Rainey Dawn The film is slow, ice cream melts faster that this film goes. I like some slower films but this one is too slow. I also like movies that put people on, or rather, in ice - frozen. The Man with Nine Lives (1940) with Boris Karloff is an example of a film I think is good concerning someone being frozen (or in a form of cryogenics).It's just like the plot reads: A man is working in a form of cryogenics, a state of suspended animation and decides he needs to test it. Just before he is frozen, his wife is killed and he is suspected of murdering her. - The film holds true to this description.It's nothing special, just a simple low grade B film that needed some spicing up and a little more speeding up to make it more interesting to me.2/10

Richard Chatten Made and set in Berlin under a veteran British director with a largely German cast and crew (the stern presence of Walter Rilla is always a sure sign during this period that we're watching an Anglo-German co-production) and a characteristically noisy Germanic jazz score; the title 'Frozen Alive' suggests an early film on the then hot (if you'll pardon the expression) subject of cryogenics: a word never actually used in the film itself. Unfortunately it proves disconcertingly similar to the previous year's 'The Mind Benders' (1963), which showed far less interest in the potentially fascinating subject of sensory deprivation than - as with this film - the marital problems of the scientist at the centre of the narrative.Delphi Lawrence is, however, a blast as Dr.Overton's glossy blonde wife - supposedly a famous fashion journalist, and with distinctly Germanic dress sense -  first seen pouring herself the first of many, many drinks with a cigarette hanging out of her mouth as she also pours out her heart to her long-suffering German lover (Joachim Hansen). The film's production values, photography and pacing feel more like a TV production of the period; and even at just 75 minutes it feels wearisomely drawn out (such as a bizarrely irrelevant sequence in a bar with Joan Overton and her lover watching a fire-eater, of all things). Occasionally the film cuts back and forth between Overton in his lab and his wife's drunken maunderings as if something sufficiently dramatic is happening that actually calls for such emphatic editing; and even Ms. Lawrence begins to outstay her welcome when she starts waving her lover's gun about as if it's a toy - although it results in a wonderful death scene; both ludicrous and then moving as it finally sinks in on the poor woman just how completely she's screwed up...After meandering for so long, the film then suddenly rushes headlong towards an extremely abrupt conclusion - as if director Bernard Knowles has finally realised that if it's going to be sold as science fiction, 'Frozen Alive' needs some laboratory footage to include in the trailer and on the posters. Wolfgang Lukschy (reunited with his recent 'Fistful of Dollars' co-star Marianne Koch), as Inspector Prenton goes out of his way to be as boorish and unprofessional as only the detective in a German crime film can be (while his sidekick provides one of the film's occasional flashes of mellow humour by actually showing an interest in what the scientists are getting up to and ruefully pleading with his boss "Can't I watch, sir?" when instructed to watch the door while Overton is defrosted).Apart from Ms. Lawrence, the other Brit in the film is the veteran actor John Longden as the avuncular Professor Hubbard, making his final film appearance 35 years after starring in Hitchcock's 'Blackmail' (1929).

Leofwine_draca Well it's a great title for a B-movie, but this simply has to be one of the dreariest and dullest films of all time – a film that even comes close to rivalling the obscure Filipino flick THE THIRSTY DEAD in terms of sheer awfulness. Although the title makes it sound like an engaging little thriller and the advertising sells it as a science fiction movie, in reality this is a boring little crime thriller from West Germany. Now, I'm all for German films from this period – the '60s krimi adaptations of Edgar Wallace stories were atmospheric and excellent – but this flick totally misses the ball, coming across more as a stilted soap opera rather than anything else.British director Bernard Knowles was a celebrated cinematographer in his day, shooting movies for Hitchcock, before turning his hand to direction with many television series during the 1950s. Unfortunately those TV episodes seem to have rubbed off in terms of this talky, plot-free mess. After an inordinate amount of time, a leading scientist decides to test his new suspended animation gear on himself, only for his wife to accidentally shoot herself at the same time. The police, naturally, suspect the scientist of murder...The problem is that this storyline doesn't actually happen until the hour mark – and before then we get talk, more talk, and some dialogue thrown in too. The script is unappealing, the characters unendearing and the actors frankly awful – there's more ham here than on your local chiller shelf at Tesco's. Delphi Lawrence as the drunken wife is the worst culprit, while other cast members veer between wooden and hammy. There's absolutely nothing in the way of action in the entire movie and the ending, while rushed, manages to feel dragged out in itself. This really is a non-starter of a film, with the short running time – 75 minutes – easily feeling like three times that amount. It took me three goes to finish watching FROZEN ALIVE and I consider myself somebody with a good attention span, so my advice is to give this one a miss...

Michael DeZubiria I must have seen a lot more bad movies than the other reviewers who have reviewed this movie on the IMDb, because while it's definitely a long defunct sci fi flick, it wasn't THAT bad. In the world of bad movies, Frozen Alive is nowhere near the bottom of the barrel, but it's still pretty unendurable. The story is flat as a pancake and is never interesting, but the main problem is that it is so clearly two different kinds of movies squeezed into one, and the result just doesn't work.A scientist is working on a system of deep-freezing monkeys, and then decides to use himself as a human test subject. Unfortunately, just before his own deep freeze, his wife dies a violent death and he becomes the prime suspect. The police investigators, of course, come knocking just as he is entering deep freeze, which is not exactly a quick catnap that he can be shaken awake from.One half of the story deals with the scientist, a mid-50s or so man with salt and pepper hair and intense facial features, and his enormously alcoholic wife, a blonde bimbo who looks no less than 30 years his junior. It's too bad that they have no chemistry on screen whatsoever, otherwise this portion of the story would have been slightly less pathetic. The scene where he is holding her in his arms and telling her he wants them to try for a baby is highly disturbing.The other half of the story deals with the deep freeze experimentation. This is the part that would make this a sci fi movie, although there is nothing really sci fi about it. If he had frozen himself and woken up in another time, then you have sci fi. Instead, he just freezes himself and then wakes back up. Who cares? As a result, it comes off as nothing more than a goofy crime drama soap opera about a guy trying to design a perfect cryogenetic freezer. And it's a shame, because there's a chance that there could have been two separate, and much better, movies made with this story...