Tweekums Up until a few days ago I hadn't heard of this film but when I saw it listed in the television guide and read that the always excellent Shirley Henderson was in it I decided to give it a go. I'm glad that I did as it was pretty good.Shirley Henderson plays Kath a woman who can't get over the disappearance of her sister two years before. She is convinced that somebody has done something to her but the police have no evidence to suggest foul play. The only real clue is CCTV footage which shows her entering an alleyway but doesn't show her leaving. Kath is helped by the CCTV operator who lets her review the tapes and by her Counsellor who she discusses her problems with. I won't say anything about the ending as I wouldn't want to spoil it for first time viewers.The film is fairly bleak, both in the subject matter and the way it is filmed, there was a constant sense of isolation and cold. As I'd expected Shirley Henderson did a great job in the leading role, the supporting cast also put in good performances, I especially liked Roshan Seth as her counsellor. While I did enjoy the film I felt it looked more like a superior television production rather that a cinematic production intended for the big screen, not that that is necessarily a bad thing, it makes a nice change to see a thriller with no guns in sight let alone the explosions that seem de rigueur these days. If you get a chance to watch this fine film I'd certainly take it.

dean thacker After watching the trailers and reading the plot summary, i was bitterly disappointed when i finally got to purchase this film on DVD (aug 2006).It starts off well but never really goes anywhere> There are a few good comedy moments and the scenery is breath taking but not enough to make me want to watch it again. I was expecting as implied in the trailer and plot outline a science/fiction fantasy type film. Then it turns out to be your usual who dunnit murder mystery. The film really captures that typically British (nothern) black humour/despair in a very gritty way. The characters are very believable You would think with all these good elements it would make a very good film but unfortunately its general lack of pace lets it down. you are always expecting something exciting to happen but it never really does if it had been shorted by 20 minutes it might just have worked.

boab I looked forward to seeing this film as it features the Scottish actress, Shirley Henderson, who I have really admired for years and who finally gets a starring role here. This story of a woman's search for her missing sister feels quite relevant to today's newspaper stories of disappearing women. As the grieving Kath (Henderson) begins her search, the film takes on the form of a thriller and this story unfolds in a measured way that becomes totally mesmerising. The escalating tension is well judged, never letting the audience get ahead of the plot. What is pleasantly surprising are the strong performances that director Juliet McKoen gets from all her actors in her debut film. As expected, Henderson is superb, but I would also single out Richard Armitage as the Port Authority boss who helps Kath with her investigations into CCTV footage of her sister and who gives a performance of some subtlety. The treatment of Kath's encounters with the counsellor, movingly played by Roshan Seth, also treads a fine line emotionally.The sense of place in this film is palpable and is one of director McKoen's real achievements. You feel she knows the territory. The film is set in the port of Fleetwood which makes the film visually very distinctive. There are also strong scenes on Morecambe Bay producing some beautiful images of desolation that are quite haunting. The scenes of Kath and her fellow workers at the fish factory are well handled, though I would have liked to see some of these actors given more to do. It is a tribute to McKoen's casting efforts that many of these smaller parts are played by actors who have a track record in British TV drama. But it is Henderson, with an impeccable Lancashire accent, who carries the full weight of this film as she appears in virtually every scene. With some powerful close-ups of her expressive face, we really get inside this character's mind. There is a seriousness about this film which is to be applauded in an era when I, for one, find many filmgoing experiences instantly forgettable. There is plenty to think about here and this is one that stays with you

ohtheknives I recently saw 'Frozen' at the 2005 RiverRun International Film Festival, and I must say I enjoyed it. However, I don't think it's a film you'll watch over and over again... explanation: The basic synopsis of 'Frozen' is a girl, Kath, is curious about what happened to her sister, Annie. Is she alive? Dead? Living a new life? When Kath finds some evidence showing Annie the day she went missing, she becomes almost obsessed with finding her. It's not the most original plot you've ever heard of, but it is pulled off very well for what it is.Along Kath's "journey," you'll meet a few central characters, though after all is said and done, I find some of the characters --or more importantly, the one emphasized most (a therapist/priest character)-- has little to no real relation or development to the plot and could've been done without or built upon in many areas. Though the acting is convincing throughout, it's because of this that some of the exchanges can feel as if they're unnatural or dragging (even at a 90min. runtime.) What the previously mentioned slacks on, 'Frozen' more than makes up for with visuals and sound. The film uses lots of blues and dark greens, which give it a very cold feeling. This pulls you in to relate to the character, who describes herself multiple times as feeling "frozen." The camera work itself is good as well, with some very good shots scattered about. The sound is equally cold as the visuals. There's not much use of music here, which further helps with the feeling of isolation.Overall, the movie is nothing amazing, but even considering the flaws, 'Frozen' is a very good and interesting watch in the thriller category (especially considering what's been passing as "thrillers" lately.)