Cristian Is well known for much the story of the dictatorship in Latin America, specially in the south side. This begin in 1976, and is no more than one of the most embarrassing times for any of this countries. Time where innocent, young and old, people who only fight for its rights were tortured in the most horrible ways, with none rake of hope or life. There some movie which treat this topic, "Garage Olimpo" is one of them, is a movie that don't treat a easy thing, is a film that must fight with memory and with the bloody past of us, the Latin American people."Garage Olimpo" told us the story of María, a beautiful young woman who lives in a big house with her mother and a tenant called Félix in the military dictatorship. She teach to old people and too, with other people, fight against the military repression. One day she is taken by some men and go then to a kind of Garage, hide down earth. She now must live horrible tortures by these men, and one of them is Félix. This is a kind of sipnosis for this hard movie. As a Latin American, "Garage Olimpo" was one of the greatest, if not one of the hardest, experiences of my life. This is not a film for fun, or something like that, you must see it with a clean mind, ready and with no kind of worries, i think every movie must see it in that way.Some of the countries that suffer more this was Argentina, Chile and Urugay, between others. It was a hard moment, bloody and really full of injustice, and now, years after, is a situation that really shame much of us, and "Garage Olimpo" is one that Must See and Must Feel experiences, because make you take on count of a lot of things, and is exactly a prove, a response of a lot of the injustices in this moment. There was in 1986 another movie called "La Noche de los lápices", another masterpiece which treat this topic, also in Argentina, but the difference here, is that "Garage Olimpo" doesn't makes you tremble so much as think and too feel really bad."Garage Olimpo" is a sad experience because shown us a city (This was explained by director Marco Bechis who live too some of this dictatorship) divided in two -You feel this all the time with takes of Buenos Aires at night and at day - : Up, the cars move really normal, the kid play and the grown ups work, all is very normal. At the same time, down, people is abused, is sick and without any chance of see, and no thanks to a blanket which cover their eyes, is because, in middle of darkness, they can't see another future better than suffer and finally death. This film shown us a reality that, unfortunately, is see it here, in Colombia, in Argentina, in Latin America, in all the world."Garage Olimpo" is not only an historical achievement, is too a movie for the memory and hearts for the Latin American. Is a movie that get stuck in your mind telling you that something must to change. This is not a positive film, seeing that kind of things, there's not something positive to say.*Sorry for the mistakes...well, if there any.

charlietperez I though that it was hard, if not impossible, to watch, and not because of the horrors it depicts but by the way they were depicted. Imagine what Costa Gavras could have done with this true horror story. What I object to is the idea the need to denounce, which I subscribe to, is enough. What about showing it to us with the power of powerful cinema. I feel that the eagerness of the filmmaker, maybe even the justifiable anger, didn't allow him to see it clearly from a cinematic point of view. Or, if this was a cinematic point of view, I mean, a choice, then, I didn't like it at all. I was more disturbed by the way the movie was shot than by the movie itself. Well intentioned I'm sure, but, unfortunately, that's not nearly enough.

karmabuona This is a powerful, hard-hitting film, depicting the experience of a 'desaparecida' in Argentina at the end of the 1970s. Garage Olimpo examines how 18-year-old Maria copes with a sustained period of imprisonment and torture. One of the most disturbing elements of the film is its exploration of the bond and unexpected power plays that develop between Maria and one of her captors, Felix. Director Marco Bechis deals with the complexity of human relations unflinchingly - asking the viewer to consider the real nature of a range of human responses and experiences: love, hate, attraction, power, sex, sadism, kindness and the almost visceral need for basic physical and emotional contact. He typically heightens the impact of his subject matter through understatement and contrast. This can be seen in his use of sound for example, in which he sets up a ping-pong game or relentlessly upbeat song on the radio as a backdrop to scenes of implied violence. Bechis similarly avoids any direct shots of violence, using the captors' chillingly matter-of-fact attitude or the painstakingly slow build-up to the door closing on a torture room to let the viewers' imagination run riot. This approach is echoed by the cinematography, which after Maria's arrest is largely confined to the undergound network of cells and torture rooms where the prisoners are kept. Bechis uses this framework of restricted vision and heightened sound to reflect and convey the prisoners' experience. This is an unforgettable, disturbing and beautiful film, that sticks with the viewer long after the credits have rolled.

Dario Birindelli I'm not sure this movie will be released where you're reading this comment,but if it is, please,go and see it. you have to. Be prepared though: It's very intense and disturbing, and when it is over you will feel dirty, soiled,shocked. This is a film about Argentina under the Military regime of the late '70s. This is a movie about the desaparecidos, Argentinian citizens kidnapped from their homes from the police and the military,tortured and imprisoned to extort information from them and then, finally, killed, most of the times thrown in the ocean from a plane while doped. Their crime? Trying to fight this regime. The film is almost perfect:great screenplay,great cast,great direction. Essential viewing. For more than one reason. Rating:9