Alonzo Church The town of Julia SC is approaching the 40th anniversary of the assassination of its leading civil rights figure, just as it is contemplating tearing down GOSPEL HILL -- its historic black district -- for a golf course. Can the many characters of this drama find redemption in racial reconciliation, or will it ignore its history for the price of a few jobs from a rapacious developer?This fascinating drama, which works harder than any recent movie I have seen at capturing the rhythms of the current-day small-town South, deserved a bigger audience than it is getting on DVD and cable. However, the movie does not entirely succeed, simply because it is trying to depict a fairly complicated community in two hours, and to get its mission done, it reaches far too often for handy clichés. (You know the ones -- outside corporations are by definition super-evil, every white man is at least a little bit racist, and there is a rich cabal outside the main action of the drama who really control everything.) The most successful dramas in recent years dealing with smaller communities (Twin Peaks, Friday Night Lights) have been TV shows which have more time to develop characters and a sense of community. This movie, which has too many major characters to develop, has the right idea in its pacing, and its allowance in all but one of its main characters some shades of gray. But it can't quite get to a believable conclusion of redemption, because the movie running time was not there. Considering the elephantitis of so many content free films these days, it is a shame the movie makers did not have the budget or the runtime to put more meat on its fascinating subplots.This guy needs another chance at his subject. Because he understands the South, and the way that southern towns are so often haunted by their past. Hopefully, he'll get a miniseries on cable to demonstrate it.

blankasky I just had the pleasure of seeing this film at the Albuquerque Film Festival and have to say that I was severely impressed. I have not been moved by a film in this way for quite some time. The move this movie made away from the stereotypical negativity that can blanket this genre was a breath of fresh air. When you consider the short period of time taken to shoot this film(19 days)it becomes that much more of a wonder. Being that this is Giancarlo's first project as Director, I greatly look forward to his next. I also had the pleasure of hearing him speak about his vision for this movie at the festival after the viewing and I have to say that his intentions ring clear. I am a better person for having seen it.

dbborroughs Giancarlo Esposito directs and co stars in the story of a town with racial strife in its past thanks to the killing of a civil rights leader decades before. As the ghosts of the past are woken up and a new corporate threat comes to town the people in the town are forced to make some choices. Well made and well acted tale wants to hit one out of the box in examinations of race and community, but is mired with a script that never completely shakes off its well worn cloak. We've been here before and while much of the film works, it still relies on cliché (there is something about Julia Stiles character that just doesn't ring true). I think perhaps the film is trying to do too much, there are a good number of characters and all are given a certain amount of time. I liked it, but I didn't love it. Of course the DVD cover made it look like a thriller or mystery, which while it has elements isn't what it really is.

nylaphx Long been a fan of Giancarlo Esposito and it was great to meet and talk with him at the Sedona Film Festival where this film was shown. It is a sweet story full of redemption for many characters, not a shoot em up, car chase movie so maybe it is not enough for many viewers. It is a very good film and I would highly recommend it to all. The acting is excellent and the direction sharp. It's a great reminder of how some of the more difficult times in this country have contributed to the world we live in today. Of how as humans we control our ability to forgive and forget or not.My only real criticism is about Julie Stiles character Rosie, I kept waiting for her the truth of her interest in the story to be revealed it just didn't quite work for me.But all in all I would say it was a great first directorial effort and I look forward to his next project.