TheLittleSongbird The only thing in Gor that showed any signs of energy and effort was the music score, even if the placement didn't always come off right that at least had some vigour and soul. And there is the odd moment that offers some very mild cheesy fun.Other than that Gor, for personal tastes and many others, was extremely weak. It is very cheap-looking, the photography for the cheapest-looking fantasy TV show is better-looking than the slapdash photography for Gor, the sets are drab, the effects look half-finished and the costumes is reminiscent of plastic and left-over fabric. The dialogue is incredibly inane, it offers some mild campy amusement to begin with but gets really tiresome after a while, and so unnatural its flow that it's like hearing some really bad dubbing. Gor's story lacks any kind of wonder, excitement, fun or suspense(sense also applies here). Instead it has many daft and irrelevant scenes, is so episodic in structure that it becomes painfully predictable and while it was never easy fully understanding what was happening the final third really took the biscuit, being deadly dull and incoherent. The ending is rather abrupt as well and the fight scenes are hilariously bad, primary school playground fighting is better choreographed and more realistic-looking.The characters are too cardboard and act far too obtusely to allow us to properly connect with them or be interested in them. The film shows a completely inept character at work in Fritz Kiersch and the acting from the two leads is atrocious, Rebecca Ferratti's sexiness is not enough to make up for very expressionless acting and Urbano Barberini is even worse, his cornball line delivery gets annoying fast and he spends the entire duration acting like a buffoon. Gor also has two talented actors on board, unfortunately their talents are very poorly utilised. Oliver Reed is underused and while he always excelled in villain roles this saw Reed going through the motions. Jack Palance is even more wronged, like Reed it was playing villains where he particularly excelled as an actor but that doesn't translate here, his appearance is pretty pointless actually(screen time and purpose of character) and he spent his whole screen time confused and pained.Overall, extremely weak aside from the music with two talented actors embarrassingly wasted in roles that would have suited them to the ground if treated right. 2/10 Bethany Cox

mergatroid-1 I honestly don't know why they bothered making this movie (or Outlaw of Gor either).Now, I know that people are tired of listening to the fans of books put down movies because they stray too much from the books, but in this case, listen up. They didn't just "stray" from the books. This is nothing like them at all.In the books, there is a counter Earth called Gor. This planet orbits our sun directly opposite the Earth, so it cannot be seen. The "Gods" of Gor are a technically advanced race of giant insects called the Priest Kings. These insects use their technology to prevent humans on Earth from detecting Gor.The Priest Kings realize that humanity is close to destruction by their own hand (nuclear war) and so they bring a large sampling of Earth's population to Gor, but forbid them from making any form of technology other than medical. Because of this, Gor has developed Stabilization Serums that allow them to stop ageing.The people of Gor are organized into a caste system, with slavers, warriors, builders, physicians and so on. The main character Tarl Cabbot is in the caste of Warriors. He is a professor from Earth, who was kidnapped and brought to Gor. It turns out his father was a leader of one of Gor's city-States called Ko-Ro-Ba.The books are all based on his learning the way of Gor, and becoming the best swordsman the planet has ever seen.Because of the sampling of humanity brought to Gor, the peoples there are separated into areas of the planet they would naturally be from on Earth, thus you have Viking like people in the north, Arab like people in the desert and so on. Many of the books take place with the main character in different areas of the planet amongst different peoples.Due to the caste system on Gor, they have developed slavery. All slaves are branded and become property of their masters. Many women are used as pleasure slaves, and the author John Norman often goes overboard (especially in the later books) trying to convince the reader how women naturally want to be dominated by men. He gets so involved in this in his later books that I often found myself skipping chapters that had nothing to do with the story.All of this back-story is basically completely missing from the movies, and the Priest Kings have been relegated to being played by Jack Palance's Xenos character.So, basically, everything that made this book series "epic" was removed, and they made it into a bad warrior-journey movie ala The Beast Master.One of the problems is that they may have not had the budget or the capability to pull off some of the great things about the books, like some of the encounters between the Priest Kings and their deadly enemies the "Others", or the ability to see Gor's warriors riding their mounts, Tarns, which are giant hawk-like birds (I can just see them trying to pull this off at the time and failing miserably).The book that follows the first two, The Priest Kings of Gor, Cabbot actually goes to the mountains the Priest Kings live under, and meets them and is involved in a civil war between the forces of The First and the Fifth (those are the leaders of the Priest Kings, as in the first born, and the fifth born).Nothing like these characters, events, or even the true nature of the Gor books is even touched on in these two complete failures they called movies. They should have just called them something else considering how bad they were, and how little they had to do with the books.Personally, I think that if they were to make a real attempt at making these books into new R rated movies, they could have some real block busters on their hands. They could remove 75% of Norman and his fetish with dominating women, but still had a great, bloody, sexy series of movies that could interest a lot of adult scifi/fantasy fans.As for the movies, just skip them, They're so bad they will leave a bad taste in your mouth. Just don't let it stop you from reading the books.

fdpugh Many of the negative reviews compare this to an apparent book series. I know nothing of those books, nor their author. I thoroughly enjoyed this movie - of course in the proper context of 80's pulp sci-fantasy.This film did not have the "big name" actors that other contemporaries did, but it was a generally coherent story. Full of cheese and B-grade schtick, this film will not inspire or thrill you as Conan may have - it is definitely on par with others (Red Sonja, Fire & Ice, etc.) It's an Italian film I gather, and if you know anything of spaghetti westerns, expect similar production value.This is NOT for fans of "A" grade barbarian films (are there any really?), nor apparently fans of the fiction upon which this is (loosely) based.

massive_death Man, oh man. This movie pushes the limits of badness. I can't imagine anyone watching this movie for any reason but to laugh at it. As a comedy, this is great. Witness classic moments such as when the heroes just jump into a cart being dragged across the desert, in plain view of the enemy soldiers, and nobody notices! This is a great movie to watch with a bunch of friends, especially if you like to hear your friends howling with laughter. And then, after the flick's over, you can tell them a great joke: There are people for whom Gor is a sexual fetish. And then, the punchline is that you aren't kidding.