Horst in Translation ([email protected])
"Good Bye Lenin!" is a German film from 12 years ago that runs pretty much exactly 2 hours and features some of Germany's most known actors back then and today: Daniel Brühl, Katrin Saß, Maria Simon, Florian Lukas, Christine Schorn, Michael Gwisdek and Burghart Klaußner. A lot of these also received quite some awards recognition for their work here and this movie in general is among the most famous German films abroad as well, especially looking at movies made in the 21st century. I would say that only "Lives of Others" and "Downfall" are more famous from recent German films. So "Good Bye Lenin!" also scored a Golden Globe nomination and BAFTA nomination as well as tons of wins at the European Film Awards, German Film Awards and other ceremonies all around the globe.The story is a bit absurd, but as a whole they made it work I guess. A woman (devoted socialist) is in a coma and misses the Fall of the Berlin Wall and the German Reunification. When she wakes up, her children are instructed from the doctor that they have to keep any drama and tension away from her, so what is their plan? They act as if nothing happened and re-enact the GDR for her. When she leaves the apartment one day, they just make it look as if it was all the other way around: People from the FRG fleeing into the GDR so that she does not start to have doubts in her political ideals. And in the end, the fall of the Berlin Wall upside down as well. I think this is a good movie and the script is certainly the biggest strength. Well-written and as no less than 5 people worked on the script, this is finally not a case of too many cooks. Besides writer and director Wolfgang Becker, the most crucial one may be Bernd Lichtenberg and I am really surprised to see that he did not make any other scripts for movies in the last 12 years.Anyway, there are moments in terms of comedy and drama in this film that did not entirely convince me, but I don't think it was bad enough to leave a sour note on the film overall. All in all, I guess Becker found the right mixture between these 2 genres. Still I must say that I didn't feel that the acting was as outstanding in here that it would have justified all these awards. Then again, I am far from being a great Daniel Brühl fan. Still, I like some of his works, for example "Das Weiße Rauschen" or "Rush", which almost got him Oscar-nominated. My favorite scene was probably the one with him at his father's party. Great fan of Burghart Klaußner here and he was brilliant in this couple minutes. The ending with the mother's death and what they showed her finally was very good too. The film could maybe have been a bit more essential if they had done without some of the insignificant scenes. As a summary, I would say that it's a good movie, not a great one, but very much worth watching for everybody with an interest in German history. Recommended.However, I have to finish this review on a negative note. Becker and Brühl reunited recently for a new film and I read about an interview where Brühl compares their longtime collaboration with the one between Herzog and Kinski. All I can say about this is that Herzog has made brilliant films for decades and I cannot see anything in Becker's filmography that comes close to the genius if Herzog's finest works. And Brühl to Kinski is goldfish to whale. No need to further elaborate on that. Looks like his awards recognition really cost Brühl his sanity. Shame, he shows glimpses of talent in some of his works.