JohnHowardReid Director: WILLIAM C. McGANN. Screenplay: Crane Wilbur. Photography: Arthur L. Todd. Film editor: Frederick Richards. Art director: Hugh Reticker. Costumes designed by Howard Shoup. Music: Howard Jackson. Dialogue director: Harry Seymour. Sound recording: Leslie G. Hewitt. Producer: Bryan Foy.Copyright 3 August 1938 by Warner Brothers Pictures, Inc. A Warner Brothers-First National Picture. New York opening at the Criterion: 19 October 1938. U.S. release: 22 October 1938. 7 reels. 63 minutes.SYNOPSIS: Innocent girl becomes involved in a bank robbery.COMMENT: Early film of Susan Hayward (not her first, however, that was Hollywood Hotel) proves of more than passing interest even to non-Hayward fans. (She has two great scenes, looks terrific, and is her usual fiery, argumentative self). The lead role (despite the billing in the ads for the 1956 re-release) is most skilfully and very sympathetically rendered by Jane Bryan, with an able assist from Sheila Bromley as the no-good Hilda. Ronald Reagan comes over ably enough, though he disappears from the action for long spells and his role is really no more than a support for the Bryan-Bromley plot. Some fine character studies are provided by Rumann (a believable tyrant) and Risdon (her farewell scene at the bus staion is quite touching), Dale and Peterson. McGann has directed with plenty of pace and verve. All told, a fast-movingly suspenseful 63 minutes.

dougdoepke With a slippery friend like Hilda, a dad like a steaming pot, plus a Cinderella dress that could send her to jail, what's poor sweet Connie to do. Well, we find out over a rather mild 60-minutes. It's a 1930's crime programmer from WB, with the usual WB elements-- a brassy blonde (Hilda), gunplay action, and a righteous hand of the law. Here, however, the sweetness of actress Bryan's Connie overshadows these gritty parts. The likable girl's caught up in a vortex of connivance and plain bad luck, that lands her in jail. At the same time, Connie's radiant close-ups, even at the worst moments, amount to a personal showcase that focuses away from the storyline. Anyway, my favorite part is the women's jail. There's real spark in those scenes, and note how similar the girls look, all slim, young, and attractive, like the result of a casting call.Frankly, the storyline's a big stretch, particularly Hilda and Connie's enduring relationship, and that's despite Hilda's frequent betrayals. In fact, the relationship even overshadows Connie's clichéd romance with amiable attorney Neil (Reagan). (Catch Reagan's 1938 film credits-I'm surprised he ever slept.) All in all, the flick's pretty loosely put together, the elements too wobbly to achieve real impact. Nonetheless, probation comes off looking like a pretty humane idea, which I guess is the movie's main purpose.

wes-connors To go out partying, sweet Jane Bryan (as Connie Heath) borrows an evening dress from sassy Sheila Bromley (as Hilda Engstrom). The dress turns out to be stolen (from smartly attired Susan Hayward, in an early appearance). Thus, innocent Ms. Bryan is guilty by association with Ms. Bromley, a "wench" who answers job priority queries with, "Boys are my work." Soon, Bryan becomes one of many "Girls on Probation". Consequently, she loses her job, and sees her "criminal past" jeopardizing her romance with Ronald Reagan (as Neil Dillon). Veterans Elisabeth Risdon & Sig Ruman (as Roger and Kate Heath) and handsome Anthony Averill (as Tony Rand) help make this cheap tale of degradation fun to watch. Bromley is an irresistibly trashy "bad girl".**** Girls on Probation (1938) William McGann ~ Jane Bryan, Ronald Reagan, Sheila Bromley

edwagreen Excellent film dealing with who you meet up. Jane Bryan innocently meets up with her friend, played in fine fashion, by Sheila Bromley. Bromley leads Bryan into 2 horrible escapades leading to jail for both these characters. Bromley, terrific here, is hard-boiled, vicious and will do anything to please her lover.After her first run in with the law, when she is cost wearing a dress that Bromley stole, Bryan meets up with future D.A. Ronald Reagan, whose young girlfriend turns out to be a very young SUSAN HAYWARD.Sig Ruman, as Bryan's father, sheds his comic image here in a totally believable performance as a stern father who will not believe his daughter is not up to no good.This is an exciting film with a great Hollywood ending.