leonblackwood
Review: I must admit, if I knew that this movie was full of subtitles, I wouldn't have bothered with it but once it gets going, I really didn't know what direction the storyline was going to take. At first, it's a simple concept, about a loving couple, Gemma Bovery (Gemma Arterton) and Charlie Bovery (Jason Flemyng), who move to France and become friends with the local bread maker and his wife, Martin Joubert (Fabrice Luchini) and Valerie (Isabelle Candelier), who live in the same community as the loving couple. Martin takes a bit of a shine to the flirtatious Gemma, which he keeps to himself but when she starts an affair a young boy who is studying for his exams, Herve De Bressigny (Niels Schneider), her relationship with Charlie takes a turn for the worse. Martin is a lover of the writer Gustave Flaubert, and he can see Gemma's life is taking the same direction as Gustave's book, "Gemma Bovery", which just happens to be the same name as there new neighbours, so he tries to divert her from her downfall. After planning to leave her husband with her new boyfriend, Gemma's life takes a turn for the worse when Herve is false to leave the village, by his mother. The strain also becomes to much for Charlie, who decides to leave his wife for a while, and when an old flame turns up at Gemma's doorstep, Patrick (Mel Raido), a dramatic chain of events lead to a dramatic ending, which is worth watching. I really wasn't expecting the storyline to turn out the way it did but the rest of the movie was a bit slow. I liked the fact that the quiet Martin, who was completely in the background throughout the movie, knew exactly what was going to happen but apart from that, it really didn't pick up until the end. Gemma Arterton seems to act the same in all of her movies, but she was suited for this role. It did surprise me how easily she started an affair with the local boy, without feeling guilty towards her husband but that was the mysterious thing about there life's taking the same direction as the books. Anyway, it's not the type of movie that I would usually watch, so I didn't have high expectations but I did enjoy the ending after reading subtitles for an hour and a half. Average!Round-Up: For a girl who came into the movie world in 2007 in St. Trinians, Gemma Arterton, 30, has starred in some big movies, like RocknRolla, Quantum of Solace, Prince of Persia, Clash of the Titans, Runner Runner and Hansel & Gretel, so her 8 year career has been pretty impressive to date. Her French accent in this movie was believable along with her flirtatious ways, which ended up getting her in trouble but she has to be careful that she doesn't become a victim of typecasting. Anyway, this movie was written and directed by Anne Fontaine, 56, who has primarily directed movies for a French market, so I haven't really heard of them. I liked the twist in this movie but it came a bit too late for my liking. Budget: €9.7million Worldwide Gross: £4.7millionI recommend this movie to people who are into their drama/romance/comedies starring Gemma Arterton, Jason Flemyng, Fabrice Luchini, Isabelle Candelier and Mel Raido. 4/10
Alex Deleon
REVIEW OF "GEMMA BOVERY" By Alex Deleon: Viewed at Hollywood Press screening, May 21, 2015. Martin Joubert, a semi-retired ex-Parisian literary Intellectual with a tremendous passion for the works of famous French novelist Gustave Flaubert, now runs a gourmet bakery in Normandy in the very village where Flaubert wrote his masterpiece Madame Bovary. During the summer an English couple takes up residence in a small farm nearby. Not only are the names of the new arrivals --Gemma and Charles Bovery -- almost identical to the characters in the book, but their everyday life seems to be following Flaubert's story uncannily, step by step, as Martin stalks Gemma's amorous trail about town more or less discretely, hoping to maybe have a little fling with her himself -- His wife, of course, taking a dim view of his excessive interest in this young beautiful bouncy English broad. Life in a spooky imitation of art? --or what! ~ In the novel the heroine ends up poisoned and dies an excruciating death, so where can all this lead...? -- Director Anne Fontaine, (born 1959 in Luxemburg) is an actress and writer who typically works on female centric pictures such as Audry Tautou starrer "Coco Before Chanel", 2009, but here she really hits her stride.Gemma Arterton (as the tantalizing reincarnation of Emma Bovary) is built along the lines of fellow English lady Jacqueline Bissett at her most buxom (The Deep, 1977), has much of the same charm, and was a real discovery. Fabrice Luchini, one of France's best alĺ around actors, was a taunting pleasure to watch every step of the way as Joubert, the local master baker and Bovary expert, who is enthralled by the very sexy much younger new neighbor from England. He is actually as much the leering center of the picture as sexpot Gemma, but familiarity with the original novel by Flaubert is more or less assumed. Without a fairly good knowledge of French much of the humor contained in the witty dialogue will be lost on American auds. I found myself to be the only member of the full house evening audience chuckling at many points in the picture. Nevertheless, the story itself is gripping, the cinematography gorgeous, and the erotic scenes strapping enough to make this work for higher I.Q. American audiences. I thought the ending was a little forced -- like the tacked on resolution at the end of a whodunnit murder mystery --but who cares when the rest of the picture was so delectable. The fragrance of the breads in the frequent boulangerie scenes were so appetising as to make anyone who has ever been to Paris (or Rouen!) want to get back there ASAP. Overall, a delightful way to spend an evening away from France. Alex, The morning after, still somewhat in cinematic thrall ...
writers_reign
One of the joys of my cinema-going life is the growing number of female directors (many of them actors, almost all writers) in French cinema. Whilst some - Marian Vernoux, Agnes Jaoui, Nicole Garcia, Danielle Thompson, Valerie Lemercier, etc, have yet to notch up a dozen titles, others such as Tonie Marshall and Anne Fontaine have long surpassed this and there is a temptation to say that Fontaine especially is perhaps a tad too prolific. This take on Flaubert is her fifteenth At Bat (a sixteenth is in Post Production even as we speak) and there are those who claim to detect signs of fatigue. With actors of the calibre of Isabelle Calendier on display merely in support I'm not prepared to write this one off. Like Louis Jouvet Fabrice Luchini is primarily a man of the theatre but like Jouvet he is such a consummate actor that he enhances any film he agrees to appear in merely by signing the contract and so it is here. More than worth a look.
