Scott LeBrun "Fubar" is a 100% Canadian mockumentary from writer / director Michael Dowse ("It's All Gone, Pete Tong", "Goon") that delivers some modest chuckles, but works because it ultimately cares about its characters. Paul Spence and David Lawrence play Dean and Terry, two 20 something goof balls who are decidedly unambitious in life. A documentary filmmaker named Farrel (Gordon Skilling) sets out to record their day to day activities, as they live the life of those party animals known as "head bangers".Not really to be mistaken for a rock 'n' roll movie (although the soundtrack *is* ace); music doesn't play that big a part in the story that unfolds. At first, Dowses' film is mildly amusing as it shows us the tomfoolery to which Dean and Terry are prone. It's got a funny enough script, with liberal use of profanity - especially F-bombs. Things do take a sober turn when it is discovered that Dean has testicular cancer, and he's forced to take the matter seriously. He and Terry then confront ideas of life and death, even as they entertain themselves with such things as a camping trip.The no-name cast is quite engaging, especially Spence. Skilling is a hoot as the uptight, seemingly humourless director. Incidentally, the guy in the role of Deans' doctor was Dowses' physician in real life, and he's basically playing himself. A number of the supporting players did actually mistake "Fubar" for a serious doc on the life of the "common man" in Canada.Overall, a likable, offbeat effort. It does bear the mark of a low budget, but it does have some charm that more than makes up for that.Seven out of 10.

paulkayefan Honestly the first 30 minutes of this film is fairly painful as we watch the main characters played by Dave Lawrence and Paul Spence go through their childhood, as twenty-somethings with meaningless jobs and non existent friends and six pack after six pack. Farrel, the documentary filmmaker, decides to follow these Canadian fellows and make a film on their "so-called" life. As one character discovers a health issue that turns his life upside down, the two characters (and the filmmaker) start a journey into the woods and mother nature to excise their fear. It's only at this point that the film really gets going and the director is finally able to take the saran wrap off the characters and let them emote something more than pure silliness. The production value is low but the story while simple is executed well. Look forward for the Director's next film about a deaf deejay: All Gone Pete Tong.

leokalika Although filmed in Calgary, any Canadian can identify the unique cultural phenomenon of the aging headbanger. This movie is a brilliant little mock-umentary that is funny and quirky enough to become a cult classic, and is definitely worth seeing. We are taken into the world of Dean, a wannabe bass player, and Terry, a swamper in a furniture factory. The two buddies give the audience a candid look at their lives, captured by documentary filmmaker Farrel Mitchner, whose accidental death is captured on film. The actors fool anybody who isn't aware into thinking that this is a genuine documentary, so it's fun to watch with an unsuspecting friend. A Canadian comedy accessible to any open-minded North American viewer.

billchiu it's a liberating film work. however, the cuts, the deliberate 'background music track', the interlocking of drama - its too tedious and predictable to feel real - if once in a while you end up saying to yourself 'no.. that whole scene feels really fake' or 'ahh, is it message time again?', it gets in the way of the enjoyment of the film. Suggestions for next film - don't over edit it, leave the footages alone as much as you can, trust it to do its own thing on the audiences - it'll work better.