Spikeopath Fort Vengeance is directed by Lesley Selander and written by Dan Ullman. It stars James Craig, Rita Moreno, Keith Larsen, Reginald Denny, Charles Irwin and Morris Ankrum. Music is by Paul Dunlap and cinematography by Harry Neumann.As written there's a whole bunch of interest in this otherwise routinely staged Oater. On the surface it's a good brother versus bad brother theme, as Dick (Craig) and Carey Ross (Larsen) flee problems in the States by crossing the border into Canada and join the famed North West Mounted Police. Carey Ross is the tempestuous young brother, Dick Ross the wise and reasonable one. There's trouble afoot with the Indians, Sitting Bull (Michael Granger) is on the warpath and wants to unite with the Canadian Blackfoots to wipe out ole whitey.Running at just 75 minutes, Selander crams as much action in as he can, unfortunately this is at a cost to narrative promise. The story is set just after Custer's folly, and thus the Canadian Red Coats are dealing with the aftermath of the Blue Coats' ventures down across the border. On the Native American front, Sitting Bull is using devious tactics to stir up his wrath, but Blackfoot leader Crowfoot (Ankrum) still believes peace is possible. But with Carey Ross now a loose cannon on the Red Coat side of the fence, this part of Canada is turning into a powder-keg.There's a lot of fascinating historical ideas ticking away here, but the nature of this sort of production means nothing is ever expanded upon. The action scenes are competent, though the fisticuffs choreography is poor, and I'm still not exactly sure what Rita Moreno's character has to do with things? She seems to exist just to tease the men, unflatteringly so! The Cinecolor looks washed out, meaning the potential airy vistas lack vibrancy, while you will search far and wide for an acting performance of note. The various narrative strands jostling with each other for notice in the picture keeps things watchable, while the finale does pack an emotional punch, but ultimately it winds up as a time filling second string feature that is quickly forgotten once the credits do roll. A shame that. 6/10

mountaingoat100 James Craig, long past his Hollywood heyday, and Keith Larsen, a bland, rugged youth, are brothers on the run from the law. They decide to seek refuge in the Great White North. Luckily for them, the recruiting standards for the Royal Canadian Mounted Police seem to be low. They don't run any background checks, taking them at their word that they are honest types who would love to take the Queen's shilling. Benign, old duffer Reginald Denny is soon kitting them out with Mountie outfits. Squaw woman Rita Moreno tries to catch the eyes of the brothers. The future EGOT winner did a lot of these "exotic" roles at this stage of her career, and is unconvincing here. There is a stab at historical accuracy with the introduction of Sitting Bull and his tribe, fleeing Little Big Horn. They are given an eccentric speech pattern and a yearning to recover their old hunting grounds. Clearly, they are doomed. The setting is a bit different to the majority of Westerns and most of it is shot outdoors. However, dramatically it is uninvolving and lacks credibility

glen_esq Yea for Hollywood! I thought Raoul Walsh's Saskatchewan (1954) had the market cornered on placing mountain ranges in Saskatchewan. But no, Fort Vengeance beat Raoul to it by a year.This film is about as silly a portrayal of the North West Mounted Police as you'll find, so perhaps it warrants more than the 1 star rating I have given it. But it's so awful I didn't get the "so bad it's good" buzz I was hoping for.The movie set for Fort Vengeance is a sad affair, the producers went all out providing about 100 feet of ramshackle log fencing to give the movie some shots of the fort compound. Quite a let down for a fort with such an imposing name. I dug the fort's adobe guard house though, a nice bonus I suppose when your movie is set in Saskatchewan, but you film outdoors in California.Mountains, forests, and adobe buildings, yes this is the southern Saskatchewan I know so well.Sitting Bull sets his warriors loose on a Canadian wagon train which is fun, because 1) the Sioux didn't kill anyone while in Saskatchewan, and 2) the Canadian west didn't have wagon trains (um, Hollywood, that was YOUR country's history not ours). The Mountie's fur hats were neat-o, particularly when they wear them throughout the movie in mid summer. I'll have to remember that trick when I'm hiking among Saskatchewan's mountains (known here as hills) in the summer.Some of this fine film's other attractions - a young Rita Moreno has a few lines and does a few turns on the dance floor, the Indians all conveniently speak English, and yes, in the end the Mounties do get their man.

bux This is pretty much a routine 50s Oater, set in the Northwest. The story concerns two brothers working for the RCMP, one good, one bad. It gets a boost from a better than average cast, nice color cinematography, and a fine score by Sawtell.