Gamera, the Giant Monster

1965 "Striking down jets, grabbing hold of the Tokyo Tower, flying through the air breathing fire, the giant monster of the century!"
5.2| 1h19m| en| More Info
Released: 27 November 1965 Released
Producted By: Daiei Film
Country: Japan
Budget: 0
Revenue: 0
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Synopsis

A nuclear explosion in the far north unleashes Gamera, the legendary flying turtle, from his sleep under the ice. In his search for energy, Gamera wreaks havoc over the entire world, and it's up to the scientists, assisted by a young boy with a strange sympathic link to the monster, to put a stop to Gamera's rampage.

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Reviews

MonsterVision99 Gamera (1965) its the first movie in the Gamera series of films and its probably the most grounded in reality, for a Gamera film. The film was made, like many other Kaiju movies, to cash in for the success of Gojira (1954), while the two series have many similarities, Gamera follows a very different path.This its the first entry in the series and its a very decent monster movie, better than it needs to be, with some creative ideas, some decent acting (for the most part), good effects and some nice directing, it manages to grab your attention.The film has some flaws, like many other monster movies, like bad acting, some very weird ideas that don't really fit the film, like Gameras flying ability, but it manages to stay interesting, even if it is the typical monster movie.Overall, this its a very decent entry in the Gamera series and a good way to get introduced to the series, but its still too typical.
AaronCapenBanner Rival Japanese studio Daiei, in an effort to compete with Toho studios' Godzilla franchise, created Gamera, a giant prehistoric turtle that is jet-propelled and determined to destroy Japan, and anything else in its way. A young Japanese boy, obsessed with turtles, believes that Gamera is really his pet turtle grown gigantic, and decides to befriend him, after it seemed like it spared his life. The military and scientists are not so friendly however... Filmed in Black & White like the first two Godzilla pictures, film isn't bad, though the idea of a giant threatening turtle took some getting used to! First in an annual series of films that ran several years.
bassplace88 It helps to be a kaiju fan if you watch this as an adult. I was able to see the English subtitled version, and found it enjoyable for what it is. It's monster destruction along the vein of Gojira, albeit a cheaper budget, yet more updated special effects. The movie is short so its fairly easy to get through. I love the atmosphere of black and white, and the seriousness of Gamera as a threat to humanity. There is a child present, but he will not totally turn off adults. I'm not gonna pick the film to pieces and tell you what's wrong. It's just good kaiju fun! This movie is as important to the series as the original Godzilla was to his. I recommend it to all true fans of the genre.
dee.reid 1965's "Gamera: The Giant Monster" is notable for three things: Daiei Studio's Gamera, the giant fire-breathing turtle of Atlantean origin, was the only significant rival to Toho Studios' Godzilla; two, this is the only movie in the "Gamera" series of films in which the titular chelonian does not battle another monster; and three, this was the last Japanese monster movie to be filmed in glorious black & white. Godzilla is my favorite movie monster of all time - "Gojira" (1954) is my favorite giant monster movie, period - since I was first exposed to the badly dubbed Japanese "kaiju-eiga" (Japanese monster movie) series of films as a young kid. Gamera was my #2 favorite monster from Japan. I deeply regret that Gamera never really obtained the same sort of recognition that his other fire-breathing rival did, but that does not mean that the movies were not bad.Directed by Noriaki Yuasa, "Gamera: The Giant Monster" has a plot ripped straight from the original "Gojira," but with a significantly lower budget and lacking a meaningful social and political subtext or emotional resonance: at the height of the Cold War, American and Soviet bombers in the Arctic Circle clash with one another, leading to a Soviet plane being shot down and thus inadvertently detonating its atomic payload. The resulting explosion revives Gamera, who had been imprisoned in the ice for over 8,000 years. Gamera, who breathes fire and can fly, makes a beeline toward Japan where he soon causes great destruction and finds nourishment in fossil fuels such as gasoline and petroleum, and other rudimentary forms of energy. Since Gamera is impervious to conventional weapons and the so-called "nuclear options" are quickly ruled out, only a brilliant scientist, Dr. Hidaka (Eiji Funakoshi), has the means of stopping Gamera's destructive rampage once and for all."Gamera: The Giant Monster" is not a perfect film. I'll say that it pretty much pales in comparison to "Gojira." But that's because the "Gamera" series of films often had significantly lower budgets and one of the most nagging problems with these films were the inclusion of annoying little children as the main protagonists, which helped earn Gamera the nickname of "friend of children" and the films were often marketed as such toward children. (1966's "Gamera vs. Barugon," a direct sequel to "Gamera: The Giant Monster," is noteworthy for being the only film in the series to not feature any children as the main protagonists, and is my favorite film in the series after this one.) And although there is a kid here, an implacable young boy Toshio Sakurai (Yoshiro Uchida), he is at least made useful to the plot and does not become the annoying little nuisance that his successors would eventually become. And he is also sympathetic in some regard since he comes to view Gamera as his only friend (the exact circumstances of this "friendship" are actually quite touching if viewed with an open mind), and likewise we identify with this unique little bond.Having viewed the film for the first time in its original, uncut Japanese format, I can say that "Gamera: The Giant Monster" is a worthy kaiju film, despite its flawed attempts at a pro-environmentalist subtext and as an anti-Cold War message movie (different nations coming together to face a worldwide threat, etc.) The film marked the beginnings of another great movie monster, one who never really got the popularity that he really deserved. But at least since his movies are getting the DVD treatment and are being released in their original Japanese formats, a new generation of Gamera-lovers has the chance to view Japan's heartiest export next since the mighty King of the Monsters himself, Godzilla.7/10