Devon Ull I am retired, I watch movies every day, I collect them and I only stumbled across this gem in 2017. There should be more than just 23 reviews of this wonderful film so I am adding mine. I thought the movie Clerks was brilliant, and I think this movie is similarly brilliant. Similar themes, similar presentation, similar degree of profundity, but Free Samples is much more friendly and the acting is far more charming. And the charm stays with you as you contemplate the possibilities.

Hellmant 'FREE SAMPLES': Two Stars (Out of Five)Pointless and annoying indie comedy film about a law student dropout who goes back home to Los Angeles to 'find herself' and runs her friend's ice cream truck for a day. The film was written by first time feature film writer Jim Beggarly and directed by first time feature film director Jay Gammill. It stars Jess Weixler and features cameos by Jesse Eisenberg, Jason Ritter, Matt Walsh, Whitney Able, Halley Feiffer and Tippi Hedren. The supporting cast is the film's one saving grace but I found Weixler's character (which is in every scene of the movie) to be highly annoying and depressing.Weixler plays Jillian, a Stanford law-school dropout who moves back home to Los Angeles to figure out what she wants in life. The film takes place all in one 24-hour period and begins with Jillian getting wasted at a bar one evening (while hanging out with her friends). She's been on a six-month break from her boyfriend and meets a young man, she calls Tex (Eisenberg), who asks her out on a date (but forgets him when she's sober). The next morning she agrees to fill in for her friend Nancy (Feiffer) at her job, running an ice cream truck for the day, so Nancy can go to a family drug intervention for her brother. Jillian spends the day dealing with crazy customers and old friends as she argues with everyone and feels sorry for herself. I like character driven movies (where nothing really eventful happens) but I have to care about the characters in some way. Jillian here is way too negative and antagonistic (to everyone she meets). While filling in for her friend she probably ruined her business and scared away all the customers! Why should I care what happens to her? In the end she of course comes to some kind of a revelation and seems like she might change but it isn't very convincing and seems tacked on. Her overwhelming cynicism makes the whole movie seem cynical but most of all it's just annoying. I couldn't stand the main character. Eisenberg, Ritter and a few others are likable in the film but their parts are way too brief and underdeveloped. Most of all the movie felt like a film for trolls (all about how trolls live and torment others). I don't want to see a movie like that.Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=6JDL6l-UAwQ

dferguso44 Pretty much, this film is about the wonderful, quirky Jess Weixler. When she acts opposite Tippi Hedren you see the full array of her facial expressions. The story doesn't move very fast, nor is there much of one, but if you like films like "Juno" then you should like this, although it's not in the same class as the aforementioned.The somewhat vacuous storyline and the rather dull setting, IE a bashed up ice cream van in a sub-urban parking lot are non-the-less brightened up by the excellent Jesse Weixler.If you like your movies full of action and special effects then forget this one.

joeymaloney12 was a total and complete sucker for this film.If I were to write and direct a movie about gangsters or crime, this would be it. I wouldn't change one damn thing. Not a thing. Everything in this film was, to my eye, perfect - casting, the camera-work, the excellent dialogue ("It's been emotional.")Now I don't have much to compare this to, and I've heard some criticism that it basically draws quite heavily from older British crime dramas. I've got a bunch of these on my queue to rent, but I doubt you could make a crime film better than this.This film oozes with style, class, dark humor, plot twists and turns, and doesn't drag one bit. The casting and characterization is perfect, and Ritchie isn't afraid to move the cameras around; no pretense is really made here at "realism" - Jay Gammill doesn't mask the fact that it's a film and he runs with it.I really don't think of myself as easily impressed, and I have seen a hell of a lot of films in my time, but this one instantly made my Top 10 after only a single viewing. Yes, I'm raving about it, and while it may not be "spiritually enriching" or contain any deep sociological content (which I actually do look for in films), somehow it still scores as one hell of a film; memorable and entertaining, and stands up well to multiple viewings.I am a bit dismayed to see some of the marketing of this film comparing it to other things like Juno. It really does it a disservice because this film really is its own phenomenon and stands on its own two feet; if anything it is similar to Juno films only because it actually has its own bold style.