races isn't a crowd-pleaser, but the film may placate animal-lovers even though it's all been done before. **1/2 from ****

vironpride Mary O'Hara's trilogy, "My Friend Flicka," "Thunderhead," and "Green Grass of Wyoming" have been a treasured part of my life since I was a child. However, the three films made from them vary widely in quality, meaning specifically to their relationships to the books upon which they are based. "My Friend Flicka" is by far the best of the three, and "Thunderhead, Son of Flicka" (as it was renamed) was not bad, though each contains minor changes from the books. However, "Green Grass of Wyoming" is a total disappointment. The plot is changed so much that it bears almost no resemblance to its source. For instance, "Crown Jewel" is made into a harness horse instead of a "superb English Thoroughbred," as she is described in the book, and Burl Ives appears in a totally unnecessary role. Forget this film and go to your local library and read the book (if you can find it). This is one case in which the book is far better than the film!